| Ray Stevenson | ... | DC | |
| Julian Wadham | ... | Hunt | |
| Richard Brake | ... | Prior | |
| Paul Blair | ... | Jordan | |
| Brett Fancy | ... | Taktarov | |
| Enoch Frost | ... | Cotter | |
| Julian Rivett | ... | Voyteche | |
| Michael Smiley | ... | McKay | |
| Johnny Meres | ... | The Breather | |
| Xuki Robeli | ... | Newsreader | |
| Mark Smith | ... | Nazi Soldier #1 | |
| Graeme Temple | ... | Nazi Soldier #3 | |
| Charlie Jeffrey | ... | Nazi Soldier #2 | |
| rest of cast listed alphabetically: | |||
| Matt McClure | ... | Rescue Soldier | |
| Leo Horsfield | ... | Nazi Zombie (uncredited) | |
| Scott Peden | ... | Nazi Sergeant Major (uncredited) | |
Directed by | |||
| Steve Barker | |||
Writing credits | ||
| Rae Brunton | (screenplay) | |
| Kieran Parker | (story) & | |
| Steve Barker | (story) & | |
| Rae Brunton | (story) | |
Original Music by | |||
| James Seymour Brett | (as James Brett) | ||
Cinematography by | |||
| Gavin Struthers | |||
Film Editing by | |||
| Chris Gill | |||
| Alastair Reid | |||
Casting by | |||
| Kate Plantin | |||
Production Design by | |||
| Max Berman | |||
| Gordon Rogers | |||
Art Direction by | |||
| Andy Drummond | |||
Costume Design by | |||
| Alison Mitchell | (as Ali Mitchell) | ||
Makeup Department | |||
| Jessica Cruickshank | .... | make-up trainee | |
| Maxine Dallas | .... | makeup artist | |
| Niamh Morrison | .... | makeup designer | |
| Barney Nikolic | .... | prosthetic makeup artist | |
Production Management | |||
| Pamela Nelson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Harry Boyd | .... | assistant director | |
| Alison Goring | .... | second assistant director | |
| David McKinnon | .... | third assistant director | |
Art Department | |||
| Philip Barratt | .... | art department assistant | |
| Stuart Bryce | .... | production buyer | |
| Wendy Cairns | .... | painter | |
| Amanda Currie | .... | stand-by art director | |
| Claire Fleming | .... | art department assistant | |
| Rebecca L.A. Hamilton | .... | scenic artist (as Rebecca Hamilton) | |
| Paul Lambie | .... | stand-by props | |
| Paul McNamara | .... | property master | |
| Jordan R.A. Mills | .... | props (as Jordan Mills) | |
| Ken Petrie | .... | painter | |
| Rod Petrie | .... | painter | |
| Lynsey Sinnamon | .... | head scenic artist | |
Sound Department | |||
| Kelly-Marie Angell | .... | foley editor | |
| Julie Ankerson | .... | foley artist | |
| Jeremy Child | .... | sound effects editor | |
| Howard Eaves | .... | sound effects editor | |
| John Fewell | .... | foley artist | |
| Gordon Forbes | .... | sound trainee | |
| Linsey Hamilton | .... | sound trainee | |
| Alastair Mason | .... | sound recordist | |
| Graham McCormick | .... | boom operator | |
| Paul McFadden | .... | sound effects editor | |
| Adam Mendez | .... | adr recordist | |
| James Ridgway | .... | assistant sound re-recording mixer | |
| Ellie Russell | .... | supervising sound editor | |
| Richard Straker | .... | sound re-recording mixer | |
Special Effects by | |||
| Mike H.G. Bates | .... | prosthetic makeup artist: Hybrid Enterprises | |
| Mike H.G. Bates | .... | special makeup effects supervisor: Hybrid Enterprises | |
| Suzanne Bates | .... | special effects makeup: Hybrid Enterprises | |
| Rick Jotle | .... | special effects: equipment | |
| Mike Kelt | .... | special effects supervisor | |
| Mark Kilburn | .... | special effects makeup: Hybrid Enterprises | |
| Ken Petrie | .... | special effects trainee | |
| Mike Stringer | .... | prosthetics designer: Hybrid Enterprises | |
| Dawn Whitehead-Binns | .... | sculptor: Hybrid Enterprises | |
Visual Effects by | |||
| James Ballard | .... | di producer | |
| William Carley | .... | digital effects artist: The Difference Facility | |
| Geoffrey R. Case | .... | senior colourist | |
| Valentina Catena | .... | digital intermediate operator | |
| Noemie Cruciani | .... | junior compositor | |
| Christopher Eades | .... | executive producer: The Difference Facility | |
| Alexis Haggar | .... | visual effects supervisor: The Difference Facility | |
| Myfanwy Harris | .... | digital effects artist | |
| Pavan Kumar | .... | visual effects | |
| Oliver Minchin | .... | digital effects artist: The Difference Facility | |
| Matthew Redding | .... | digital effects artist: The Difference Facility | |
| Thomas Urbye | .... | visual effects producer: The Look | |
| Paul J. Wright | .... | scanning and recording manager | |
Stunts | |||
| James Fleming | .... | fight arranger | |
Camera and Electrical Department | |||
| Paul Bates | .... | rigging gaffer | |
| Theo Berman | .... | daily camera trainee | |
| Phil Brookes | .... | gaffer | |
