The film is a split narrative set simultaneously in contemporary London and in a future metropolis ruled by religious fervor. It's the story of four lost souls, divided by two parallel ... See full summary »
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Centers on a young girl who has been murdered and watches over her family - and her killer - from purgatory. She must weigh her desire for vengeance against her desire for her family to heal.
Director:
Peter Jackson
Stars:
Mark Wahlberg,
Rachel Weisz,
Susan Sarandon
Because of the actions of her irresponsible parents, a young girl is left alone on a decrepit country estate and survives inside her fantastic imagination.
Director:
Terry Gilliam
Stars:
Jodelle Ferland,
Janet McTeer,
Jennifer Tilly
A suspense thriller with supernatural overtones that revolves around a man who learns something extraordinary about himself after a devastating accident.
Director:
M. Night Shyamalan
Stars:
Bruce Willis,
Samuel L. Jackson,
Robin Wright
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Jean-Baptiste Grenouille, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.
Director:
Tom Tykwer
Stars:
Ben Whishaw,
Francesc Albiol,
Dustin Hoffman
In 1984 East Berlin, an agent of the secret police, conducting surveillance on a writer and his lover, finds himself becoming increasingly absorbed by their lives.
Director:
Florian Henckel von Donnersmarck
Stars:
Martina Gedeck,
Ulrich Mühe,
Sebastian Koch
The film is a split narrative set simultaneously in contemporary London and in a future metropolis ruled by religious fervor. It's the story of four lost souls, divided by two parallel worlds, on course for an explosive collision when a single bullet will decide all their fates. Written by
Anonymous
Preests statement - "If a god is willing to prevent evil, but not able, then he is not omnipotent. If he is able, but not willing, then he must be malevolent. If he is neither able or willing then why call him a god? Why else do bad things happen to good people?" - is almost directly lifted from Epicurus, who is credited with first expounding the problem of evil. David Hume in his Dialogues concerning Natural Religion (1779) cited Epicurus in stating the argument as a series of questions: "Is God willing to prevent evil, but not able? Then is he impotent. Is he able, but not willing? Then is he malevolent. Is he both able and willing? Whence then is evil?" See more »
Goofs
The man talking to Milo in the room where the red haired woman disappeared to and another unseen character added some tiles to his original cross shaped design on the table. After Milo leaves the camera tilts down as the man writes into his notebook and the additional tiles are gone, reverting back to the cross shape. See more »
Quotes
Hospital Representative:
Your daughter was killed playing in the street outside your house just two weeks before David came back from Iraq.
The Individual:
What's Sarah got to do with it? Why are you talking about this?
Hospital Representative:
We think it's key to David's condition. It was clear from his evaluation that he holds an individual responsible. Now, you wouldn't happen to know who that might be? You?
The Individual:
G-d, maybe? It was G-d's will that Sarah was taken from us.
Hospital Representative:
We spoke to Anne earlier today, Peter. She seemed to think that you were fairly convinced...
See more »
This movie really is difficult. Not only to describe (it is far too complex for it's own good/commercial success), but also to watch and follow the plot. While there have been other movies who played with the time factor (and/or other stuff, which I won't say anything about here, so it won't spoil anything for you), not many refused to explain themselves to you.
In other words: While many other movies with the same or similar theme, show you the same scenes twice (or maybe even more often), this movie does not give you this luxury. You have to stay focused to get it. Of course the main plot and the big details will be easy to grab. But again, only if you let yourself into the movie. But this movie allows you to watch it a few times and catch nuances, small things, you might not have seen/understood, the previous time(s) you watched the movie. A complex, but rewarding viewing experience then
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This movie really is difficult. Not only to describe (it is far too complex for it's own good/commercial success), but also to watch and follow the plot. While there have been other movies who played with the time factor (and/or other stuff, which I won't say anything about here, so it won't spoil anything for you), not many refused to explain themselves to you.
In other words: While many other movies with the same or similar theme, show you the same scenes twice (or maybe even more often), this movie does not give you this luxury. You have to stay focused to get it. Of course the main plot and the big details will be easy to grab. But again, only if you let yourself into the movie. But this movie allows you to watch it a few times and catch nuances, small things, you might not have seen/understood, the previous time(s) you watched the movie. A complex, but rewarding viewing experience then