| Photos (see all 131 | slideshow) | Videos (see all 18) |
| Tue. July 21 | 12:20 AM | HBO | |||
| Wed. July 29 | 8:00 PM | HBO |
Directed by | |||
| Ethan Coen | |||
| Joel Coen | |||
Writing credits(WGA) | ||
| Joel Coen | (written by) & | |
| Ethan Coen | (written by) | |
Produced by | |||
| Tim Bevan | .... | producer | |
| Ethan Coen | .... | producer | |
| Joel Coen | .... | producer | |
| David Diliberto | .... | associate producer | |
| Eric Fellner | .... | producer | |
| Robert Graf | .... | executive producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Emmanuel Lubezki | |||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Jess Gonchor | |||
Art Direction by | |||
| David Swayze | |||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| Mary Zophres | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup department head | |
| Sherri Bramlett | .... | hair stylist | |
| Barbara Lacy | .... | makeup artist | |
| Patricia Regan | .... | key makeup artist | |
| Waldo Sanchez | .... | hair stylist | |
Production Management | |||
| Karen Ruth Getchell | .... | production supervisor: Washington DC | |
| Neri Kyle Tannenbaum | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Bac DeLorme | .... | key second assistant director | |
| Betsy Magruder | .... | first assistant director (as Elizabeth Magruder) | |
| Michelle McGrier | .... | dga trainee | |
| John Silvestri | .... | second second assistant director | |
| Kurt Uebersax | .... | second second assistant director: Washington D.C. | |
| Ronan O'Connor | .... | second assistant director: additional photography (uncredited) | |
Sound Department | |||
| Craig Berkey | .... | sound designer | |
| Craig Berkey | .... | sound re-recording mixer | |
| Laurel Bridges | .... | boom operator | |
| Johnna Chism | .... | assistant sound editor | |
| Joel Dougherty | .... | first assistant sound editor | |
| Catherine Harper | .... | foley artist | |
| Eric Harwood | .... | sound recordist | |
| Kenton Jakub | .... | adr editor | |
| Peter F. Kurland | .... | sound mixer | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Skip Lievsay | .... | supervising sound editor | |
| Tommy Louie | .... | sound utility | |
| Darrin Mann | .... | foley mixer | |
| Christopher Moriana | .... | foley artist | |
| James Morioka | .... | foley editor | |
| Greg Orloff | .... | sound re-recording mixer | |
| Byron Wilson | .... | dialogue editor | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Rick Gould | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Wilfred Caban | .... | special effects foreman | |
| Carmen Campolo | .... | special effects | |
| Lorenzo Hall | .... | special effects assistant | |
| Steven Kirshoff | .... | special effects coordinator (as Steve Kirshoff) | |
| Frank C. Oliva Sr. | .... | special effects (as Frank Oliva) | |
| Roy Savoy | .... | special effects | |
| Thomas Viviano | .... | special effects (as Tommy Viviano) | |
Visual Effects by | |||
| Daniel Abramovich | .... | digital compositor | |
| Justin Ball | .... | digital effects artist: senior systems engineer: Brainstorm Digital | |
| Randall Balsmeyer | .... | visual effects supervisor (as Randy Balsmeyer) | |
| Ella Boliver | .... | digital compositor | |
| Leslie Chung | .... | rotoscope artist | |
| J. John Corbett | .... | digital compositor | |
| J. John Corbett | .... | lead digital artist | |
| Aleksandar Djordjevic | .... | digital compositor | |
| Richard Friedlander | .... | visual effects producer: Brainstorm Digital | |
| Ali Kocar | .... | digital compositor | |
| Scott Minter | .... | digital compositor | |
| Mitch Paulson | .... | second digital colorist: EFILM | |
| Bethany Pederson | .... | rotoscope artist | |
| David Piombino | .... | digital compositor | |
| Eric J. Robertson | .... | visual effects supervisor | |
| Steven J. Scott | .... | supervising digital colorist: EFILM | |
| Chris 'Pinkus' Wesselman | .... | digital compositor: Brainstorm Digital | |
| Adrienne Winterhalter | .... | visual effects producer | |
| Jun Zhang | .... | digital compositor | |
| Thomas Mathai | .... | data manager (uncredited) | |
Stunts | |||
| Danny Aiello III | .... | stunts | |
| Dennis Albanese | .... | precision driver | |
| Tim Buchanan | .... | stunt driver | |
| Danny Downey | .... | stunt double: Kevin Sussman | |
| Cort Hessler | .... | stunt driver | |
| Donald John Hewitt | .... | stunt driver | |
| Jery Hewitt | .... | stunt coordinator | |
| Joanne Lamstein | .... | stunts | |
| Samantha MacIvor | .... | stunt double | |
| Samantha MacIvor | .... | stunt driver | |
| David Shumbris | .... | stunt double: Brad Pitt | |
| Michael Ahl | .... | precision driver (uncredited) | |
