| François Morel | ... | Le commissaire Martin Bataille | |
| Danielle Darrieux | ... | Camilla Tressilian | |
| Melvil Poupaud | ... | Guillaume Neuville | |
| Laura Smet | ... | Caroline Neuville | |
| Chiara Mastroianni | ... | Aude Neuville | |
| Alessandra Martines | ... | Marie-Adeline | |
| Clément Thomas | ... | Thomas Rondeau | |
| Xavier Thiam | ... | Frédéric 'Fred' Latimer | |
| Hervé Pierre | ... | Ange Werther | |
| Vania Plemiannikov | ... | Pierre Leca | |
| Jacques Sereys | ... | Me Charles Trevoz | |
| Valériane de Villeneuve | ... | Emma | |
| Paul Minthe | ... | Heurtebise | |
| Carmen Durand | ... | Barrette | |
| Dominique Reymond | ... | Mme Geoffroy - La directrice du collège | |
| Camille Balsan | ... | Sylvie Bataille | |
| Ariane Rousseau | ... | Mme Roger - Gérante des Flots Bleus | |
| Hassen Brahiti | ... | Le docteur Lazerbi | |
| Bernard Marcatte | ... | Loïc Brezounec | |
| Héloïse Wagner | ... | Une fonctionnaire de police | |
| rest of cast listed alphabetically: | |||
| Marion Bartherotte | ... | L'infirmière | |
| Emmanuelle Coutellier | ... | La jeune fille de la falaise | |
| Benoit Gaudiche | |||
| Audrey Goldberg Goldberg | |||
| Michel Goldberg | |||
| Nathalie Larcher | ... | la cliente de Latimer | |
| Gaël Le Bozec | |||
| Joséphine Le Gouvello | ... | Une avocate | |
| Tilly Mandelbrot | ... | La petite fille diabolique | |
| Elena Manso | ... | La femme de chambre | |
| Clarisse Merel | ... | Une avocate | |
| Chantal Millier-Legrand | ... | Une avocate | |
| Valentin Morel | ... | Le jeune homme de la falaise | |
| Serge Panel | ... | Un enquêteur | |
| Yannick Peyrony | ... | Le partenaire de Gullaiume au tennis | |
| Catherine Schneider | ... | La directrice de la morgue | |
| Jérôme Sifferle | |||
| Philippe Veisse | ... | Le magistrat | |
| Pascal Thomas | ... | Le médecin légiste (uncredited) | |
Directed by | |||
| Pascal Thomas | |||
Writing credits(in alphabetical order) | ||
| Clémence de Biéville | ||
| François Caviglioli | ||
| Agatha Christie | novel | |
| Roland Duval | ||
| Nathalie Lafaurie | ||
Produced by | |||
| Hubert Watrinet | .... | producer | |
| Bernadette Zinck | .... | production executive | |
Original Music by | |||
| Reinhardt Wagner | |||
Cinematography by | |||
| Renan Pollès | |||
Film Editing by | |||
| Catherine Dubeau | |||
| Elena Mano | |||
Production Design by | |||
| Katia Wyszkop | |||
Set Decoration by | |||
| Gérard Marcireau | |||
Costume Design by | |||
| Laurence Esnault | (costumes) | ||
Makeup Department | |||
| Frédérique Arguello | .... | hair stylist | |
| Frédéric Lainé | .... | special makeup effects artist | |
| Nathalie Louichon | .... | makeup artist | |
Production Management | |||
| Aimeric Bonello | .... | unit production manager | |
| Scarlett Garson | .... | production secretary | |
| Frédéric Morin | .... | assistant unit manager | |
| Jerome Pinot | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Thierry Mauvoisin | .... | assistant director | |
Art Department | |||
| Christophe Aubry | .... | metal worker | |
| Benoît Bechet | .... | assistant art director | |
| Benjamin Clauzier | .... | assistant decorator | |
| François Combastel | .... | construction coordinator | |
| Alexandra Lassen | .... | assistant art director | |
| Antoine Martial | .... | chief carpenter | |
| Marie Rossignol | .... | head painter | |
Sound Department | |||
| Denis Carquin | .... | first assistant sound | |
| Eric Chevallier | .... | sound mixer | |
| Arnaud Julien | .... | second sound engineer | |
| Pierre Lenoir | .... | sound recordist | |
| Claude Villand | .... | sound mixer | |
Stunts | |||
| Alexandre Cauderlier | .... | stunt double: Melvil Poupaud | |
| Patrick Cauderlier | .... | stunt coordinator | |
| Patrick Cauderlier | .... | stunts | |
Costume and Wardrobe Department | |||
| Catherine Bouchard | .... | costumer | |
Editorial Department | |||
| Marie De La Selle | .... | assistant editor | |
| Mathilde Delacroix | .... | color timer | |
| Mélanie Mourey | .... | assistant editor | |
Music Department | |||
| Eric Chevallier | .... | music mixer | |
| Asen Kanchev | .... | music production manager | |
Other crew | |||
| Scarlett Garson | .... | production secretary | |
| Karine Lecoq | .... | script supervisor (as Karinne Lecoq) | |
| Florence Narozny | .... | press attache | |
| André-Paul Ricci | .... | press attache | |
| Bernadette Zinck | .... | production administrator | |
| Recent Posts (updated daily) | User |
|---|---|
| Detective's song | mctara69 |
| I don't get it (spolier) | jerry4444 |
| DVD | igorlongo |
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| 8 Women | By the Pricking of My Thumbs | Agatha Christie's Miss Marple: 4:50 from Paddington | Crime Is Our Business | The Living Ghost |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Towards Zero is not one of Agatha Christie's more famous novels, but for a murder mystery lover it is almost an essential read. It has been several years since I read it, but I very distinctly remember how much I enjoyed it as well as the plot and the substantial twist.
This French movie adaptation is set in present day Bretagne, but other than that remains - rather surprisingly - true to the book, more so than, for example, the Diana Rigg version of Evil Under The Sun. All important plot points remain intact. Not that this in itself signifies a great movie. Au contraire, vraiment - while the cinematography, setting, music and pacing are more or less good, many of the actors overact their characters to the point of becoming caricatures instead. The shrewish wife or the maid (vaguely reminiscent of Nancy Walker's Yetta in Murder By Death, nevertheless wholly unsuitable for a serious murder mystery) are best examples of this. Danielle Darrieux is, quite unsurprisingly, not among those, and her much too brief appearance as Aunt Camilla is the only real performance in the picture. François Morel as the detective comes close to one, but not quite close enough.
Final verdict: Entertaining murder mystery with some hammy performances, fast pacing and a great twist by Dame Agatha herself. Also useful as a French listening comprehension practice, especially if you're as lucky as I am and your copy lacks subtitles.