| Tim Critchell | .... | grip | |
| Neil Davidson | .... | still photographer | |
| Dave Fowler | .... | rigging electrician | |
| John Harper | .... | first assistant camera | |
| Iain Harrison | .... | rigger | |
| James Harrison | .... | camera: trainee | |
| Derrick Peters | .... | first assistant camera: "b" camera | |
| Scott Rodgers | .... | second assistant camera | |
| Richard Stoddard | .... | Steadicam operator | |
| Richard Stoddard | .... | camera operator: "a" camera | |
Animation Department | |||
| Andrew Johnston-Gray | .... | cg modeler | |
| Nuno Conceicao | .... | modeler | |
| Jeremy Hardin | .... | visual effects supervisor: animated sequence, Open Book | |
| Luis Lopes | .... | modeler | |
| Fernando Martins | .... | vfx artist: animated sequence, Open Book | |
| Sam McCarthy | .... | animation producer | |
| Laura Seymour | .... | animation director | |
Casting Department | |||
| Stuart Elliott | .... | casting: Scotland | |
Costume and Wardrobe Department | |||
| Harriet Edmonds | .... | costume assistant | |
| Orsolya Sallai | .... | costume trainee | |
| Michael Weldon | .... | costume supervisor | |
Editorial Department | |||
| Alec Gibson | .... | grader | |
| Steve Harrow | .... | post-production consultant | |
Music Department | |||
| James Seymour Brett | .... | conductor | |
| Andy Brown | .... | music contractor | |
| Andrew Dudman | .... | score recording engineer | |
| Adam Langston | .... | orchestrator | |
| The London Metropolitan Orchestra | .... | music performed by | |
| David Walter | .... | music editor | |
Transportation Department | |||
| Pete Murphy | .... | driver: camera truck (as Peter Murphy) | |
Other crew | |||
| Duncan Broadfoot | .... | floor runner | |
| Neil Cairns | .... | production accountant | |
| Stephen Carney | .... | runner | |
| Matt Curtis | .... | title designer | |
| Paul Dray | .... | laboratory contact | |
| Jim Elliott | .... | armorer | |
| Jo Fairweather | .... | production assistant: office | |
| Glynn Henderson | .... | safety consultant | |
| Claire Hewitt | .... | script supervisor | |
| Paul Imrie | .... | accounts trainee | |
| Julia Jones | .... | unit publicist | |
| Michael Klesic | .... | voice-over | |
| Amy Munro | .... | production secretary | |
| Beatrice Neumann | .... | production executive | |
| Ed Smith | .... | location manager | |
| Velibor Topic | .... | voice-over | |
| Yana Yanezic | .... | voice-over | |
| Paul Zieleniec | .... | assistant accountant | |
Thanks | |||
| Rachel Baker | .... | the producers would like to thank | |
| Kate Barker | .... | the producers would like to thank | |
| Ken Barker | .... | the producers would like to thank | |
| Sandra Barker | .... | the producers would like to thank | |
| Michael Byrne | .... | the producers would like to thank | |
| Douglas William Castle | .... | the producers would like to thank | |
| Adam Coles | .... | the producers would like to thank | |
| Mark Geddes | .... | the producers would like to thank | |
| Marcus Harben | .... | the producers would like to thank | |
| John Hooper | .... | the producers would like to thank | |
| Victoria Lennon | .... | the producers would like to thank | |
| Kevin Parker | .... | the producers would like to thank | |
| Domenic Pontone | .... | the producers would like to thank | |
| Simon Ragoonanan | .... | the producers would like to thank | |
| Jenny Williams | .... | the producers would like to thank | |
| Frank Wu | .... | the producers would like to thank | |
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| Resident Evil: Afterlife | Predator | Dog Soldiers | Priest | Terminator Salvation |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
The Outpost is a perfect example of how to make a GOOD horror movie on a small budget. Dog Soldiers come to mind but this film I'm sure had an even smaller budget.
Using a smart script, good casting and camera work that provided perfect mood and atmosphere, proves that movie making is still an art and talent IS talent.
While not excessive in the gore or the effects department, the film shines as a perfect example of quality story making and a solid little horror film.
It actually reminds me of a R rated Twilight Zone episode ;) So if you like a good story, Nazi experiments, or zombies...or all the above, look no farther and find the closest rental store, pop some popcorn, turn the lights out and give The Outpost a look! I quite enjoyed it :)
Regards, Roland PS - the lead actor (Ray Stevenson) is the next Frank Castle aka The Punisher in the up coming Punisher: War Zone movie, a much better choice than Thomas Jane IMO
http://www.imdb.com/name/nm0829032/