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Directed by | |||
| Ethan Coen | |||
| Joel Coen | |||
Writing credits(WGA) | ||
| Joel Coen | (written by) & | |
| Ethan Coen | (written by) | |
Produced by | |||
| Tim Bevan | .... | executive producer | |
| Ethan Coen | .... | producer | |
| Joel Coen | .... | producer | |
| David Diliberto | .... | associate producer | |
| Eric Fellner | .... | executive producer | |
| Robert Graf | .... | executive producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Emmanuel Lubezki | (director of photography) | ||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | |||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Jess Gonchor | |||
Art Direction by | |||
| David Swayze | |||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| Eileen Barrett | .... | additional hair stylist: Washington, DC | |
| Jean Ann Black | .... | makeup department head (as Jean A. Black) | |
| Barbara Lacy | .... | additional makeup artist: Washington, DC | |
| Lyndell Quiyou | .... | department head hair stylist (as Lyn Quiyou) | |
| Patricia Regan | .... | key makeup artist | |
| Sonia Rivera | .... | key hair stylist | |
| Waldo Sanchez | .... | hair stylist: Mr. Clooney | |
| Sherri Bramlett | .... | hair stylist (uncredited) | |
| Jane Choi | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Karen Ruth Getchell | .... | unit supervisor: Washington DC | |
| Robert Graf | .... | unit production manager | |
| Neri Kyle Tannenbaum | .... | unit production manager | |
| Michelle Wright | .... | executive in charge of post-production: Working Title | |
Second Unit Director or Assistant Director | |||
| Bac DeLorme | .... | second assistant director | |
| Betsy Magruder | .... | first assistant director (as Elizabeth Magruder) | |
| Michelle McGrier | .... | dga trainee | |
| John Silvestri | .... | second second assistant director | |
| Kurt Uebersax | .... | second second assistant director: Washington D.C. | |
| Ronan O'Connor | .... | second assistant director: additional photography (uncredited) | |
Art Department | |||
| J. Todd Anderson | .... | graphite operator | |
| JoAnn Atwood | .... | set dresser (as Joann Atwood) | |
| Anthony Baldasare | .... | prop assistant | |
| Steve Brennan | .... | on-set dresser | |
| Kenny Burke | .... | construction grip (as Ken Burke) | |
| Diana Burton | .... | property master | |
| Carolyn Cartwright | .... | assistant set decorator | |
| Rebecca Castle | .... | scenic: Washington, DC | |
| Carl Catanese | .... | set dresser: Washington, DC | |
| Eric Cheripka | .... | prop assistant | |
| Frank Didio | .... | key construction foreman | |
| Robert DiGrigoli | .... | foreman (as Robert Digrigoli) | |
| Gregory Dressel | .... | construction grip (as Greg Dressel) | |
| Steven T. Duke | .... | set dresser (as Steve Duke) | |
| Alex Gorodetsky | .... | charge scenic | |
| Roman Greller | .... | set dresser | |
| Vincent Guarriello | .... | key construction grip | |
| Jay Hendrickx | .... | camera scenic | |
| Gregory Hill | .... | graphic designer | |
| Deborah Jensen | .... | assistant art director | |
| Ana Lombardo | .... | assistant property master | |
| Jeffrey D. McDonald | .... | assistant art director (as Jeffrey McDonald) | |
| David Meade | .... | construction production assistant | |
| Rebecca Meis DeMarco | .... | set decoration buyer (as Becca Demarco) | |
| Timothy Metzger | .... | lead dresser (as Tim Metzger) | |
| Suzanne Mjartan | .... | set dresser | |
| Mike Montgomery | .... | key construction grip (as Michael Montgomery) | |
| Beth Morris | .... | props assistant: Washington, DC | |
| Leann Murphy | .... | art department coordinator | |
| Quang Nguyen | .... | scenic foreman | |
| Tobin Ost | .... | assistant art director (as Tobin Obst) | |
| Joseph S. Patire | .... | shop craftsman | |
| Ron Petagna | .... | construction coordinator (as Ronald Petagna) | |
| Ronnie Petagna | .... | foreman (as Ronnie A. Petagna) | |
| Daniel Rosenfeld | .... | shop scenic | |
| Moza Saracho | .... | art department production assistant | |
| Sha-Sha Shiau | .... | set decorating coordinator | |
| Stephen G. Shifflette | .... | set dresser: Washington, DC (as Steve Shifflette) | |
| Nithya Shrinivasan | .... | assistant art director | |
| Paul Steinberg | .... | shop electric | |
