| Photos (See all 68 | slideshow) | Videos (see all 15) |
| Jason Bateman | ... | Wally Mars | |
| Victor Pagan | ... | Knit Hat Guy | |
| Jennifer Aniston | ... | Kassie Larson | |
| Jeff Goldblum | ... | Leonard | |
| Juliette Lewis | ... | Debbie | |
| Todd Louiso | ... | Artie | |
| Scott Elrod | ... | Declan | |
| Patrick Wilson | ... | Roland | |
| Rebecca Naomi Jones | ... | Party Guest | |
| Kelli Barrett | ... | Roland's Wife Jessica | |
| Jeremy J. Mohler | ... | Party Guest #2 | |
| Will Swenson | ... | Actor on Stage | |
| Edward James Hyland | ... | Man in Theater | |
| Caroline Dhavernas | ... | Pauline | |
| Brian Podnos | ... | Waiter | |
| Thomas Robinson | ... | Sebastian | |
| Carmen M. Herlihy | ... | Woman on Bus | |
| Lily Pilblad | ... | Girl at Pizzeria | |
| Jason Jones | ... | Climbing Wall Guide | |
| Bryce Robinson | ... | Older Sebastian | |
| rest of cast listed alphabetically: | |||
| Amanda Barron | ... | Roland's Sister (uncredited) | |
| Bob Bencomo | ... | Pirate Hat Guy (uncredited) | |
| Michael Bennett | ... | Party Guest (uncredited) | |
| Nick Diamantis | ... | Lawyer (uncredited) | |
| Stephanie Domini Ehlert | ... | Kassie's friend (uncredited) | |
| Stephen Hadeed Jr. | ... | Theatre Patron (uncredited) | |
| Gina Hernandez | ... | Mexican Resturaunt Patron (uncredited) | |
| Brooke Hoover | ... | Pig Nose Woman (uncredited) | |
| Chris von Hoffmann | ... | Usher (uncredited) | |
Directed by | |||
| Josh Gordon | |||
| Will Speck | |||
Writing credits(WGA) | ||
| Allan Loeb | (screenplay) | |
| Jeffrey Eugenides | (short story "Baster") | |
Produced by | |||
| Jennifer Aniston | .... | executive producer | |
| Brian Bell | .... | co-producer | |
| Albert Berger | .... | producer | |
| Kristin Hahn | .... | executive producer | |
| Nathan Kahane | .... | executive producer | |
| Kelli Konop | .... | co-producer | |
| Mary Lee | .... | co-producer | |
| Allan Loeb | .... | co-producer | |
| Steven Pearl | .... | co-producer | |
| Ron Yerxa | .... | producer | |
Original Music by | |||
| Alex Wurman | |||
Cinematography by | |||
| Jess Hall | |||
Film Editing by | |||
| John Axelrad | |||
Casting by | |||
| Douglas Aibel | |||
Production Design by | |||
| Adam Stockhausen | |||
Art Direction by | |||
| Larry M. Gruber | |||
Set Decoration by | |||
| Carol Silverman | |||
Costume Design by | |||
| Kasia Walicka-Maimone | |||
Makeup Department | |||
| Jerry DeCarlo | .... | hair department head | |
| Jorjee Douglas | .... | makeup artist: Jennifer Aniston | |
| Dallas Hartnett | .... | hair stylist: second unit | |
| Sherri Berman Laurence | .... | makeup department head | |
| Amy Spiegel | .... | key makeup artist | |
| Michelle Spooner | .... | makeup artist: second unit | |
| Oney Syers II | .... | makeup artist | |
| Lona Vigi | .... | hair stylist: jennifer anniston | |
| Louie Zakarian | .... | special effects makeup artist | |
Sound Department | |||
| Anna Behlmer | .... | sound re-recording mixer | |
| Odin Benitez | .... | sound effects editor | |
| Courtney Bishop | .... | adr recordist | |
| James Bolt | .... | sound mixer (as Jim Bolt) | |
| John Dunn | .... | foley editor | |
| Julie Feiner | .... | adr editor | |
| Julie Feiner | .... | dialogue editor | |
| Nerses Gezalyan | .... | sound mixer | |
| Tim Gomillion | .... | sound recordist | |
| Richard Bryce Goodman | .... | additional sound mixer | |
| John-Thomas Graves | .... | adr mixer | |
| Gary A. Hecker | .... | supervising foley artist | |
| Michael Miller | .... | adr mixer | |
| Ronnie Morgan | .... | first assistant sound editor | |
| Adam Sanchez | .... | boom operator | |
| George Simpson | .... | supervising sound editor | |
| Jason Stasium | .... | pro tools playback mixer | |
| William Stein | .... | re-recording engineer | |
| Thomas Varga | .... | production sound mixer | |
| Christopher T. Welch | .... | adr editor | |
| Christopher T. Welch | .... | dialogue editor | |
| Christopher T. Welch | .... | supervising sound editor | |
| Ben Wilkins | .... | sound effects editor | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| Jon Dowdy | .... | special effects technician | |
| Drew Jiritano Jr. | .... | special effects technician | |
| Drew Jiritano | .... | special effects coordinator | |
| Drew Jiritano | .... | special effects technician | |
| Andrew Mortelliti | .... | special effects foreman | |
| Andrew Mortelliti | .... | special effects technician | |
| Mike Myers | .... | special effects foreman | |
Visual Effects by | |||
| Benjamin H. Bernard | .... | lead visual effects artist | |
| James D. Etherington | .... | digital compositor: The Mill (as James Etherington) | |
| Joshua Grow | .... | digital compositor: Howey Digital (as Josh Grow) | |
| Jason Howey | .... | visual effects supervisor | |
| Nitant Karnik | .... | digital compositor: The Mill (as Nitant Ashok Karnik) | |
| Angus Kneale | .... | visual effects supervisor: The Mill | |
| Gavin Miljkovich | .... | visual effects artist | |
| Sean Rowe | .... | digital film scanner | |
| Jeff Stevens | .... | visual effects designer: The Mill | |
