A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Billy Bob Thornton,
Osbourne Cox, a Balkan expert, is fired at the CIA, so he begins a memoir. His wife wants a divorce and expects her lover, Harry, a philandering State Department marshal, to leave his wife. A diskette falls out of a gym bag at a Georgetown fitness center. Two employees there try to turn it into cash: Linda, who wants money for elective surgery, and Chad, an amiable goof. Information on the disc leads them to Osbourne who rejects their sales pitch; then they visit the Russian embassy. To sweeten the pot, they decide they need more of Osbourne's secrets. Meanwhile, Linda's boss likes her, and Harry's wife leaves for a book tour. All roads lead to Osbourne's house. Written by
There's a point in this movie that George Clooney's character, Harry Pfarrer shows Frances McDormand's character Linda Litzke something that we've seen him working on for about half the movie. It was so surprising when I first saw it, that at first, I didn't even know what it was.
Once again, the Coens have created wonderful characters, including Clooney, who is a womanizer and paranoid that people are following him, and McDormand, who just wants plastic surgery in order to look better. Also, there's John Malkovich as Osbourne Cox, who "doesn't have a drinking problem," and maybe the best in the movie, Brad Pitt as Chad, a clueless gym employee who is pushed along by McDormand.
The only character that isn't up to par with the rest is Tilda Swinton's character of Katie Cox, Osbourne's wife. She doesn't get as many laughs as the rest, and it seems like the Coens just needed her as a plot device rather than an actual character. However, she may not be funny, but she does play the character well.
The writing is brilliant and the Coens weave the story in such a way that it reminds me of their previous movie, The Big Lebowski. In the end, as J.K. Simmons character sums it up himself, nothing really happens, but while watching it all unfold, you can't help but laugh at the absurdity.
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