Whilst celebrating a graduation at a secluded vacation home, a group of college students find themselves targeted by a sadistic killer who forces them to play a deadly game of killing one another in order to survive.
A young Japanese woman who holds the key to stopping the evil spirit of Kayako, travels to the haunted Chicago apartment from the sequel, to stop the curse of Kayako once and for all and ... See full summary »
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
A group of college students visit a secluded vacation home to celebrate their upcoming graduation. The fun doesn't last long when a sadistic psychopath forces them to participate in his deadly contest. The rules are simple -- in order to survive they must kill each other. As tension builds, and relationships begin to crumble, they realize that only one can make it out alive. Could you trust your boyfriend? Your girlfriend? Your best friend? Only one can go home. So who will be the last man or woman standing? Written by
Interesting premise ruined by soap opera-ish character relations
A welcome new take on the slasher genre, Kill Theory starts out quite well, but soon deteriorates into TV teen-soap territory because of the ill thought out character relationships.
The titular kill theory of the villain only works because the characters are pretty shallow and have a common backstory straight out of a bad Gossip Girl story strand. It would have been much more interesting if the group dynamic at least resembled one from the real world where friends do not necessarily hold old grudges and girls might not viciously fight over guys who seemingly do not even deserve it. This way the plot becomes repetitive and predictable quite soon.
It's sad that instead of really working the new angle, the filmmakers only used it as a hook to dress up the same old same old. Acting is solid throughout, apart from one spectacularly bad choice. The actor playing the "put upon fat guy with strong complexes and deep resentment waiting to surface" plays just that with all the cliché choices one might associate with the cliché role, plus overacts so badly that he completely kills all the scenes he is in. He should go back to acting school or look up "restraint" in the dictionary. (To be fair to him, the director might also be to blame; how could he let the guy screw up so disastrously is beyond belief - are they close friends or relatives?) All in all, a film that one might pass the time with but nothing memorable.
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