| Georgie Uppington | .... | visual effects producer | |
| Ruben Vanderbroek | .... | visual effects | |
| Boo Wong | .... | visual effects producer: The Mill | |
Stunts | |||
| Bryce Burke | .... | rock climbing supervisor | |
| Jared Burke | .... | co-stunt coordinator | |
| Chris Cenatiempo | .... | stunts | |
| Isabella Cenatiempo | .... | stunt performer | |
| Sophia Cenatiempo | .... | stunt performer | |
| Blaise Corrigan | .... | stunts | |
| Douglas Crosby | .... | stunt coordinator (as Doug Crosby) | |
| Natalie Jean | .... | stunts | |
| Curtis Lyons | .... | stunts | |
| Jon Trosky | .... | utility stunts | |
Casting Department | |||
| Henry Russell Bergstein | .... | casting associate (as Henry Russell) | |
| Joe Cappelletti | .... | adr voice casting | |
| Deborah Maxwell Dion | .... | Casting Associate (Los Angeles ) | |
| Stephanie Forrest | .... | extras casting assistant | |
| David M. Waldron | .... | extras casting director | |
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Trenee Clayton | .... | costumer | |
| Trenton Dallas | .... | additional costumer | |
| Keri Lee Doris | .... | costume assistant | |
| Alexandra Eagle | .... | costumer | |
| Careen Fowles | .... | key costumer | |
| Susana Gilboe | .... | assistant costume designer | |
| Winsome G. McKoy | .... | costume supervisor | |
Editorial Department | |||
| J. Cody Baker | .... | digital intermediate assistant | |
| John Bonta | .... | colorist: dailies | |
| Andrew Buckland | .... | additional editor | |
| Andrew Buckland | .... | assistant editor | |
| Sean Coleman | .... | colorist | |
| Dylan Correll | .... | post-production assistant | |
| Tom Cross | .... | additional editor | |
| Ryan Malanaphy | .... | assistant editor | |
| Erik Rogers | .... | senior digital intermediate producer | |
| Stefan Sonnenfeld | .... | digital intermediate executive producer | |
| Sean Valla | .... | first assistant editor | |
| Matthew W. Johnson | .... | digital intermediate on-line editor (uncredited) | |
Music Department | |||
| Steven Baker | .... | music supervisor | |
| Tom Calderaro | .... | conductor | |
| Tom Calderaro | .... | orchestrator | |
| Jessica Dolinger | .... | music licensing | |
| Erik Flettrich | .... | score recordist | |
| Samuel Lehmer | .... | score mixer (as Sam Lehmer) | |
| Krista Montagna | .... | additional music researcher | |
| Stephen Perone | .... | assistant to composer | |
| Lee Scott | .... | music editor | |
| Ellen Segal | .... | music editor | |
| Braden Kimball | .... | soundtrack engineer (uncredited) | |
Transportation Department | |||
| Esteban Munoz | .... | mechanic | |
| Hardy Ophuls | .... | transportation captain: additional photography | |
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| The Nanny Diaries | The Kids Are All Right | Adventureland | Spanglish | Saving Face |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
So I saw The Switch over this weekend and I must say I expected this to be a complete failure and it surprised me to not be that. Matter of fact, the movie stands out pretty well through Aniston's filmography. The story is not complicated, runs smooth and gets your attention. The story revolves around Wally Mars (Jason Bateman) a middle-age single guy who has a hard-time finding his match and Kassie Larson (Jennifer Aniston), his best-friend. At Kassie's semen-party, Wally gets drunk and switches the donator's sperm with his own without realizing and forgetting completely about what happened to next day. After seven years of being separated by distance Kassie movies back to her town and of course, she starts to talk again to her "best-friend". Problems appear only when Wally sees that Kassie's kid is acting pretty much similar like him so he remembers what he did and decides to tell Kassie the truth. Of course, this story has it's clichés and I'm the most bored person on the earth by clichés but this movie is a little bit different. It's not that funny, it has it's funny moments which were handled well but the movie it-self is more of a romance than a comedy so I enjoyed it more than others who expected a million laughs from it.
As far as the acting, this is definitely Aniston's best movie this year and I liked her attitude in this even though she portrays almost the same character but it's such an improvement from The Bounty Hunter. Jason Bateman was very good, hilarious at points as usual and actually approached a more serious tone for this role. The rest was good and I really was not bothered by anything at all. The characters were lovely and I was surprised for them to not look over-acted and exaggerated.
The cinematography, editing were pretty much normal, nothing to be mentioned and the score was as usual, typical for a romantic movie. With all these I want to say that this movie is not BAD and I don't understand people who love to bash this movie just for it's clichés and stuff like that. This movie is a simple good time for a boring afternoon. It's far from being great but it's such a better choice than most of the wack stuff that studios put out.