A story about two classmates - one smart and openly gay and the other school swimming star. They grow as friends and discover their attraction to each other. This story has been told many ... See full summary »
A 16-year old Icelandic boy's first kiss with another boy gives him "jitters"--feelings he can't deny. This is a well-written film that captures the confusion and excitement of being a ... See full summary »
Atli Oskar Fjalarsson,
Gísli Örn Garðarsson
A bullied and demoralized gay student at an all-boys school uses a magical flower derived from Shakespeare's "A Midsummer Night's Dream' to turn many in his community gay, including a comely rugby player for himself.
Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
Shy and withdrawn, Nathan (played by Stephan Bender) is new to his school, unusually smart (a grade ahead) and the silent tension at home nearly unbearable. Mom, Dad, and Nathan have moved constantly, town after town, landing, inexplicably, in god-fearing "St. Francesville". Roy (played by the multi-talented Max Roeg), a year older than Nathan, confident and hard-working, drives the bus to their school while a friendship blooms between them into a relationship that is fraught with confusion and yearning. But secrets pick at the relationship, the unspoken rules of their angst-driven interactions unravel as Nathan's world again comes crashing inwards. Tension crescendos as shame and terror, stress and disaster all compete to immobilize and destroy both of their worlds. Written by
Originally, director James Bolton wanted to shoot the film in Portland, Oregon, but budget limitations caused Louisiana to be chosen instead. See more »
When Nathan meets Roy's mother, she asks if he goes to the Baptist church. Nathan says yes. But when Nathan is seen in church with his family and the preacher reads about Judas's betrayal, there is a large crucifix on the church wall. A second large crucifix is seen on the wall in Nathan's bedroom. Baptist doctrine denounces the use of crucifixes, and no Louisiana Baptist of the 1970s would have one in either their church or home. They are, however, quite common in Roman Catholic churches and homes in Louisiana. See more »
Written by Jesse Sykes and Phil Wandscher
Performed by Jesse Sykes and The Sweet Hereafter
Recorded by Phil Wandscher
Additional recording and production by Randall Dunn at Aleph See more »
Shy teenager Nathan (Stephen Bender) moves into the deep South with his parents. Right next door to him is teenager Roy (Max Roeg) who is out-going and friendly. They form a friendship which quickly turns into a physical relationship. Naturally they can't tell anybody. Half way through things about Nathan become clearer--and more disturbing--and the movie gets dark.
I read the book years ago and loved it but I hated the ending cause it's so ambiguous. I bought this movie cautiously because I didn't think it could be as good as the book and I was curious HOW they would end it. Well the movie IS as good as the book. It's low-key but the book was too. Bender and Roeg perfectly play two teenage boys in love--you can see the confusion and passion in their faces. The sex scenes are very tastefully done (nothing remotely graphic) and these two are so obviously not teens it's not disturbing to watch. I also like how their kissing and having sex is treated so casually--as it should. It (sort of) retains the ambiguous ending of the book. Like I said I hated that ending but I'm glad the movie didn't change it. All the acting is good--Roeg especially. He has the wonderful actress Theresa Russell as his mom and obviously inherited her acting abilities. There's some beautiful cinematography and a good music score too. Low-key and somewhat disturbing but effective. I give it a 7.
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