| James Roday | ... | Shawn Spencer | |
| Dulé Hill | ... | Burton 'Gus' Guster | |
| Timothy Omundson | ... | Carlton Lassiter | |
| Maggie Lawson | ... | Juliet O'Hara | |
| Corbin Bernsen | ... | Henry Spencer | |
| Mercedes Ruehl | ... | Detective Goochberg | |
| Kirsten Nelson | ... | Karen Vick | |
| Shannon Woodward | ... | Alice Bundy | |
| Alexandra Breckenridge | ... | Betty | |
| Chelan Simmons | ... | Bianca | |
| Liam James | ... | Young Shawn | |
| Isaah Brown | ... | Young Gus | |
| Gina Stockdale | ... | Poppy | |
| Crystal Lowe | ... | Eden | |
| Chad Krowchuk | ... | Laundry Clerk | |
| Amanda Lisman | ... | Doreen Fumber | |
| David Pearson | ... | Doctor (as David Allan Pearson) | |
| Troy Rudolph | ... | Doctor #2 | |
| rest of cast listed alphabetically: | |||
| Katrina Bowden | ... | Coed (uncredited) | |
| Episode Crew |
Directed by | |||
| John Landis | |||
Writing credits | ||
| Steve Franks | (creator) | |
| Steve Franks | (written by) & | |
| James Roday | (written by) | |
| Tami Sagher | staff writer | |
Produced by | |||
| Mel Damski | .... | co-executive producer | |
| Steve Franks | .... | executive producer | |
| Chris Henze | .... | executive producer | |
| Tracy Hillman | .... | associate producer | |
| Tracey Jeffrey | .... | producer | |
| Kelly Kulchak | .... | executive producer | |
| Joe Lazarov | .... | supervising producer | |
| Kerry Lenhart | .... | consulting producer | |
| John J. Sakmar | .... | consulting producer | |
| Douglas Steinberg | .... | consulting producer | |
Original Music by | |||
| Adam Cohen | |||
| John Robert Wood | |||
Cinematography by | |||
| Michael McMurray | (director of photography) | ||
Film Editing by | |||
| Gordon Rempel | |||
Casting by | |||
| Elizabeth Marx | (as Liz Marx) | ||
Production Design by | |||
| Dawn Snyder | |||
Art Direction by | |||
| Bridget McGuire | |||
Set Decoration by | |||
| Francesca Dappen Courtois | (as Francesca Dappen) | ||
Costume Design by | |||
| Simon Tuke | |||
Makeup Department | |||
| Jacky Wilkinson | .... | head makeup artist | |
| Jill Winston | .... | head hair stylist | |
Production Management | |||
| Peter Pearson | .... | post-production supervisor | |
| Erin Smith | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paul Etherington | .... | first assistant director | |
| Roger Scott Russell | .... | second assistant director (as Roger Russell) | |
Art Department | |||
| Michael Corrado | .... | set designer | |
| Clive Edwards | .... | property master | |
| Les Ford | .... | playback animator | |
| Bob Gallinger | .... | construction first aid | |
| Bob Gallinger | .... | toolman | |
| Kate Kashetsky | .... | set buyer | |
| Kevin Stephens | .... | construction coordinator | |
| Judi Varga | .... | scenic painter | |
| Renata Zaleska | .... | props buyer | |
| Olivier Grard | .... | lead carpenter (uncredited) | |
| Kris Longworth | .... | carpenter (uncredited) | |
| Trevor Oleksy | .... | best boy greensman (uncredited) | |
| Ty Rees | .... | lead greens person (uncredited) | |
| Steve Scott | .... | art department assistant (uncredited) | |
| James Summers | .... | head greensman (uncredited) | |
Sound Department | |||
| Anke Bakker | .... | sound supervisor | |
| Jay Cheetham | .... | bg editor | |
| Kelly Cole | .... | re-recording mixer | |
| Chris Duesterdiek | .... | sound mixer | |
| Real Gauvreau | .... | sound designer | |
| Bill Mellow | .... | re-recording mixer | |
| Glen Noseworthy | .... | adr mixer | |
| Rory O'Neill | .... | boom operator (as Rory O'Neil) | |
| Kevin Townshend | .... | dialogue editor | |
| Jack Levy | .... | supervising sound editor (uncredited) | |
| Doug Madick | .... | supervising foley artist (uncredited) | |
| Richard Partlow | .... | foley artist (uncredited) | |
| Joshua Stevenson | .... | assistant dialogue editor (uncredited) | |
Special Effects by | |||
| Andrew Chamberlayne | .... | special effects coordinator (as Andy Chamberlayne) | |
| John Wilkinson | .... | special effects assistant | |
| Michael Radil | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Terry Hutcheson | .... | visual effects producer | |
| Petra Lendvai-Lintner | .... | visual effects coordinator | |
| Michael Ranalletta | .... | digital compositor (uncredited) | |
Stunts | |||
| Nicole Lissner | .... | stunt performer | |
| Dan Shea | .... | stunt coordinator | |
| Janene Carleton | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Clayton Bachynsky | .... | first assistant: "b" camera | |
| Fred Boyd | .... | chief lighting technician | |
| Marco Ciccone | .... | camera operator: "a" camera | |
| Cliff Hokanson | .... | camera operator: "b" camera | |
| Trevor Holbrook | .... | first assistant: "a" camera | |
| Jeff Plecas | .... | key grip | |
| Stuart Collison | .... | lighting technician (uncredited) | |
| Steve Holland | .... | generator technician (uncredited) | |
| mark mcIntosh | .... | dolly grip (uncredited) | |
| Doug Nolin | .... | best boy grip (uncredited) | |
Casting Department | |||
| Susan Taylor Brouse | .... | casting: Canada (as Susan Brouse) | |
| Lynne Carrow | .... | casting: Canada | |
| Michelle Markowitz | .... | casting assistant | |
| Larkin MacKenzie-Ast | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Ivan Lehner | .... | costume supervisor | |
| Jo Riley | .... | assistant costume designer | |
| Heather Rupert | .... | costume dyer/breakdown | |
| Lisa Stary | .... | costumer | |
| Monique McRae | .... | costume coordinator (uncredited) | |