| Joe Taglairino | .... | set dresser (as Joe Tag) | |
| Paul Weathered | .... | set dressing foreman | |
| Michael Acevedo | .... | carpenter (uncredited) | |
| Glen Aldous | .... | scenic artist (uncredited) | |
| Robert Antalocy | .... | carpenter (uncredited) | |
| Terri Brennan | .... | set dresser (uncredited) | |
| Gabu Camilo | .... | set dresser (uncredited) | |
| Lou Charles | .... | set dresser (uncredited) | |
| James Donahue | .... | scenic artist (uncredited) | |
| Joshua Higgason | .... | set dresser (uncredited) | |
| Luke Malloy | .... | greensman (uncredited) | |
| Victor Morales | .... | scenic (uncredited) | |
| John Ralbovsky | .... | scenic (uncredited) | |
| Jeffrey Rollins | .... | set dresser (uncredited) | |
| Steve Rosenzweig | .... | scenic artist (uncredited) | |
| Andrew Rossig | .... | construction foreman (uncredited) | |
| Amy Safhay | .... | lead greensperson (uncredited) | |
| Dylan Sheridan | .... | set dresser (uncredited) | |
| Marcia C. Suter | .... | scenic artist (uncredited) | |
| Christopher Weiser | .... | scenic artist (uncredited) | |
Sound Department | |||
| Craig Berkey | .... | sound designer | |
| Craig Berkey | .... | sound re-recording mixer | |
| Laurel Bridges | .... | boom operator | |
| Johnna Chism | .... | assistant sound editor | |
| Joel Dougherty | .... | first assistant sound editor | |
| Catherine Harper | .... | foley artist | |
| Kenton Jakub | .... | adr editor | |
| Peter F. Kurland | .... | sound mixer (as Peter Kurland) | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Skip Lievsay | .... | supervising sound editor | |
| Tommy Louie | .... | cableperson | |
| Darrin Mann | .... | foley mixer | |
| Christopher Moriana | .... | foley artist (as Chris Moriana) | |
| James Morioka | .... | foley editor | |
| Greg Orloff | .... | sound re-recording mixer | |
| Byron Wilson | .... | dialogue editor | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Rick Gould | .... | adr recordist (uncredited) | |
| Eric Harwood | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Wilfred Caban | .... | assistant special effects foreman (as Will Caban) | |
| Carmen Campolo | .... | special effects | |
| Lorenzo Hall | .... | special effects assistant | |
| Steven Kirshoff | .... | special effects coordinator (as Steve Kirshoff) | |
| Frank C. Oliva Sr. | .... | special effects (as Frank Oliva) | |
| Roy Savoy | .... | special effects | |
| Thomas Viviano | .... | special effects (as Tommy Viviano) | |
Visual Effects by | |||
| Randall Balsmeyer | .... | visual effects supervisor: Big Film Design (as Randy Balsmeyer) | |
| Ella Boliver | .... | digital compositor: Big Film Design | |
| J. John Corbett | .... | lead digital artist: Big Film Design | |
| Justin Johnson | .... | digital effects supervisor: Luma Pictures | |
| Scott Minter | .... | digital compositor: Big Film Design | |
| David Piombino | .... | digital compositor: Big Film Design | |
| Adrienne Winterhalter | .... | visual effects producer: Big Film Design | |
| Daniel Abramovich | .... | digital compositor (uncredited) | |
| Justin Ball | .... | digital effects artist: senior systems engineer: Brainstorm Digital (uncredited) | |
| Leslie Chung | .... | rotoscope artist (uncredited) | |
| Vincent Cirelli | .... | visual effects supervisor: Luma Pictures (uncredited) | |
| Matthew Conner | .... | digital artist (uncredited) | |
| J. John Corbett | .... | digital compositor (uncredited) | |
| Aleksandar Djordjevic | .... | digital compositor (uncredited) | |
| Richard Friedlander | .... | visual effects producer: Brainstorm Digital (uncredited) | |
| Ali Kocar | .... | digital compositor (uncredited) | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Mitch Paulson | .... | second digital colorist: Efilm (uncredited) | |
| Bethany Pederson Onstad | .... | rotoscope artist (uncredited) | |
| Pimentel A. Raphael | .... | animation supervisor (uncredited) | |
| Eric J. Robertson | .... | visual effects supervisor: Brainstorm Digital (uncredited) | |
| Michael Ross-Lang | .... | digital compositor (uncredited) | |
| Payam Shohadai | .... | executive visual effects supervisor: Luma Pictures (uncredited) | |
| Chris 'Pinkus' Wesselman | .... | digital compositor: Brainstorm Digital (uncredited) | |
| Jun Zhang | .... | digital compositor (uncredited) | |
Stunts | |||
