When lesbian detective Abigail Marks teams up with gay guy Michael Dalmar to solve the disappearance of his twin, Kyle Dalmar, a famed portrait photographer, their investigation leads them ... See full summary »

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Cast

Cast overview, first billed only:
Michael Molina ...
Michael / Kyle Dalmar
...
Abigail Marks
...
Victor
...
Joey (as J. Matthew Miller)
...
Monique
Mei-Yann Hwang ...
May
Joe Almanza ...
Tevin
Grant Barker ...
Samuel
Houston Bernard ...
Nico
Liz Douglas ...
Kimmy
Scott Spragg ...
Franz
Kim Blackman ...
Kendle Darr
Adam R. Deremer ...
Gio
Greg Ratz ...
Conner
Ben Sander ...
Emily Monroe
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Storyline

When lesbian detective Abigail Marks teams up with gay guy Michael Dalmar to solve the disappearance of his twin, Kyle Dalmar, a famed portrait photographer, their investigation leads them into the Kyle's risqué world. With Michael posing as Kyle, the pair uncover assistants who have designs on their bosses, clients who have an interest in detectives, and killers who want them stopped. Navigating between identity and duplicity, Abigail and Michael discover that photos never lie, and two minutes can mean the difference between life and death. Written by Gary Kramer

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Identity, Sexuality, Even Life - Everything Can Change in 2 Minutes See more »


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1.85 : 1
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Connections

References Blow-Up (1966) See more »

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User Reviews

 
Fun film
27 October 2007 | by (Los Angeles) – See all my reviews

I disagree with the negative posts. I saw a screening at LA's Outfest. I think the film is a very funny take on film noir. A lipstick lesbian character plays a hard drinking, cynical, love her/leave her, private detective. She takes on a murder case and connects with the gay brother of the victim. He's not exactly helpless, but she generally takes control in dicey situations. So, a role reversal of, for example, the Humphrey Bogart/Mary Astor parts in "Maltese Falcon." Still, it doesn't resort to stereotype humor. It has the look of a low budget film as evidenced in the lighting, sound, editing, etc. But, the script is clever and the acting is generally very good. It is what independent films used to be - short on production values but counterbalanced by originality in concept. I predict we'll hear more from Robert Gaston, the writer/director. He's crafted a refreshing film on what was probably a shoestring budget.


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