| Photos (see all 33 | slideshow) | Videos (see all 4 videos ) |
Directed by | |||
| Darren Lynn Bousman | |||
Writing credits | ||
| Patrick Melton | (screenplay) & | |
| Marcus Dunstan | (screenplay) | |
| Patrick Melton | (story) & | |
| Marcus Dunstan | (story) and | |
| Thomas H. Fenton | (story) (as Thomas Fenton) | |
Produced by | |||
| Troy Begnaud | .... | associate producer | |
| Peter Block | .... | executive producer | |
| Mark Burg | .... | producer | |
| Jason Constantine | .... | executive producer | |
| Greg Copeland | .... | co-producer | |
| Daniel J. Heffner | .... | executive producer (as Daniel Jason Heffner) | |
| Gregg Hoffman | .... | producer | |
| Oren Koules | .... | producer | |
| Stacey Testro | .... | executive producer | |
| James Wan | .... | executive producer | |
| Leigh Whannell | .... | executive producer | |
Original Music by | |||
| Charlie Clouser | |||
Cinematography by | |||
| David A. Armstrong | |||
Film Editing by | |||
| Kevin Greutert | |||
| Brett Sullivan | |||
Casting by | |||
| Stephanie Gorin | |||
Production Design by | |||
| David Hackl | |||
Art Direction by | |||
| Anthony A. Ianni | |||
Set Decoration by | |||
| Liesl Deslauriers | |||
Costume Design by | |||
| Alex Kavanagh | |||
Makeup Department | |||
| Patrick Baxter | .... | prosthetics | |
| Damon Bishop | .... | key prosthetics assistant | |
| François Dagenais | .... | prosthetics makeup | |
| Stephanie Ingram | .... | key hair stylist | |
| Neil Morrill | .... | prosthetics | |
| Candice Ornstein | .... | key makeup artist | |
| Colin Penman | .... | assistant makeup artist | |
| Vincent Sullivan | .... | assistant hair stylist | |
Production Management | |||
| Matt Cahill | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| David Hackl | .... | second unit director | |
| Joel Hay | .... | second assistant director | |
| Nick Lopez | .... | trainee assistant director | |
| Elizabeth Scherberger | .... | first assistant director | |
| Karen Young | .... | third assistant director | |
Art Department | |||
| Sam Agro | .... | storyboard artist | |
| Ronald Bunt | .... | carpenter | |
| Douglas Catty | .... | carpenter | |
| Steven Ciancamerla | .... | set dresser | |
| Napoleon Forbes | .... | painter | |
| Brian Lumley | .... | carpenter | |
| Jason Lunn | .... | leadman | |
| Mario Moreira | .... | assistant property master | |
| James R. Murray | .... | property master | |
| Hubert Peddle | .... | carpenter | |
| Frank Perna | .... | painter | |
| Sorin Popescu | .... | assistant art director | |
| Jamie Pounder | .... | painter | |
| Sean Scoffield | .... | graphic designer | |
| Cherie Spencer | .... | set dresser | |
| Al Vrkljan | .... | weapon specialist | |
| Ian C. Harris | .... | daily construction laborer (uncredited) | |
Sound Department | |||
| Steve Baine | .... | foley artist | |
| Kevin Belen | .... | adr recordist | |
| Tom Bjelic | .... | sound effects editor | |
| Keith Elliott | .... | sound re-recording mixer | |
| Mark Gingras | .... | supervising sound editor | |
| Jamie Gould | .... | sound re-recording assistant | |
| Jason Hopfner | .... | boom operator | |
| Josh Machado | .... | assistant sound effects editor | |
| Matthew McKenzie | .... | adr recording engineer | |
| Colin McLellan | .... | adr recordist | |
| Rick Penn | .... | sound mixer | |
| Jason Perreira | .... | re-recording assistant | |
| Peter Persaud | .... | foley recordist | |
| John Douglas Smith | .... | supervising sound editor | |
| Andrew Tay | .... | sound re-recording mixer | |
| Marilee Yorston | .... | foley assistant | |
| Mark Zsifkovits | .... | sound re-recording mixer | |
Special Effects by | |||
| Warren Appleby | .... | special effects coordinator | |
| Tim Barraball | .... | special effects key | |
| Daniel White | .... | special effects foreman | |
Visual Effects by | |||
| David Alexander | .... | senior modeller: Switch VFX | |
| Kemal Ally | .... | lead tracker: Switch VFX | |
| Don Asido | .... | data manager: Switch VFX | |
| Barb Benoit | .... | digital compositor: Switch VFX | |
| Jon Campfens | .... | visual effects supervisor | |
| Peter Denomme | .... | visual effects producer: Switch VFX | |
| Amir Eftekhari | .... | digital compositor: Switch VFX | |
| Mike Habjan | .... | model maker: Switch VFX | |
| Gudrun Heinze | .... | senior digital compositor: Switch VFX | |
| Cha Min Hyun | .... | digital compositor | |
| Jason Kozsurek | .... | digital compositor | |
| Voytek Kufner | .... | animator: Switch VFX | |
| Keren Kurtz | .... | digital compositor: Switch VFX | |
| Jef Lonn | .... | digital compositor: Switch VFX | |
| Beau Parsons | .... | visual effects coordinator: Switch VFX | |
