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Chronicles the relationship between two gay teenagers in the rural south in the late '70s.



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Complete credited cast:
Nathan Davies
Harland Davies
Vivian Davies
Preacher John
Maximillian Roeg ...
Roy (as Max Roeg)
Owen Beckman ...
Evelyn (as Tricia Mara)
Rickie Lee Jones ...
Roy's Mother
Nick Ericson ...
Brother Will


Shy and withdrawn, Nathan (played by Stephan Bender) is new to his school, unusually smart (a grade ahead) and the silent tension at home nearly unbearable. Mom, Dad, and Nathan have moved constantly, town after town, landing, inexplicably, in god-fearing "St. Francesville". Roy (played by the multi-talented Max Roeg), a year older than Nathan, confident and hard-working, drives the bus to their school while a friendship blooms between them into a relationship that is fraught with confusion and yearning. But secrets pick at the relationship, the unspoken rules of their angst-driven interactions unravel as Nathan's world again comes crashing inwards. Tension crescendos as shame and terror, stress and disaster all compete to immobilize and destroy both of their worlds. Written by Christopher Panoply

Plot Summary | Add Synopsis


Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, and some violence including a rape - involving teens | See all certifications »

Parents Guide:





Release Date:

11 December 2008 (Germany)  »

Also Known As:

Kluk snu  »

Filming Locations:


Box Office


$1,200,000 (estimated)

Opening Weekend:

$2,243 (USA) (26 March 2010)


$6,319 (USA) (25 June 2010)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Leonardo DiCaprio's production company, Appian Way, expressed interest in investing in the film. See more »


The Roadmaster wagon shown in the beginning of the film is a later model, as the dual tailpipes mean it has an LT1 V8 engine, which was only produced in that car from 1994 to 1996. Furthermore, it is by no means new, as it has lost most of the black side molding inserts on the passenger side. See more »


Written and performed by Richard Buckner
Vocals by Patty Griffin
Additional recording by Craig Ross
Mixed by Jon Marshall Smith
Published by Richard Buckner (BMI) administered by Bug
Patty Griffin appears courtesy of ATO Records
See more »

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User Reviews

Near perfect depiction of young, inarticulate love
18 September 2011 | by (United States) – See all my reviews

People watch movies for different reasons. Some people like an elaborate, fast-paced plot. Others enjoy the visual and audio experience. I am the kind of movie watcher who enjoys a well executed and consistent tone and mood. In "Dream Boy," the mood is both melancholy and sweet and there is a constant, if not always apparent, hint of anxiety and apprehension that builds throughout the movie. Capturing a mood is very difficult, and it relies on a number of factors including acting, cinematography, and music. While the acting of the supporting cast in "Dream Boy" can be somewhat inconsistent, the acting of the two main characters, Roy (Max Roeg) and Nathan (Stephan Bender), is very strong. I was particularly impressed with Bender whose performance reminds me of Gabourey Sidibe in "Precious." While it is true that the awkward, inarticulate teenager is well-trod territory in gay cinema, I've never seen the role acted so flawlessly. I was completely convinced that Bender was Nathan. Here we have a rare example of the kind of role that doesn't seem "acted" at all; it's as if Bender embodies the character. Sadly, I think actors with roles that are over-the-top, histrionic, and melodramatic often get the most praise, but it seems equally if not more difficult to portray a shy, introverted character, and the actors who really nail these roles often don't get the recognition they deserve (re: Heath Ledger in Brokeback Mountain). I've read some criticism that Bender's performance was "wooden," and it strikes me that if you were not an awkward, inarticulate teenager you might not be able to identify with the performance, but if you were the kind of kid who stayed inside most of the day you will probably find the portrayal of your former self incredibly accurate and moving.

There is a lot of attention paid to subtle, non-verbal forms of communication - glances, stares, half-smiles, physical contact - all of which create a much more realistic depiction of young, gay love than the more chatty gay coming-of-age movies that I'm used to seeing. All of that being said, I understand the disappointment with the ambiguous denouement, but plots are relatively tangential for me. If the actors and director manage to depict a convincing mood, then that is all I need to be satisfied, and they have certainly done that with "Dream Boy."

10 of 11 people found this review helpful.  Was this review helpful to you?

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