Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever. Written by
BWR Public Relations
In the opening sequence, an Arabic voice can be heard shouting "Youjed hunak qunbilah" in an accent that is clearly not Iraqi. There is also a grammatical error, but it is a normal error, given the fact that most Arabs don't usually speak excellent standard Arabic. Most of the Iraqis who worked with the American army were not highly educated (not that they cared). See more »
Staff Sergeant William James:
[Speaking to his son]
You love playing with that. You love playing with all your stuffed animals. You love your mommy, your daddy, your nature pajamas. You love everything, don't ya? Yeah. But you know what, buddy? As you get older... some of the things that you love might not seem so special anymore, you know? Like your Jack-in-a-Box. Maybe you'll realize it's just a piece of tin and a stuffed animal, but the older you get, the fewer things you really love, and by the time you get to my age, ...
See more »
There are no opening credits, not even a title. See more »
Kathryn Bigelow concocts a masterpiece of a film without tricks or gimmicks, at least none to be detected and that in itself is a triumph. Realistic yet poetic like the works of the great masters. It enters and fits a genre and at the same time is unique, unexpected. It shutters, moves and alters every sense, like a powerful drug. I saw it last night and I'm going to see it again tonight. Last night Jeremy Remmer came to speak to the audience in a face to face moderated by Sam Rockwell, great idea but it change my perception of Remmer in the film, of his character. Although he praised Kathryn Bigelow, he said things like "I don't tell her how to direct and she doesn't tell me how to act" Watching the film I felt that childish arrogance belonged to the character by his personal appearance showed it belonged to the actor. In any case, it works on the screen. A character you warm up to almost immediately in spite of his contradictions. Remmer will remind you at times of Robert Redford and others of Michael J Pollard. He is truly terrific so try to avoid his personal appearances not to contaminate that impression. The rest of the cast works wonders and the brief cameos by Guy Pearce and Ralph Finnes are the most organic and unobtrusive cameos I've ever seen in my life. All in all extraordinary. I predict, even if we're only in June, that Kathryn Bigelow risks to be the first female director to win the Academy Award. She certainly got my vote.
680 of 1,069 people found this review helpful.
Was this review helpful to you?