A portrait of the broken lives of four people (a vigilante detective, a worried parent, an awkward man looking for love and a suicidal artist) as they all struggle to cope in their religiously-dystopian city.
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
King Uther dies suddenly. Britain is facing chaos. The sorcerer Merlin appoints the not so known son and heir Arthur as the king who was raised as a commoner, but his half sister has other ... See full summary »
Jamie Campbell Bower,
Preest is a masked vigilante detective, searching for his nemesis on the streets of Meanwhile City, a monolithic fantasy metropolis ruthlessly governed by faith and religious fervor. Esser is a broken man, searching for his wayward son amongst the rough streets of London's homeless. Milo is a heartbroken thirty-something desperately trying to find a way back to the purity of first love. Emilia is a beautiful art student; her suicidal art projects are becoming increasingly more complex and deadly. Written by
Near the end, when Preest/David is in Emilia's London flat, he asks her what her faith/religion is, to which she replies that she is not religious. In real life, Eva Green is Jewish. See more »
(at around 55 mins) When Emilia puts her cigarette out on a round white object, it clearly shows the cigarette falling off of the object onto the table. A few moments later, the next camera angle zooms in revealing the cigarette sitting back on top of the white object. See more »
Building trust takes time. All structure must start with foundation, and communication is the cornerstone of foundation.
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Was a bit wary of this one - had read comments about it being pretentious and a little too clever for it's own good.
No need to worry on either front.
Thought it was excellent - beautifully shot, fabulous performances by all involved and the story comes together wonderfully. The parallel world of Meanwhile City is simply stunning.
Think you have to be able to go with it for the first half - and allow it time to start unfolding. This may frustrate some, but it definitely has a sense of balance and shows enough to keep your attention without over-elaborating unnecessary plot strands.
Really hope it does well... it's shows bigger budget, mainstream multiplex fodder how it could, and should, be done.
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