| Danny Aiello III | .... | stunts | |
| Bill Anagnos | .... | stunts | |
| Tim Buchanan | .... | stunts | |
| George B. Colucci Jr. | .... | stunts (as George Colucci) | |
| Norman Douglass | .... | stunts | |
| Danny Downey | .... | stunts (as Daniel Downey) | |
| Stephanie Finochio | .... | stunts | |
| Cort Hessler | .... | stunts | |
| Donald John Hewitt | .... | stunts (as Donald J. Hewitt) | |
| Jery Hewitt | .... | stunt coordinator | |
| Jennifer Lamb | .... | stunts | |
| Joanne Lamstein | .... | stunts | |
| Samantha MacIvor | .... | stunts (as Samantha Macivor) | |
| Mick O'Rourke | .... | stunts | |
| Janet Paparazzo | .... | stunts | |
| David Shumbris | .... | stunt double: Brad Pitt | |
| Keith Siglinger | .... | stunts | |
| Michael Ahl | .... | precision driver (uncredited) | |
| Dennis Albanese | .... | precision driver (uncredited) | |
| Samantha MacIvor | .... | stunt driver (uncredited) | |
Casting Department | |||
| Melissa Braun | .... | extras casting associate | |
| Barbara Harris | .... | voice casting | |
| Rachel Tenner | .... | casting associate | |
| Grant Wilfley | .... | extras casting | |
| Mandy Sprinkel | .... | location casting (uncredited) | |
| Dagmar Wittmer | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Cha Blevins | .... | wardrobe supervisor: LA | |
| Danielle Cadorette | .... | tailor | |
| David Davenport | .... | wardrobe supervisor: NY | |
| Nicole Greenbaum | .... | set costumer | |
| Fionnuala M. Lynch | .... | set costumer (as Fionnuala Lynch) | |
| Mary Jo McGrath | .... | wardrobe supervisor: NY (as MJ McGrath) | |
| Remy Pearce | .... | costume coordinator | |
| Amy Roth | .... | assistant costume designer | |
| Jonathan Schwartz | .... | costume assistant | |
| Nomi Shichor | .... | key costumer: LA | |
| Nora Wooldridge | .... | costume assistant | |
| Helen L. Collen | .... | costumer (uncredited) | |
| Michael Simon | .... | costumer: Washington, DC (uncredited) | |
Editorial Department | |||
| Catherine Farrell | .... | post-production coordinator | |
| Eileen Godoy | .... | digital intermediate producer: EFilm | |
| Katie Mcquerrey | .... | associate editor (as Catherine McQuerrey) | |
| Steven J. Scott | .... | supervising digital colorist: EFilm | |
| Neil A. Stelzner | .... | associate editor | |
| Joe Violante | .... | dailies advisor (as Joey Violante) | |
| Erik Freid | .... | post-production project manager (uncredited) | |
| Dale E. Grahn | .... | color timer (uncredited) | |
| Matt Hull | .... | assistant digital intermediate producer (uncredited) | |
| Curtis Lindersmith | .... | digital intermediate editor (uncredited) | |
| Jim Passon | .... | color timer (uncredited) | |
| Richie Roefaro | .... | editorial assistant: Technicolor (uncredited) | |
Music Department | |||
| Paul Clarvis | .... | musician: drums | |
| Michael Farrow | .... | music mixer (as Mike Farrow) | |
| Michael Farrow | .... | music recordist (as Mike Farrow) | |
| Isobel Griffiths | .... | orchestra contractor | |
| Dave Hartley | .... | musician: piano | |
| Todd Kasow | .... | music editor | |
| Gary Kettel | .... | musician: drums | |
| Frank Ricotti | .... | musician: drums | |
| Chris Robertson | .... | music clearances: Diamond Time | |
| Ralph Salmins | .... | musician: drums | |
| Rosemary Warren-Green | .... | orchestra leader (as Rose Warren-Green) | |
| Lucy Whalley | .... | assistant orchestra contractor | |
| Carter Burwell | .... | conductor (uncredited) | |
| Carter Burwell | .... | orchestrator (uncredited) | |
| Chris Clad | .... | musician: violin (uncredited) | |
| Lewis Jones | .... | assistant score engineer (uncredited) | |
| Todd Kasow | .... | composer: additional music (uncredited) | |
| Sonny Kompanek | .... | orchestrator (uncredited) | |
| Dean Parker | .... | composer assistant (uncredited) | |
| Jonathan Williams | .... | musician: cello (uncredited) | |
Transportation Department | |||
| Peter Clores | .... | transportation co-captain | |
| Steven R. Hammond | .... | transportation captain (as Steve Hammond) | |
| Christina Schaich | .... | transportation office coordinator | |
| Danielle Fredrickson | .... | transportation dispatcher (uncredited) | |
| Teresa Haney | .... | transportation (uncredited) | |
| Gabe Turiello | .... | driver: star trailer (uncredited) | |
Other crew | |||
| Joan Altman | .... | production accountant | |
