Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever. Written by
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A production bus full of Iraqi refugees (hired as extras) overturned on a road heading to production. Nobody was seriously injured. A few people suffered bruises and one person was reported to have a broken nose. See more »
When James carries the boy's body out of the building facing the camera, the boy's head is sagging off his arm when he's facing the camera, but resting against his chest when the camera's behind him. See more »
The Hurt Locker is a serious character study and a taut, suspenseful action thriller at once.
The subject matter itself - the work of a bomb expert, possibly one of the most nerve-racking jobs on the planet - yields most of the suspense but Bigelow manages to squeeze out every bit of tension of the premise.
This film to me was very apolitical - though set in Iraq, it is distinguished from most of the Iraq-themed war films in that it concentrates much more on the job itself than the political environment. Iraq seemed more like a backdrop - any other war would do, The Hurt Locker does not preach about this one specifically.
The story is deeply emotional, depicting a thoroughly disturbed individual's life in hell. Jeremy Renner gives an incredibly powerful performance as an EOD officer completely hooked on adrenaline stemming from his everyday close shaves with death.
All aspects of film-making are top-notch, from the brilliantly subversive screenplay through vivid cinematography, masterful directing and perfectly paced editing.
In its storytelling the filmmakers wisely break with traditional Hollywood narrative techniques. There is no clear antagonist, no rising action, no obvious character development and no climax. And yet the film manages to be more interesting, tense and suspenseful than any Hollywood action thriller I've seen in years while making a powerful, yet subtle statement about the insane addiction that is war. Kudos for everyone involved for making this film without compromising.
This is pure quality, cinematic storytelling at its best, a thinking man's actioner.
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