A portrait of the broken lives of four people (a vigilante detective, a worried parent, an awkward man looking for love and a suicidal artist) as they all struggle to cope in their religiously-dystopian city.
In 1870s America, the fury of a notorious gang leader is unleashed when a peaceful American settler avenges the death of his family. Then as his cowardly fellow townspeople betray him, he is forced to hunt down the outlaws alone.
Jeffrey Dean Morgan
Preest is a masked vigilante detective, searching for his nemesis on the streets of Meanwhile City, a monolithic fantasy metropolis ruthlessly governed by faith and religious fervor. Esser is a broken man, searching for his wayward son amongst the rough streets of London's homeless. Milo is a heartbroken thirty-something desperately trying to find a way back to the purity of first love. Emilia is a beautiful art student; her suicidal art projects are becoming increasingly more complex and deadly. Written by
(at around 55 mins) When Emilia puts her cigarette out on a round white object, it clearly shows the cigarette falling off of the object onto the table. A few moments later, the next camera angle zooms in revealing the cigarette sitting back on top of the white object. See more »
I'm just saying that it isn't just about your family, your friends, the people you leave behind. It's about the people you haven't met yet. A person can stay inside themselves for too long and end up blind, like not recognising your own voice on tape or...
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Reading a synopsis of the film, I feared that it would be full on sci-fi ... but thankfully there were two strands - one set in contemporary London, and another of the more fantasy version ...
It really is the sort of film where knowing too much about the plot before seeing it, will spoil. I would say that if you like films where all the strands are nicely tied up at the end, you will be frustrated. A few of the strands are resolved, but I still can't work out what a couple of the characters were up to !
Eva Green has the largest role, and is mostly good, but at times she seems a bit wooden. Sam Riley was quite convincing as a bit of a loser, and Ryan Phillippe seemed to enjoy his masked role.
I saw the premiere at The London Film Festival and the director explained that some of the sci-fi imagery was based on the spires of Cambridge. Ryan Phillippe said that he did indeed act in all the masked shots, even those where he fights the "clerics" - having studied martial arts since he was eight !
This film will make you think, but be prepared for a gradual exposition, rather than any great revelations.
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