A young man leaves Ireland with his landlord's daughter after some trouble with her father, and they dream of owning land at the big give-away in Oklahoma ca. 1893. When they get to the new... See full summary »
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Three stories told simultaneous in ninety minutes of real time: a Republican Senator who's a presidential hopeful gives an hour-long interview to a skeptical television reporter, detailing a strategy for victory in Afghanistan; two special forces ambushed on an Afghani ridge await rescue as Taliban forces close in; a poli-sci professor at a California college invites a promising student to re-engage. Decisions press upon the reporter, the student, and the soldiers. Written by
This is easily a film that will come under fire for having something to say, but what is the alternative? Making a film that has nothing to say? That seems to be the norm nowadays as the box office grosses of the terrible trio of threequels demonstrates. Lions for lambs reminds me of a time when Directors had greater ambitions than to make a huge opening weekend before people realize their film is garbage (Transformers, Pirates, etc...but being saturated with these types of films for so long I doubt many remember what film can be, and accomplish.) Robert Redford strikes me as someone who wants to make a difference and the problem is that the audience has become more deaf to reason than ever.
Lions for Lambs is more of a filmed essay than a narrative feature, and being a Kubrick fan, I am all for changing the classic form of Hollywood narrative structure. This is a film based around ideas, and exploring them to raise awareness that our own apathy will lead to our undoing as Americans. Let me invoke Batman Begins "People need dramatic examples to shake them out of apathy"...etc. So people won't get off their posteriors and respond to the chaos around them, perhaps because there seems to be no direct connection to the news, or as this film so brilliantly points out: we change the channel. This film is a dramatic example of where we're going as a nation and what we're becoming as a people. I doubt anyone will listen but I applaud the filmmakers for at least making an attempt.
This film presents the facts pretty much up to the minute, from many angles, and yes even the Republicans get a sympathetic view of their strategy. Whose fault is it that the economy is in a downward spiral? It's all too easy to point the finger at the Bush administration and leave it at that, but what about the media? The corporations that own the media that favor news as entertainment rather than news as information by which to empower the people via knowledge? What about the public themselves? V for Vendetta, another film centered around powerful ideas that didn't have nearly the impact it should have, said "People shouldn't be afraid of their governments, governments should be afraid of their people."
Has the public become so passive that they just ignore the big issues whenever confronted by them? This film suggests that and much more, but more importantly the film asks: What are you going to do about it?
73 of 130 people found this review helpful.
Was this review helpful to you?