| Hollie Strobl | .... | costume dyer/breakdown (uncredited) | |
Editorial Department | |||
| James Cowan | .... | hd online editor | |
| Peter Forslund | .... | first assistant editor | |
| Ryan Hogan | .... | colorist | |
| Ryan Hogan | .... | final colorist | |
| David Robinson | .... | hd online editor (as Dave Robinson) | |
| Mykel Thuncher | .... | telecine colorist | |
Music Department | |||
| Hal Beckett | .... | music editor (as Hal Foxton Beckett) | |
| Melissa Deanne Ferguson | .... | music consultant (as Melissa Ferguson) | |
| Steve Franks | .... | composer: theme | |
| Kerri K. Drootin | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Dave Moroz | .... | transportation coordinator | |
| Ian Thompson | .... | ambulance wrangler (uncredited) | |
Other crew | |||
| Deborah D. Bose | .... | location manager (as Deborah Bose) | |
| Allison Clarke | .... | assistant: M. Damski | |
| Darren Giblin | .... | assistant to producer | |
| Darren Giblin | .... | clearance coordinator | |
| Karin Korchinski | .... | assistant production coordinator | |
| Myles Lennig | .... | assistant location manager | |
| Luke Lytar | .... | assistant: C. Henze | |
| Brett McDermid | .... | assistant: T. Jeffrey | |
| Bliss McDonald | .... | production coordinator | |
| Jane McKernan | .... | production accountant | |
| Anupam Nigam | .... | story editor | |
| Allie O'Grady | .... | assistant: S. Franks | |
| Elva Parsons | .... | lead payroll accountant | |
| Ray Utarnachitt | .... | script coordinator | |
| Sabrina Vito | .... | assistant: K. Kulchak | |
| Victoria Walker | .... | assistant to writers | |
| Natasha Young | .... | script supervisor | |
| Vitomir Bogdanovic | .... | trainee assistant location manager (uncredited) | |
| Aaron Fitzgerald | .... | helicopter pilot (uncredited) | |
| Kelly Fry | .... | craft service (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Steve Franks | creator | |
Sound Department | |||
| Graeme Hughes | .... | sound re-recording mixer | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Comedy section |
| IMDb USA section |
Shawn Spencer may not be the most career-driven of men, but his sharp powers of observation see him calling in many spot-on tips to the police simply from watching the local news. Of course this raises suspicions in the local police and Shawn finds himself under suspicion for the crimes he tipped on. Thinking quickly, he claims to be psychic and uses his powers of observation to "psychically read" some of the people in the station. Whether they believe him or not, they buy his story, giving him and his friend Gus a great chance to work for the police albeit having to continue to dress up Shawn's observational skills as being mystical rather than good police work.
I mentioned in my review of season 2 of Psych that season 1 hadn't really worked for me but, tellingly, I also said that I watched it in a very "non-committed" way. The end of season 3 and the lack of new episodes of fun light entertainment made me and my girlfriend pick up season 1 and many things about it surprised me. The first thing that surprised me was how much of the season that neither of us had seen (although I suppose this is why I never reviewed it before) despite both quite liking the show. The second thing that impressed me more than surprised me was how it hit the ground running pretty much doing all the things that I like about it two seasons later, but from the pilot stage. I am used to some shows taking one season to bed in (Battlestar Galatica being the most recent example I can think of) but here we have everything from the theme music to the overall approach of the show in place.
The irreverent tone is the thing that makes it for me and, although season 1 is a bit more careful and guarded with it, it is still present and still works. The heavy stream of references and confidence in its own comedy is not quite there yet though and some of the episodes rely on the cases more than they do the fun swagger of the show. This makes for some weaker episodes where the "fun" isn't quite there even if they are still quite entertaining. The cast are a big part of taking this fun from the page and putting it onto the screen. I'm sure at some point Roday will have to find another job and struggle to build on his success here but at the moment Shawn is a role he fits like a glove, making it all seem so easy and effortless. He is charmingly funny and he takes the viewer with him. Hill is just as good and it is hard to imagine the show without both of them together. Omundson plays it simple in season 1 but is quite effective for it, while Lawson turns out to be a more fitting bit of casting in regards the "light, fun" style of the show than Dudek would most likely have made. Nelson is so-so and lumbered with a seemingly unnecessary pregnancy for most of the season. Bernsen is fun in the flashbacks and the modern setting, even if the kid doing Gus in the flashbacks is not as good as in later seasons.
Season 1 of Psych is a pleasant surprise looking back but also a very good start for anyone coming to the show. Although seasons 2 and 3 come harder with the confidence, references and swagger than makes the show such fun, season 1 does still have them as a firm base that makes the majority of the season really enjoyable. One or two weaker episodes tend to come from the script not putting enough material onto Shawn and Gus but regardless it is a surprisingly "on-point" season that hits the ground running in terms of formula and fun.