Injuries sustained by two Army ranger behind enemy lines in Afghanistan set off a sequence of events involving a congressman, a journalist and a professor.
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A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow Marine recruits from their brutal boot camp training to the bloody street fighting set in 1968 in Hue, Vietnam.
Director:
Stanley Kubrick
Stars:
Matthew Modine,
Adam Baldwin,
Vincent D'Onofrio
About young British journalist, George Hogg, who with the assistance of a courageous Australian nurse, saves a group of orphaned children during the Japanese occupation of China in 1937.
Director:
Roger Spottiswoode
Stars:
Jonathan Rhys Meyers,
Radha Mitchell,
Yun-Fat Chow
A depiction of the brutal battle of Stalingrad, the Third Reich's 'high water mark', as seen through the eyes of German officer Hans von Witzland and his battalion.
Director:
Joseph Vilsmaier
Stars:
Dominique Horwitz,
Thomas Kretschmann,
Sebastian Rudolph
A veteran soldier returns from his completed tour of duty in Iraq, only to find his life turned upside down when he is arbitrarily ordered to return to field duty by the Army.
Director:
Kimberly Peirce
Stars:
Ryan Phillippe,
Joseph Gordon-Levitt,
Rob Brown
During the U.S.-Viet Nam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade colonel who has set himself up as a god among a local tribe.
Three stories told simultaneous in ninety minutes of real time: a Republican Senator who's a presidential hopeful gives an hour-long interview to a skeptical television reporter, detailing a strategy for victory in Afghanistan; two special forces ambushed on an Afghani ridge await rescue as Taliban forces close in; a poli-sci professor at a California college invites a promising student to re-engage. Decisions press upon the reporter, the student, and the soldiers. Written by
<jhailey@hotmail.com>
In an interview to the Variety magazine, Tom Cruise said he had made the film out of deep respect for Robert Redford's body of work, which he said had inspired him since Ordinary People. See more »
Goofs
When Janine is riding past the White House in the taxi near the end of the movie, her view of the White House, as represented during her passing, cannot be obtained from a taxi since those streets are closed to vehicular traffic. Also, her view of the rows of graves in Arlington Cemetery during the same sequence cannot be obtained from a taxi since the paved paths in Arlington are closed to ordinary vehicular traffic as a taxi would be. See more »
Quotes
Senator Jasper Irving:
[to Janine]
OK, let's play this out, we walk and afghan reverts back to the Taliban. Only now the Taliban has metastasis into something infinitely more vicious and potent because they are now 2-0 against superpowers. They butcher the people that helped us who voted and were stupid enough to put their faith in our word. So call it not only the end of hope for 10s of millions of Afghans but the end of American credibility but the end of America as a voice of Righteousness in the world. And when we...
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Lions for Lambs is a current issue film that deals with several relevant topics. The central plot revolves around essentially three settings that don't directly affect each other through action. They do however affect each other through course of action presented in debate. Cruise plays Jasper Irving, a GOP senator with a new plan of action for the war on terror. Streep is a veteran reporter who is interviewing him. Simultaneously, Redford is a college professor who has called a student into his office. A conflict in Afghanistan is taking place which is linked to the aforementioned plot lines.
Lions for Lambs surprised me with it's balance. I'm an open Republican, and felt that this movie was not a cliché attack against the power that be. The Cruise character could have been given irrefutable hatred material. He could have been caught in a scandal. He could have alienated others with religious furor. Instead he is real and forms educated arguments. He seems rational, and passionate; he can also make a turn to present himself to the public. I don't see this as an attack, but one of the many skills politicians need to succeed. With all they go through and the decisions they have, they don't want the mocking that crying before the camera would carry. The left is represented by Redford's professor and Streep's reporter. Both are treated with rationale conviction. Neither has a clear anti-GOP agenda. Both of these characters even go as far as to acknowledge the error in the ways of their side. If there is a message to the film, it is that we are being sheltered from reality. It was clear to this viewer that Redford is stating that we are placing focus on the minuscule while matters of true importance are treated as second rate. Surely this is something we all can agree on in Lions for Lambs and this comes into fruition as the film evolves.
Aside from the political commentary, which it makes no dance around, this a dialog heavy film. Characters are pinned against their situations which cause them to restrain from a course of action both physically and metaphorically. The conversations are engaging, but it would be arguably more favorable to allow the characters interaction. A few additional technical merits could have gone a long way. For example, the CGI of the Chinook helicopter was not up to par; a memorable score and unique cinematography are also absent. The screenplay is inherently foiled by remarkable coincidence; but there was no way around that. At a scant 88 minutes, Lions for Lambs is quick to get to the point but it is over too fast. These miscues keep it from perfection. Served as they are, Lions for Lambs is thinking person's film that comes highly recommended.
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Lions for Lambs is a current issue film that deals with several relevant topics. The central plot revolves around essentially three settings that don't directly affect each other through action. They do however affect each other through course of action presented in debate. Cruise plays Jasper Irving, a GOP senator with a new plan of action for the war on terror. Streep is a veteran reporter who is interviewing him. Simultaneously, Redford is a college professor who has called a student into his office. A conflict in Afghanistan is taking place which is linked to the aforementioned plot lines.
Lions for Lambs surprised me with it's balance. I'm an open Republican, and felt that this movie was not a cliché attack against the power that be. The Cruise character could have been given irrefutable hatred material. He could have been caught in a scandal. He could have alienated others with religious furor. Instead he is real and forms educated arguments. He seems rational, and passionate; he can also make a turn to present himself to the public. I don't see this as an attack, but one of the many skills politicians need to succeed. With all they go through and the decisions they have, they don't want the mocking that crying before the camera would carry. The left is represented by Redford's professor and Streep's reporter. Both are treated with rationale conviction. Neither has a clear anti-GOP agenda. Both of these characters even go as far as to acknowledge the error in the ways of their side. If there is a message to the film, it is that we are being sheltered from reality. It was clear to this viewer that Redford is stating that we are placing focus on the minuscule while matters of true importance are treated as second rate. Surely this is something we all can agree on in Lions for Lambs and this comes into fruition as the film evolves.
Aside from the political commentary, which it makes no dance around, this a dialog heavy film. Characters are pinned against their situations which cause them to restrain from a course of action both physically and metaphorically. The conversations are engaging, but it would be arguably more favorable to allow the characters interaction. A few additional technical merits could have gone a long way. For example, the CGI of the Chinook helicopter was not up to par; a memorable score and unique cinematography are also absent. The screenplay is inherently foiled by remarkable coincidence; but there was no way around that. At a scant 88 minutes, Lions for Lambs is quick to get to the point but it is over too fast. These miscues keep it from perfection. Served as they are, Lions for Lambs is thinking person's film that comes highly recommended.