| Christina Angeloudes | .... | legal and business affairs manager: Working Title | |
| Sage Asteak | .... | key set production assistant | |
| Kate Bailey | .... | assistant production coordinator: Working Title | |
| Brette Billow | .... | assistant production coordinator | |
| Maurice Cabrera | .... | parking coordinator | |
| Ethan Carlson | .... | office production assistant | |
| Stephen Clarke | .... | set production assistant | |
| Wendy Cohen | .... | clearance services | |
| Tianni L. Craig | .... | production office assistant: Washington, DC | |
| Katherine Delaney | .... | location assistant | |
| Chloe Dorigan | .... | assistant: Tim Bevan, Working Title | |
| Kimberly N. Fajen | .... | production coordinator (as Kimberly N. Haden) | |
| Beth Feldman | .... | assistant: Ms. McDormand | |
| Kathleen Fellegara | .... | set medic (as Kathy Fellegara) | |
| Glenn Ferrara | .... | set production assistant | |
| Amanda Foley | .... | location coordinator | |
| Marcy Forgang | .... | location assistant | |
| Rachael Lin Gallaghan | .... | unit coordinator: Washington, DC | |
| Andrew Garrett | .... | accounting clerk | |
| Christopher Geair | .... | assistant location manager: Washington, DC | |
| Dena Ghieth | .... | location assistant | |
| Niko Godfrey | .... | accounting clerk | |
| Cort Hessler | .... | marine coordinator | |
| Drew P. Houpt | .... | the walrus (as Drew Houpt) | |
| Thomas Johnston | .... | script supervisor | |
| Larry Kaplan | .... | unit publicist | |
| Nazia Khan | .... | assistant: Mr. Pitt | |
| Santena Jenaris King | .... | assistant accountant: Washington, DC (as Santena King) | |
| Matt Lake | .... | set production assistant | |
| Christopher LeStrange | .... | location assistant | |
| Michael B. Lewis | .... | office production assistant (as Michael 'Winn' Lewis) | |
| Francesca M. Mannix | .... | production secretary (as Francesca Mannix) | |
| Angel McConnell | .... | assistant: Mr. Clooney | |
| Angela Morrison | .... | chief operating officer: Working Title | |
| Patricia M. Murphy | .... | serious matters (as Patricia M. Murphy Esq.) | |
| Kip Myers | .... | assistant location manager | |
| Lauri Pitkus | .... | location manager | |
| Peggy Pridemore | .... | location manager: Washington, DC | |
| Chauency Reese | .... | payroll accountant | |
| Michael J. Regina | .... | production office assistant: Washington, D.C. | |
| Doreen Roman | .... | set medic | |
| Patrick Sandefur | .... | office production assistant | |
| Bryan Scott | .... | location assistant | |
| John Sesumi | .... | office production assistant | |
| Sheeraz Shah | .... | head of legal and business affairs: Working Title | |
| Raygun Sharpadero | .... | second assistant accountant (as Regan Sharp) | |
| Cara Shine | .... | assistant: Eric Fellner, Working Title | |
| John Spady | .... | location scout | |
| Susan Strine | .... | first assistant accountant | |
| Christian Vendetti | .... | set production assistant | |
| Jamie Vermilye | .... | location assistant | |
| Zach Broussard | .... | production assistant (uncredited) | |
| Allyn Camp | .... | production assistant (uncredited) | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
| Brian M. Chilcoat | .... | production assistant (uncredited) | |
| Michael P. Cone | .... | production assistant (uncredited) | |
| J. John Corbett | .... | title designer (uncredited) | |
| Ana Cuadra | .... | location scout (uncredited) | |
| Kevin Curtin | .... | production assistant (uncredited) | |
| Michael DeChant | .... | production assistant: Washington DC (uncredited) | |
| Charles Fagin | .... | assistant location manager: Los Angeles (uncredited) | |
| Todd Feaser | .... | location assistant (uncredited) | |
| Robert L. Fiks | .... | location assistant (uncredited) | |
| Robert L. Fiks | .... | production assistant (uncredited) | |
| Miguel Gutierrez | .... | assistant location manager (uncredited) | |
| Chad Hessler | .... | marine department (uncredited) | |
| Hannah Hoover | .... | production assistant (uncredited) | |
| Jeff Johnson | .... | medic (uncredited) | |
| Douglas M. Jones | .... | set production assistant: Washington, DC (uncredited) | |
| Tim Kossa | .... | key location assistant: Washington, DC (uncredited) | |
| Harry Lapham | .... | production assistant (uncredited) | |
