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The Hurt Locker (2008)

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During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.

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Won 6 Oscars. Another 117 wins & 126 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Suhail Aldabbach ...
Black Suit Man (as Suhail Al-Dabbach)
Christopher Sayegh ...
Nabil Koni ...
Professor Nabil
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Contractor Charlie
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Contractor Jimmy
Feisal Sadoun ...
Barrie Rice ...
Contractor Chris
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Storyline

An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever. Written by BWR Public Relations

Plot Summary | Plot Synopsis

Taglines:

You'll know when you're in it. See more »

Genres:

Drama | History | Thriller | War

Motion Picture Rating (MPAA)

Rated R for war violence and language | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

31 July 2009 (USA)  »

Also Known As:

Vivir al límite  »

Filming Locations:

 »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

€48,188 (Italy) (10 October 2008)

Gross:

$17,017,811 (USA) (12 May 2015)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The expression "the hurt locker" is a preexisting slang term for a situation involving trouble or pain, which can be traced back to the Vietnam War. According to the movie's website, it is soldier vernacular in Iraq to speak of explosions as sending you to "the hurt locker." See more »

Goofs

During the sniper scene, Sergeant Sanborn takes off his Kevlar helmet, but when the shot goes to Sergeant James, Sanborn can briefly be seen wearing the helmet. When it goes back to a close-up of Sanborn, the helmet is off again. See more »

Quotes

Colonel Reed: You the guy in the flaming car, Sergeant James?
Staff Sergeant William James: Afternoon, sir. Uh... uh, yes, sir.
Colonel Reed: Well, that's just hot shit. You're a wild man, you know that?
Staff Sergeant William James: Uh, yes, sir.
Colonel Reed: He's a wild man. You know that? I want to shake your hand.
Staff Sergeant William James: Thank you, sir.
Colonel Reed: Yeah. How many bombs have you disarmed?
Staff Sergeant William James: Uh, I'm-I'm not quite sure.
Colonel Reed: Sergeant?
Staff Sergeant William James: Yes, sir.
[...]
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Crazy Credits

There are no opening credits, not even a title. See more »

Connections

Referenced in Lost L.A.: Dream Factory (2017) See more »

Soundtracks

Khyber Pass
Written by Al Jourgensen (as Jourgensen) / Ministry / Paul Raven (as Raven) / Tommy Victor (as Victor)
Performed by Ministry
Courtesy of 13th Planet Records, Inc.
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Frequently Asked Questions

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User Reviews

 
A Perfectly Shattering Film Going Experience
28 June 2009 | by (United States) – See all my reviews

Kathryn Bigelow concocts a masterpiece of a film without tricks or gimmicks, at least none to be detected and that in itself is a triumph. Realistic yet poetic like the works of the great masters. It enters and fits a genre and at the same time is unique, unexpected. It shutters, moves and alters every sense, like a powerful drug. I saw it last night and I'm going to see it again tonight. Last night Jeremy Remmer came to speak to the audience in a face to face moderated by Sam Rockwell, great idea but it change my perception of Remmer in the film, of his character. Although he praised Kathryn Bigelow, he said things like "I don't tell her how to direct and she doesn't tell me how to act" Watching the film I felt that childish arrogance belonged to the character by his personal appearance showed it belonged to the actor. In any case, it works on the screen. A character you warm up to almost immediately in spite of his contradictions. Remmer will remind you at times of Robert Redford and others of Michael J Pollard. He is truly terrific so try to avoid his personal appearances not to contaminate that impression. The rest of the cast works wonders and the brief cameos by Guy Pearce and Ralph Finnes are the most organic and unobtrusive cameos I've ever seen in my life. All in all extraordinary. I predict, even if we're only in June, that Kathryn Bigelow risks to be the first female director to win the Academy Award. She certainly got my vote.


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