Injuries sustained by two Army ranger behind enemy lines in Afghanistan set off a sequence of events involving a congressman, a journalist and a professor.
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A group of recruits go through Advanced Infantry Training at Fort Polk, Louisiana's infamous Tigerland, last stop before Vietnam for tens of thousands of young men in 1971.
Director:
Joel Schumacher
Stars:
Colin Farrell,
Matthew Davis,
Clifton Collins Jr.
About young British journalist, George Hogg, who with the assistance of a courageous Australian nurse, saves a group of orphaned children during the Japanese occupation of China in 1937.
Director:
Roger Spottiswoode
Stars:
Jonathan Rhys Meyers,
Radha Mitchell,
Yun-Fat Chow
A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow Marine recruits from their brutal boot camp training to the bloody street fighting set in 1968 in Hue, Vietnam.
Director:
Stanley Kubrick
Stars:
Matthew Modine,
Adam Baldwin,
Vincent D'Onofrio
A veteran soldier returns from his completed tour of duty in Iraq, only to find his life turned upside down when he is arbitrarily ordered to return to field duty by the Army.
Director:
Kimberly Peirce
Stars:
Ryan Phillippe,
Joseph Gordon-Levitt,
Rob Brown
A depiction of the brutal battle of Stalingrad, the Third Reich's 'high water mark', as seen through the eyes of German officer Hans von Witzland and his battalion.
Director:
Joseph Vilsmaier
Stars:
Dominique Horwitz,
Thomas Kretschmann,
Sebastian Rudolph
During the U.S.-Viet Nam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade colonel who has set himself up as a god among a local tribe.
Three stories told simultaneous in ninety minutes of real time: a Republican Senator who's a presidential hopeful gives an hour-long interview to a skeptical television reporter, detailing a strategy for victory in Afghanistan; two special forces ambushed on an Afghani ridge await rescue as Taliban forces close in; a poli-sci professor at a California college invites a promising student to re-engage. Decisions press upon the reporter, the student, and the soldiers. Written by
<jhailey@hotmail.com>
In an interview to the Variety magazine, Tom Cruise said he had made the film out of deep respect for Robert Redford's body of work, which he said had inspired him since Ordinary People. See more »
Goofs
The white University of Illinios football in Senator Irvings office (in the background by Janine Roth's head for much of the interview), changes positions during the interview. At times it's level on the shelf and at other times it's sitting crooked. See more »
Quotes
Todd Hayes:
Look, if we're gonna spend tax dollars, our tax dollars, to help people break the law in a safer way, why don't we have a designated drunk-driver lane on the highway too?
See more »
Thumbs are of no use in talking about Robert Redford's "Lions for Lambs." Sticking them up or down makes little sense. It's not that kind of movie. What kind is it? Pretty much without a category.
The time is the present, Bush II is president, there is an unending war in the Middle East, the setting is present-day D.C., everything looks documentary-realistic. It could be a Sunday-morning panel discussion, but the cast consists of a bevy of stars, performing magnificently, with a script that seems to be formed by headlines from today's newspapers.
At the center of the film is a lengthy, unlikely, but brilliant duet of a an interview between a veteran, nobody's-fool political reporter (Meryl Streep) and a young hotshot NeoCon senator (Tom Cruise), both utterly believable, notwithstanding the challenge of some lame lines by screenwriter Matthew Michael Carnahan for Cruise. Still, overall, the business between the two is the "people's business," about the lethal foreign-policy bungling of a war of choice, now running longer than World War II. (These are not editorial comments, but rather a report on what the film says.)
While dissecting the Iraqi disaster, and hearing some surprising and obviously manipulating admissions of errors from Cruise's hawkish senator, the issue at hand is the senator - a key military adviser to the President - trying to steer Streep's skeptical journalist into "selling" a new plan of attack in Afghanistan, something she instantly recognizes as a throwback to failed strategy in Vietnam.
Alternating with the interview segments are battle scenes in Afghanistan where two Army rangers (Derek Luke and Michael Peña) are risking their lives in implementing that new plan. Then, by a stretch and rather awkwardly, there sits Redford's professor in his West Coast college office, pulling the story together between the two lion-like Rangers, who were his students, and a bright, troubled student (Andrew Garfield) who lost his way, baa, baa, baa.
Significant and entertaining, thought-provoking and reality-based sad, mostly well-written, and exceptionally well-acted, "Lions for Lambs" is likely to leave the audience with the feeling of having participated in an important happening, but perhaps not quite knowing what it was.
Gushing about Streep is almost embarrassing, but... Once again, she transcends text, expectations, whatever you may anticipate, and gives a performance to remember and treasure. Her expressions, body language, silences create a character with a life of her own, a "real person" we, the audience, feel as if we have known always, intimately.
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Thumbs are of no use in talking about Robert Redford's "Lions for Lambs." Sticking them up or down makes little sense. It's not that kind of movie. What kind is it? Pretty much without a category.
The time is the present, Bush II is president, there is an unending war in the Middle East, the setting is present-day D.C., everything looks documentary-realistic. It could be a Sunday-morning panel discussion, but the cast consists of a bevy of stars, performing magnificently, with a script that seems to be formed by headlines from today's newspapers.
At the center of the film is a lengthy, unlikely, but brilliant duet of a an interview between a veteran, nobody's-fool political reporter (Meryl Streep) and a young hotshot NeoCon senator (Tom Cruise), both utterly believable, notwithstanding the challenge of some lame lines by screenwriter Matthew Michael Carnahan for Cruise. Still, overall, the business between the two is the "people's business," about the lethal foreign-policy bungling of a war of choice, now running longer than World War II. (These are not editorial comments, but rather a report on what the film says.)
While dissecting the Iraqi disaster, and hearing some surprising and obviously manipulating admissions of errors from Cruise's hawkish senator, the issue at hand is the senator - a key military adviser to the President - trying to steer Streep's skeptical journalist into "selling" a new plan of attack in Afghanistan, something she instantly recognizes as a throwback to failed strategy in Vietnam.
Alternating with the interview segments are battle scenes in Afghanistan where two Army rangers (Derek Luke and Michael Peña) are risking their lives in implementing that new plan. Then, by a stretch and rather awkwardly, there sits Redford's professor in his West Coast college office, pulling the story together between the two lion-like Rangers, who were his students, and a bright, troubled student (Andrew Garfield) who lost his way, baa, baa, baa.
Significant and entertaining, thought-provoking and reality-based sad, mostly well-written, and exceptionally well-acted, "Lions for Lambs" is likely to leave the audience with the feeling of having participated in an important happening, but perhaps not quite knowing what it was.
Gushing about Streep is almost embarrassing, but... Once again, she transcends text, expectations, whatever you may anticipate, and gives a performance to remember and treasure. Her expressions, body language, silences create a character with a life of her own, a "real person" we, the audience, feel as if we have known always, intimately.