Casting Department | |||
| Melissa Braun | .... | extras casting associate | |
| Barbara Harris | .... | adr voice casting | |
| Mandy Sprinkel | .... | location casting | |
| Rachel Tenner | .... | casting associate | |
| Grant Wilfley | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Cha Blevins | .... | costume supervisor | |
| Danielle Cadorette | .... | tailor | |
| David Davenport | .... | costume supervisor | |
| Nicole Greenbaum | .... | set costumer | |
| Amy Roth | .... | assistant costume designer | |
| Nomi Shichor | .... | key costumer | |
| Helen L. Simmons | .... | costumer | |
| Michael Simon | .... | costumer: Washington DC | |
| Nora Wooldridge | .... | costume production assistant | |
Editorial Department | |||
| Catherine Farrell | .... | post-production coordinator | |
| Erik Freid | .... | post-production project manager | |
| Eileen Godoy | .... | digital intermediate producer | |
| Dale E. Grahn | .... | color timer | |
| Matt Hull | .... | assistant digital intermediate producer | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Katie Mcquerrey | .... | associate editor | |
| Steven J. Scott | .... | supervising digital colorist | |
| Neil A. Stelzner | .... | associate editor | |
| Joe Violante | .... | dailies advisor (as Joey Violante) | |
| Jim Passon | .... | color timer (uncredited) | |
Music Department | |||
| Michael Farrow | .... | music mixer (as Mike Farrow) | |
| Michael Farrow | .... | music recordist (as Mike Farrow) | |
| Isobel Griffiths | .... | orchestra contractor | |
| Todd Kasow | .... | music editor | |
| Chris Robertson | .... | music clearance | |
| Rosemary Warren-Green | .... | orchestra leader (as Rose Warren-Green) | |
| Lucy Whalley | .... | assistant orchestra contractor | |
| Carter Burwell | .... | conductor (uncredited) | |
| Carter Burwell | .... | orchestrator (uncredited) | |
| Sonny Kompanek | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Teresa Haney | .... | transportation | |
|
|
|
|
|
| Bad Boys II | Hot Fuzz | Live Free or Die Hard | Three Kings | Lord of War |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
Norman Cousins would have loved the Coen Brothers' "Burn After Reading." The late great Saturday Review editor had treated his illness with Marx Brothers movies, having "made the joyous discovery that 10 minutes of genuine belly laughter had an anesthetic effect and would give me at least two hours of pain-free sleep."
I have never felt healthier than after 96 minutes of explosive and grateful laughter at the "Burn" screening, also marveling at the array of British-stage caliber acting from "Fargo"-invoking Frances McDormand, witchy-icy Tilda Swinton, a more-manic-than-ever John Malkovich, and a dozen major players, such as J.K. Simmons as the deadpan CIA boss and Richard Jenkins as the former Greek Orthodox priest, now running an upscale gym.
Others may lead the cast list with George Clooney and Brad Pitt, but to me, their performances were just a bit on the self-conscious side, trying too hard. At any rate, it's a great cast, and while the plot might have turned into a dud in somebody else's treatment, the Coen Brothers' writing is hilarious, their zingers deadly.
A critic, probably with bad digestion, has decried this "very black comedy set in a blanched, austere-looking Washington, D.C. an uninspiring and uncomfortable place in which everyone betrays everyone else, and the emotional tone veers from icy politeness to spitting rage and back again." If I had a chance to think, instead of enjoying "Burn," I would have contemplated Molière and Evelyn Waugh, their comedies of manners, psychological insight, and unbridled great humor.
Yes, there are betrayals (none better than the totally unexpected one at the end of the film), and there is rage, but all contained within a glorious bubble of writing-directing-acting excellence. "Burn" grips and holds, surprises and entertains, it is a virtuoso piece.
Don't be misled by the a "action-trailer" on TV, saturating the airwaves; it says nothing of the film. Malkovich punching Pitt over a compromising CD of spook stuff is not at the heart of this - the McDormand character's pursuit of cosmetic surgery is, what with her self-examination, a lengthy session with the surgeon (Jeffrey DeMunn, in a brilliant turn), her desperate quest for a way to pay for it. Funny and going deep at the same time, "Burn" presents a series of character studies (hence the thought of Molière), in the context of mannered yet true social interactions (Waugh).
Skip descriptions of the plot, reject self-righteous denunciations of smart skepticism and charming evil, go and wallow in life-affirming laughter.