Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever. Written by
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As of 2010, the lowest grossing Best Picture Oscar winner, adjusted for inflation (with a box office take of $14 million). See more »
In the opening sequence, an Arabic voice can be heard shouting "Youjed hunak qunbilah" in an accent that is clearly not Iraqi. There is also a grammatical error, but it is a normal error, given the fact that most Arabs don't usually speak excellent standard Arabic. Most of the Iraqis who worked with the American army were not highly educated (not that they cared). See more »
I have to add my voice to the list of people who really disliked this movie. Imagine a German director making a movie in 1948. Imagine the director asking us to feel sympathy for the soldiers because it was very cold in Russia. (I'm not saying that the United States is a perfect analogy to Nazi Germany, because that would be a grotesque exaggeration.) I actually do have sympathy for all of those young Germans who lost their lives in WWII. But the rest of the world would be appalled to find that this was the take-home message from World War II for the Germans. Bigelow asks her viewers to feel this very emotion for Americans in Iraq.
If there were other scenes that provided a different take on the situation, the hot desert scene would be insignificant. But every Iraqi in the movie is used simply to show how sensitive an American is, or how afraid an American is, etc. The Iraqis are allowed no existence of their own, they are simply plot devices. Don't America's major critics see this?
Some have said that this movie isn't political. By this, they seem to mean that it doesn't criticize the war. This movie is in fact deeply political in that it completely objectifies the "enemy," and glorifies war as a potentially exciting escape from domesticity.
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