In high school, Matt and Ryan were best friends. More than friends, actually. But in the ensuing ten years, they've lost contact. So when Matt receives an invitation to Ryan's wedding he's ... See full summary »
A "coming out" story that avoids all the tired cliches and stays committed to telling the stories of these characters, "East Side Story" examines bias of all kinds and features stirring performances by incredibly attractive actors.
"All Over The Guy" is a contemporary romantic comedy about the quest to find the "one" when "the one" doesn't know he's the "one." It explores the unlikely pairing of two 20-somethings ... See full summary »
After Marc dumps him, Kyle unites with Gwen and Tiffani to land sexually confused art model Troy by pretending to be straight. However, Marc wants Troy, too, and members from a notorious "ex-gay" group are slipping for the both of them.
Phillip J. Bartell
Emily Brooke Hands,
Waitress Elise's dream to become a painter isn't going anywhere, unlike her ex Gerry's, so she eagerly accepts to house-sit a month the country estate eccentric gentleman Frank inherited ... See full summary »
Conrad is a gay man living in NYC. He's also CEO of an ad agency and by nature a control freak. Although Conrad is still in love with Martin (his ex), he hires a young Aussie hustler named ... See full summary »
In high school, Matt and Ryan were best friends. More than friends, actually. But in the ensuing ten years, they've lost contact. So when Matt receives an invitation to Ryan's wedding he's surprised - especially that Ryan is marrying a woman! Matt interrupts his ideal alternative lifestyle to return to his hometown. He plans to rescue his former love from whatever "she-devil" has trapped him into this huge mistake. On the other hand, Ryan's perky fiancé Alex takes quite the liking to Matt. Is she very cunning, disarmingly ditsy, completely adorable - or all three? As Matt tries to rekindle the old flame, Ryan is intent on putting out any sparks. Ryan dismisses their old romance as just a high school thing, but Matt realizes Ryan may still be the love of his life. All the while, Matt must deal with "his new best friend" Alex, the two families, and a hometown he thought he'd left entirely in the past. As the wedding day fast approaches (like a meteor hurtling toward ground zero), old ... Written by
Ty Lieberman/C. Jay Cox
Both fathers are shown teeing off in the golf sequence and yet as the golfers leave the green, only one of the golf bags on the fathers' cart contains any woods. See more »
I understand about gay men. I adore gay men. If I had a penis, I'd BE a gay man. But I don't want to marry one. And I am not gonna be some housewife, and five, ten years down the road have you come home, "Hey, honey, I know you love surprises"...
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Wow...as in "Wow, that was really bad and hard to watch".
This is an oft-used line, but it really sums up this movie..."If this is the current state of gay cinema, then we're in real trouble". I saw this film at SIFF because of the high IMDb rating (7.6) and if there was ever a case of vote stacking on IMDb, then this is it. Just watch the number fall over the release weeks of the film.
Easy plot...Boy finds out his high school ex (boyfriend) is getting married to a female friend of theirs so he goes back to his old hometown (still carrying a 10 year old torch) to see what happened.
First off, I liked "Latter Days", the director's last feature, despite its cookie cutter characters and plot contrivances, but you're supposed to become a better director with each subsequent release. I don't know how you get horrible supporting performances out of so many TV veterans (Robert Foxworth, Joanna Cassidy, Tori Spelling), but somehow he managed to. The writing was Lifetime Network quality (way back when they were REALLY bad) and the situations were unbelievable AND uncomfortably hard to watch. I kept reaching for a non-existent remote control to fast forward, but ultimately made myself stay to the end, hoping for a decent ending. Ugh...no. Even the gratuitous male nudity that popped up during the movie was so blatantly gratuitous that it seemed to be there to keep people in their seats.
To be fair...the 2 leads, especially in the gratuitous nude scenes, were gorgeous. There was also a real sweetness between them during their rekindling friendship as they uncovered how they went separate ways. And the film looked great...good quality and color saturation for an independent film.
How is it that network TV can give week after week of great, entertaining weekly episodes (Like "Ugly Betty", "Desp. Housewives", etc.), but so many feature releases in similar genres can be as bad as this?
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