Preest is a masked vigilante detective, searching for his nemesis on the streets of Meanwhile City, a monolithic fantasy metropolis ruthlessly governed by faith and religious fervor. Esser ... See full summary »
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
King Uther dies suddenly. Britain is facing chaos. The sorcerer Merlin appoints the not so known son and heir Arthur as the king who was raised as a commoner, but his half sister has other ... See full summary »
Jamie Campbell Bower,
Preest is a masked vigilante detective, searching for his nemesis on the streets of Meanwhile City, a monolithic fantasy metropolis ruthlessly governed by faith and religious fervor. Esser is a broken man, searching for his wayward son amongst the rough streets of London's homeless. Milo is a heartbroken thirty-something desperately trying to find a way back to the purity of first love. Emilia is a beautiful art student; her suicidal art projects are becoming increasingly more complex and deadly. Written by
Preests statement - "If a god is willing to prevent evil, but not able, then he is not omnipotent. If he is able, but not willing, then he must be malevolent. If he is neither able or willing then why call him a god? Why else do bad things happen to good people?" - is almost directly lifted from Epicurus, who is credited with first expounding the problem of evil. David Hume in his Dialogues concerning Natural Religion (1779) cited Epicurus in stating the argument as a series of questions: "Is God willing to prevent evil, but not able? Then is he impotent. Is he able, but not willing? Then is he malevolent. Is he both able and willing? Whence then is evil?" See more »
(at around 55 mins) When Emilia puts her cigarette out on a round white object, it clearly shows the cigarette falling off of the object onto the table. A few moments later, the next camera angle zooms in revealing the cigarette sitting back on top of the white object. See more »
I'd been investigating a nasty little faith known as Duplex Ride. Their leader called himself The Individual. He was one of the most dangerous I'd come across. Egocentric and insanely deluded. The Individual had abducted a young girl into Duplex Ride. For what purpose? Somebody's G-d only knew.
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I've seen a few movies similar to this, using sci-fi/fantasy imagery to portray an internal state of mind. Too intellectual for some I guess, and it definitely goes beyond 'what you see is what you get'.
This movie worked for me. Some have been critical that the characters in the film were not interesting enough. I on the other hand think the director/writer Gerald McMorrow successfully walked the thin line of saying just enough, enabling the actors to fill in the gaps and create personas rather than cookie cut-outs. The characters were memorable and real, responding to slightly surreal situations in two worlds that were both out of kilter with our own. The movie's alternate realities drew me in and kept me interested, and the eventual juxtaposition of both did so even more.
This is a smartly made movie - with very convincing CGI for the fantasy world combined with an almost indie sense of the intimate and human in the alternate world closer to our own.
Well this review is not much of a blow-by-blow synopsis, others can do that, but if you appreciate strong acting, and an imaginative script, I don't think you will be disappointed.
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