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The Switch (2010)

PG-13 | | Comedy, Drama, Romance | 20 August 2010 (USA)
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Seven years after the fact, a man comes to the realization that he was the sperm donor for his best friend's boy.

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,

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(screenplay), (short story "Baster")
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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Party Guest
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Jeremy Mohler ...
Party Guest 2 (as Jeremy J. Mohler)
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Actor on Stage
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Man in Theater
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Pauline
Brian Podnos ...
Waiter
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Storyline

Kassie (Jennifer Aniston) and Wally (Jason Bateman) are best friends. Being unlucky in love, Kassie has decided to have a child using artificial insemination. Wally doesn't like this idea, but he isn't capable of admitting to himself, let alone to Kassie, that he's in love with her. At Kassie's artificial insemination party, Wally gets very drunk and spies the sperm donor's sample in the bathroom. Wally was way too drunk to know what he did that night, and Kassie has moved away because she doesn't feel that New York City is a place to raise a child. Now 7 years later, Kassie has moved back with her son Sebastian. While she is looking to get Roland (the sperm donor) more involved in their lives, Wally can't help but notice the many striking similarities that he and Sebastian share. Written by napierslogs

Plot Summary | Add Synopsis

Taglines:

The most unexpected comedy ever conceived.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic content, sexual material including dialogue, some nudity, drug use and language | See all certifications »

Parents Guide:

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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

20 August 2010 (USA)  »

Also Known As:

The Baster  »

Box Office

Budget:

$19,000,000 (estimated)

Opening Weekend:

$8,436,713 (USA) (20 August 2010)

Gross:

$27,758,465 (USA) (12 November 2010)
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Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The scene that opens on a bowl of pancake batter being mixed by Sebastian, is a replica of the breakfast scene in Kramer vs. Kramer (1979). See more »

Goofs

In the beginning of the film, Wally and Kassie are seen taking the A train. Although we are not shown if they switch trains, when she exits the train and the doors are closing, we see they are now aboard a 2 train. See more »

Quotes

[first lines]
Wally Mars: Look at us. Running around, always rushed, always late. I guess that's why they call it the human race. What we crave most in this world is connection. For some people it happens at first site. It's when you know, you know. It's fate working its magic. And that's great for them. They get to live in a pop song; ride the express train. But that's not the way it really works. For the rest of us it's a bit less romantic. It's complicated and it's messy. It's about horrible timing and ...
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Connections

Featured in ES.TV HD: Episode dated 29 September 2010 (2010) See more »

Soundtracks

Freakshow on the Dance Floor
Written by James Alexander, Michael Edward Beard (as Michael Beard), Larry Charles Dodson (as Larry Dodson), Mark Bynum, Harvey Joe Henderson (as Harvey Henderson), Lloyd Ed Smith (as Lloyd Smith), Winston Allen Stewart (as Winston Stewart), Frank C. Thompson (as Frank Thompson) and Allen Jones (as Allen A. Jones)
Performed by The Bar-Kays
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
A romantic comedy with just enough of each to survive the overly clever hook
28 June 2013 | by (United States) – See all my reviews

The Switch (2010)

Okay, it would be easy to dis this movie as a canned, obvious, emotionally thin contrivance. It's a vehicle for two popular stars playing characters in their 30s who are, despite good looks and basic social skills, single and childless. They have to fall in love but life gets in the way in kind of stupid ways. You can't take it seriously, and you can't even quite care enough to hope for the best, whatever that is.

But it's also easy to like this movie despite its obviousness. Jason Bateman is a joy to watch. Maybe his performance is like the movie--glib and facile. But like the movie he is endlessly watchable, and his character is the one with the most depth. His interactions with the boy of six or so are terrific. The boy, too, is adorable and helps the movie get some feeling.

Jennifer Aniston plays the woman who wants a child but has no one willing to be the dad, more or less (though the viewer knows better). And she's a terrific actress, actually, even if her role here (and elsewhere) is often not as demanding as it could be. I suppose Meg Ryan has some kind of edge on her for this kind of stereotype--the lovable lonely urban girl who just can't get love right despite the obvious--but Aniston is an update on that type.

But it is Aniston and Bateman together that really make the movie glide along and make you smile. They have great rapport and good timing, comedic and serious both. I wouldn't say they have chemistry (I guess that's the problem their characters have, so maybe it's great acting) but they make their scenes pop in a way the rest of the movie trundles.

The story writer, Jeffrey Eugenides, is better known for sprawling novels and lots of interrelated characters, but even there there are little hooks that come off a hair obvious. That's the problem here, in the end. There's a big trick, a wonderful and funny hook of an idea, and that almost alone has to handle all the consequences. Some better character development would have been a joy.

Oh, and it's been a long time since a movie with two directors has been able to pull off consistency. I don't know the logistics behind it, but maybe one of the hesitations all along is a lack of singular conviction. Or not. Maybe this is such a formula product any number of directors could have chipped in.

Watch it for the two leads together. And for some fun, warm laughs, if that's your thing. I enjoyed it.


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