| Mag Sarnowska | .... | digital compositor: Switch VFX | |
| Rob Sischy | .... | digital compositor: Switch VFX | |
| Chris Wallace | .... | digital intermediate colourist | |
| Geoff Wigmore | .... | digital compositor: Switch VFX | |
| Steve Wigmore | .... | digital compositor: Switch VFX | |
| Greg Zajac | .... | digital compositor | |
Stunts | |||
| Marco Bianco | .... | stunt double | |
| Neil Davison | .... | stunt double | |
| Billy Oliver | .... | stunt double | |
| Dave Van Zeyl | .... | stunt rigger | |
Camera and Electrical Department | |||
| Richard Berube | .... | electrician | |
| Steve Cocks | .... | grip | |
| Ira Cohen | .... | gaffer | |
| Sean Dawes | .... | electrician | |
| Jamie Hodgson | .... | rigging electrician | |
| Kevin Michael LeBlanc | .... | first assistant camera | |
| Monty Montgomerie | .... | key grip | |
| Philip Charles Whitfield | .... | electrician | |
| Steve Wilkie | .... | still photographer | |
Casting Department | |||
| Kathleen Howell | .... | casting associate | |
| Misha Rasaiah | .... | casting assistant | |
| Jane Rogers | .... | extras casting | |
Costume and Wardrobe Department | |||
| Ciara Brennan | .... | assistant wardrobe supervisor | |
| Karen Eppstadt | .... | key costume breakdown artist | |
| Gerri Gillan | .... | wardrobe buyer | |
| Roslyn Hanchard | .... | costume buyer | |
| Leslie Kavanagh | .... | wardrobe set supervisor | |
| Stephanie Lees | .... | assistant costume designer | |
| Adam Smith | .... | costume prop | |
| Bonnie Sutherland | .... | wardrobe assistant | |
Editorial Department | |||
| Diane Brunjes | .... | additional editor | |
| Chad Glastonbury | .... | first assistant editor | |
| Dave Muscat | .... | assistant digital intermediate editor | |
Music Department | |||
| Paul Intson | .... | music editor | |
Transportation Department | |||
| Eddie Bowman | .... | transportation coordinator | |
Other crew | |||
| Cristin L. Cornett | .... | production coordinator | |
| Kathryn Hughes | .... | set production assistant | |
| Ryan Hupponen | .... | assistant production coordinator | |
| Kaleigh Kavanagh | .... | assistant: Dan Heffner | |
| Jane Kim | .... | assistant: Darren Bousman | |
| Brad McIlroy | .... | on-set caterer | |
| Michael McNaughton | .... | photo double | |
| Ashleigh Millar | .... | key craft service | |
| Erick Salomon | .... | assistant: Mark Burg & Oren Koules | |
| Carla Spizziri | .... | first assistant accountant | |
| Elizabeth Tremblay | .... | script supervisor | |
| Al Vrkljan | .... | tactical consultant | |
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| Rambo | Saw III | Sin City | Kataude mashin gâru | Saw II |
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Will it ever end? I don't know, but after this one, I'm eager for more still! I know what you're thinking, it's been overdone. I admit that it's your opinion and you can judge the series after three movies, but you don't close the book on the 3rd movie when the story is "just beginning".
Should you bother seeing this movie if you haven't seen the other Saw movies? No. What if you like gore and suspense... sure. But this movie is strictly for the Saw fans who have seen the first three and followed every step and hint, otherwise it's a big waste of time. The only thing that helps those people is that every Saw movie shows flashbacks. Honestly though, it's not as useful as seeing them to begin with.
Now to the movie...
This was the first Saw movie that was not written by Leigh Whannel. Is this a problem? I don't really think so. Saw IV was just as riveting and plot-detailed as the first three. I watched the movie tonight with 2 friends in a closed theatre, and we were all talking during the entire movie asking each other questions and trying to figure out the plot. I feel bad for the massive amounts of people cramming the theatre on opening night; there's going to be so much talking, it will be unbearable to follow. "Who's that guy?" "Do you think he really died?" "I bet he's playing a game as well". Not so much fun.
Let me be completely honest about this movie, and that will be all for me. There were many twists and turns, all what we hoped for. The details are superb; everything clicked and was managed well. Most of all, the gore, violence and games were top notch. I was stunned at how amazing the tests were... seriously. It was a joy to watch.
Completely entertaining. If you liked the first Saws, then you will not want to miss this one. 7 out of 10. In my opinion, it was better than Saw III, but slightly below Saw II... and of course, not near the original. But still, Saw IV was brilliant.