Preest is a masked vigilante detective, searching for his nemesis on the streets of Meanwhile City, a monolithic fantasy metropolis ruthlessly governed by faith and religious fervor. Esser ... See full summary »
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
Jeffrey Dean Morgan
King Uther dies suddenly. Britain is facing chaos. The sorcerer Merlin appoints the not so known son and heir Arthur as the king who was raised as a commoner, but his half sister has other ... See full summary »
Jamie Campbell Bower,
Preest is a masked vigilante detective, searching for his nemesis on the streets of Meanwhile City, a monolithic fantasy metropolis ruthlessly governed by faith and religious fervor. Esser is a broken man, searching for his wayward son amongst the rough streets of London's homeless. Milo is a heartbroken thirty-something desperately trying to find a way back to the purity of first love. Emilia is a beautiful art student; her suicidal art projects are becoming increasingly more complex and deadly. Written by
Preests statement - "If a god is willing to prevent evil, but not able, then he is not omnipotent. If he is able, but not willing, then he must be malevolent. If he is neither able or willing then why call him a god? Why else do bad things happen to good people?" - is almost directly lifted from Epicurus, who is credited with first expounding the problem of evil. David Hume in his Dialogues concerning Natural Religion (1779) cited Epicurus in stating the argument as a series of questions: "Is God willing to prevent evil, but not able? Then is he impotent. Is he able, but not willing? Then is he malevolent. Is he both able and willing? Whence then is evil?" See more »
(at around 55 mins) When Emilia puts her cigarette out on a round white object, it clearly shows the cigarette falling off of the object onto the table. A few moments later, the next camera angle zooms in revealing the cigarette sitting back on top of the white object. See more »
When you're lost, you're willing to believe anything. In this city, every religion promised a future, whether in this world or the next. All you had to pay them with was your faith and trust and, despite the celebration, the reverence and the prayer, everybody ends up in the same human mess. Old. Sick. Unhappy. Dead.
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Reading a synopsis of the film, I feared that it would be full on sci-fi ... but thankfully there were two strands - one set in contemporary London, and another of the more fantasy version ...
It really is the sort of film where knowing too much about the plot before seeing it, will spoil. I would say that if you like films where all the strands are nicely tied up at the end, you will be frustrated. A few of the strands are resolved, but I still can't work out what a couple of the characters were up to !
Eva Green has the largest role, and is mostly good, but at times she seems a bit wooden. Sam Riley was quite convincing as a bit of a loser, and Ryan Phillippe seemed to enjoy his masked role.
I saw the premiere at The London Film Festival and the director explained that some of the sci-fi imagery was based on the spires of Cambridge. Ryan Phillippe said that he did indeed act in all the masked shots, even those where he fights the "clerics" - having studied martial arts since he was eight !
This film will make you think, but be prepared for a gradual exposition, rather than any great revelations.
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