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Che: Part One (2008)

Not Rated | | Biography, Drama, History | 24 January 2009 (USA)
In 1956, Ernesto 'Che' Guevara and a band of Castro-led Cuban exiles mobilize an army to topple the regime of dictator Fulgencio Batista.

Director:

Writers:

(screenplay), (memoir "Reminiscences of the Cuban Revolutionary War")
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Cast

Cast overview, first billed only:
...
...
...
Interpreter (as Óscar Isaac)
Pablo Guevara ...
Dinner Guest #1
Franklin Díaz ...
Dinner Guest #2
Armando Suárez Cobián ...
Dinner Guest #3
...
María Isabel Díaz ...
María Antonia
...
Fidel Castro (as Demian Bichir)
Mateo Gómez ...
Cuban Diplomat #1
...
Héctor (as Ramón Fernández)
...
Alejandro Ramírez (as Yul Vázquez)
Jose Caro ...
Esteban (as José Caro)
Pedro Adorno ...
Epifanío Díaz
...
Jorge Sotús (as Jsu García)
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Storyline

The Argentine, begins as Che and a band of Cuban exiles (led by Fidel Castro) reach the Cuban shore from Mexico in 1956. Within two years, they mobilized popular support and an army and toppled the U.S.-friendly regime of dictator Fulgencio Batista. Written by anonymous

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

24 January 2009 (USA)  »

Also Known As:

Che  »

Filming Locations:

 »

Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend:

$61,070 (USA) (12 December 2008)

Gross:

$1,731,665 (USA) (15 May 2009)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The scene where Che takes the bazooka from his fellow soldier (who keeps missing) and blows up the barracks with his first shot, was meant to show Che miss once then hit the target on his second attempt, but the crew were losing light so they had him get it in one. See more »

Goofs

When Che is outlining his conditions to the UN, one of the cutaways shows some soldiers crossing a muddy river. During the scene, a crew member in contemporary clothing can be seen standing on a grassy bank to the left of the frame. See more »

Quotes

Ernesto Che Guevara: Homeland or death!
See more »

Connections

Follows Che: Part Two (2008) See more »

Soundtracks

Conga Jam
Performed by Candido e Graciela
Written by Candido Camero
Courtesy of Manhattan Productions Music, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Rage Against the Machine
12 December 2008 | by (United States) – See all my reviews

Maybe the most refreshing thing about Che, both parts, is that its director, Steven Soderbergh, didn't know anything about Ernesto "Che" Guevara before taking on the project. This is like a good few in the audience, like yours truly. I didn't know much at all about Che except that he was involved with communist uprisings and revolutions, was buddy-buddy with Castro, and died in execution-style as a guerrilla (that, and his image appears on t-shirts everywhere). What Soderbergh provides for an audience that will go to see it for what he will do with the project- and what Benicio Del-Toro does with the character- is that it's a history lesson made vibrant and urgent and passionate and, according to the director in interviews and Q & A's, honest portrayal of events.

If this means that we may not get exactly a fully rounded portrait of its titular protagonist/hero, then that's probably the only real liability that the picture has. Maybe, perhaps, rightfully so; Che wasn't a guy, at least in his prime revolutionary years, to be one that had much warmth or moments of doubt (and if he had them, they were behind closed doors and out of any record of diaries). So what we get in Part 1, the conventional "Rise" of the character in the story, is the tale of how to do a revolution right- or rather, how to take over a government by military force, and it's Che as a man who pretty quickly becomes a natural leader, a stern taskmaster and also someone who "loves" as a revolutionary must, Che says.

It's gripping film-making nevertheless, with Soderbergh commanding the narrative wonderfully between a color-filmed part-digital-part-35mm Red-camera on the 1957-1959 events in Cuba and the 1964 trip to the UN in New York filmed in grainy black and white. What we get is part documentary and part bio-pic, words straight from the guerrilla's mouth, as it were, and the events that led up to the take-over (which serves as the climax of the picture) in Santa Clara, Cuba. Some of the elements, as noted, are conventional of just a war picture: we get the young kids (16 and 14) who will do anything to fight with Guevara and his group; we get the supposed love interest, only (thankfully) muted with only one scene with small talk; and we get the moments of enthusiasm, humor, camaraderie, and unlikely bravery in the heat of battle.

But most importantly we see Benicio del-Toro take command of this role like he does seemingly often but rarely with such force. In fact, he probably elevates this Che past some possible pit-falls (this project was actually his baby, as he serves as co-producer and developed the project for years), and makes him as human as he can be, using Che's health-tic (asthma) to its fullest, and reveling in going for broke as far as gusto and revelation go. For all of Soderbergh's command of the film-making style- most of all, for me, during the climactic battle where we get to see him awesomely direct a battle sequence- del-Toro, for any scene he's in, steals the show. If for nothing else, whatever your political stance or thoughts on Che, he's worth the admission. 8.5/10


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