7.2/10
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Roman de gare (2007)

R | | Drama | 23 May 2008 (USA)
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1:38 | Trailer
A popular novelist researches unlikely sources to find characters for her next bestseller.

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(original scenario), (adaptation) | 1 more credit »
1 win & 1 nomination. See more awards »

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Cast

Credited cast:
...
Pierre Laclos / Louis
...
...
...
Florence, la soeur
Myriam Boyer ...
La mère d'Huguette
...
Le commissaire Leroux
Boris Ventura-Diaz ...
Alain (as Boris Ventura Diaz)
...
Le propriétaire du vignoble
Thomas Le Douarec
Rest of cast listed alphabetically:
Eve Bitoun
Rebecca Blanc
Jérôme Cachon
Marie-Victoire Debré
Eric Delcourt
Cyrille Eldin ...
Paul
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Storyline

The successful novelist Judith Ralitzer is interrogated in the police station about the disappearance of her ghost-writer. A serial-killer escapes from a prison in Paris. A missing school teacher leaves his wife and children. In the road, the annoying and stressed hairdresser Hughette is left in a gas station by her fiancé Paul while driving to the poor farm of her family in the country. A mysterious man offers a ride to her and she invites him to assume the identity of Paul during 24 hours to not disappoint her mother. Who might be the unknown man and what is real and what is fiction? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Some meetings are more fatal than others.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for brief language and sexual references | See all certifications »
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Details

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Language:

Release Date:

23 May 2008 (USA)  »

Also Known As:

Crossed Tracks  »

Filming Locations:

 »

Box Office

Opening Weekend:

$25,484 (USA) (25 April 2008)

Gross:

$1,851,114 (USA) (12 September 2008)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Crazy Credits

There is a small dialogue some moments after the credits have begun. See more »

Connections

Referenced in Gossip Girl: New Haven Can Wait (2008) See more »

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User Reviews

 
Complexity that stays with you
11 June 2008 | by (United States) – See all my reviews

ROMAN DE GARE has a lot going for it. Start with one of France's biggest stars, "jolie/laid" (beautiful/ugly) Fanny Ardant. Add Domique Pignon, the brilliant and quirky circus performer turned actor who starred in DELICATESSIN, CITY OF LOST CHILDREN, and AMELIE. Add Audrey Dana as Hugette, a lovely "rocker chick next door" type & hairdresser wannabe, who gives a knock-your-socks-off performance in one of the most interesting victim roles written for a woman in years. Add a fantastic, complex, multi-layered mystery-thriller script that holds your interest and is tight-as-a-drum.

Toss in a serial killer on the loose, a husband who has walked out on his job/wife/and child, a ghost writer for a famous author, a handsome policeman in love with an overweight housewife, a murder, and a brother/sister magic act. Finally, the core of this film takes us to the kind of French countryside we never see... French "hill country" that is like a ramshackle farm in West Virginia, where education is poor, and the house a modified stable.

Instead of being a mess, all of these elements pull together so simply in a way that feels everyday and natural; because ultimately this film is about the complexity of modern life.

For those who like to look deeper, we have the significant, meaningful themes of "wanting to run away from your life," and the modern inability to know who anyone really is - the essential modern mistrust. Ardant's character doesn't even know who she is herself, and it is shown in persistent yet such subtle ways throughout.

For those who don't like to look deeply, the good news is that you don't have to. ROMAN DE GARE glides along and keeps you engaged throughout. It keeps you guessing... we know we are seeing one of the books being talked about, but we don't even know for sure which book we are watching.

The film SWIMMING POOL mined similar territory in the literary world and has a mind-bending ending that alters your perception of the whole film. We are set up for that kind of ending here, and I left feeling disappointed. It is only now, several days later that I feel this is one of the most deft and well orchestrated films I've seen in years. We go from a yacht in Cannes to a highway rest stop, and there is no "comment" on the social contrasts, it just is. To have it all feel organic and natural is the real magicians art - the work of a confident and mature filmmaker.

The production values are as high as you would expect with big stars in the leads. The costuming touches say so much. The hairdresser's trashy trendy high-heeled boots, Ardan'ts frankly fake wigs and obvious foundation makeup are the touches that speak to the inner personality. The fact that "Hugette" is the smallest woman is worth noticing.

Really modern. Really complex. Really entertaining. Really Real. See it.


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