Through a focus on the life of Dalton Trumbo (1905-1976), this film examines the effects on individuals and families of a congressional pursuit of Hollywood Communists after World War II. ... See full summary »
In the big city a loving young couple Deb and Dom planning to get ready to marry seek guidance from the Catholic Church, which only brings out the true life problems they may encounter with... See full summary »
Joe, a young American soldier, is hit by a mortar shell on the last day of World War I. He lies in a hospital bed in a fate worse than death --- a quadruple amputee who has lost his arms, ... See full summary »
Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for ... See full summary »
Emile de Antonio
Roy M. Cohn,
John L. McClellan
The Love Canal was a suburban community that seemed like any other until the residents made a horrible discovery that the houses they purchased and the school their children attended was ... See full summary »
Through a focus on the life of Dalton Trumbo (1905-1976), this film examines the effects on individuals and families of a congressional pursuit of Hollywood Communists after World War II. Trumbo was one of several writers, directors, and actors who invoked the First Amendment in refusing to answer questions under oath. They were blacklisted and imprisoned. We follow Trumbo to prison, to exile in Mexico with his family, to poverty, to the public shunning of his children, to his writing under others' names, and to an eventual but incomplete vindication. Actors read his letters; his children and friends remember and comment. Archive photos, newsreels and interviews add texture. Written by
Screenwriter Dalton Trumbo was arguably the most famous of the "Unfriendly Ten" who were blacklisted in 1947 in the first flash of America's witch-hunts. But that's pretty much all that the casual observer knew about him before his son, Christopher, presented his letters in the two-hander "Trumbo." Now Peter Askin's documentary, which includes dramatized readings from Trumbo fils' epistolary drama, fills in the historical gaps with newsreels, interviews, and a minimum of film clips ($). The importance of this documentary is that it shows how unquiet Trumbo was, how his insistent visibility helped break the Blacklist, and how the forces that tried to make the Blacklistees toe the line are still running things. For any doctrinaire Right-wingers reading this summary, "Trumbo" isn't about Communism, it's about thought control -- something both Left and Right seem to be fixated on imposing. The power of this film comes from its varied, non-manipulative portrayal of an indomitable creative spirit.
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