| Alex Lee | .... | production assistant: re-shoots (uncredited) | |
| Lindsey Magee | .... | location scout (uncredited) | |
| Talia Mayer | .... | production assistant (uncredited) | |
| Ethan Meyer | .... | production assistant (uncredited) | |
| Liz Modena | .... | assistant accountant (uncredited) | |
| Elena Moscatt | .... | key craft services: Washington DC (uncredited) | |
| Paulette Osorio | .... | publicity executive (uncredited) | |
| Justin Reid | .... | location scout (uncredited) | |
| Brieann Rich | .... | set medic (uncredited) | |
| Kara Ryan | .... | production assistant (uncredited) | |
| Elizabeth Sherman | .... | production assistant (uncredited) | |
| Rick Shine | .... | production assistant (uncredited) | |
| Susan Silas | .... | location scout (uncredited) | |
| Brian J. Simpson | .... | production assistant: re-shoots (uncredited) | |
| Heli Soell | .... | assistant post-production accountant (uncredited) | |
| Megan Taylor | .... | production assistant (uncredited) | |
| William Thompson | .... | personal fitness trainer (uncredited) | |
| Clinton Trucks | .... | office assistant: Los Angeles (uncredited) | |
| Victoria Uychich | .... | production assistant (uncredited) | |
| David Vogel | .... | production assistant: Washington, DC (uncredited) | |
| David Wenzel | .... | stand-in (uncredited) | |
Thanks | |||
| Bill Hudson | .... | special thanks | |
| Suzanne Lindbergh | .... | special thanks | |
| Pina Martinelli | .... | special thanks: Bronx Community College | |
| Michael Wong | .... | special thanks | |
| Beverly Wood | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I have heard it said that a good film has no bad scenes and four good ones. Well, 'Burn After Reading' has no bad scenes... and no really good ones either.
The film was consistently amusing, and kept me interested enough to want to see what happens next. The ending was not predictable, nor was it entirely unsatisfactory. Never once did the film insult my intelligence or presume upon me to care for a character without providing sufficient reason. These are all good things. But while we're talking about things this film never did, never once did this "comedy" amuse me enough to actually consider it "funny".
Now, that's not good at all.
As has been pointed out in the consistently funny comic 'Calvin and Hobbes', there is more to 'good' than the mere absence of evil. So while, unlike almost every other film I've ever seen, 'Burn After Reading' has no flaws or niggly little bits where I'm left thinking how I'd do things differently, it doesn't have any particularly good bits either, and has ultimately left me underwhelmed.
It's like we've had some sort of yin-yang trade-off, where by removing the bad we have unwittingly eliminated the good, stranding the film in limbo for eternity.
So, did 'Burn After Reading' amuse me? Yes, I was amused, though I never once laughed out loud.
Do I regret seeing it? Not really. It kept me interested for 90 minutes, which is more than I can say for a lot of other films out there.
Was it a good film? My feelings here are truly mixed, though ultimately I'd have to say "I don't think so".
I'm guessing that critics are going crazy over this film because it doesn't make any of the irritating mistakes that plague so many other films. The story is solid with no plot holes or overt clichés, the characters are well written and consistent, it never talks down to the audience, the acting is great and so is the directing.
Now, as a point of comparison I'd like you to consider 'Open Season'. This aimated film was flawed at many levels, from sluggish direction to uninspired writing and miscast actors. But in addition to this there were at least half a dozen really funny bits in it.
My point here is that while much of 'Open Season' was regrettable, at least I laughed six times. Which is six more times than I laughed during 'Burn After Reading'. As a result, I remember 'Open Season' much more fondly, despite it being the inferior film in almost every way.
In conclusion, 'Burn After Reading' just isn't exciting or funny enough to cut any sort of mustard, and so we have a film that a lot can be learned from, both in what to and not to do when making a film.
I mean, seriously. My prevailing feeling with regard to 'Burn After Reading' is one of apathy. That's never good.