A reporter in Iraq might just have the story of a lifetime when he meets Lyn Cassady, a guy who claims to be a former member of the U.S. Army's New Earth Army, a unit that employs paranormal powers in their missions.
Osbourne Cox, a Balkan expert, is fired at the CIA, so he begins a memoir. His wife wants a divorce and expects her lover, Harry, a philandering State Department marshal, to leave his wife. A diskette falls out of a gym bag at a Georgetown fitness center. Two employees there try to turn it into cash: Linda, who wants money for elective surgery, and Chad, an amiable goof. Information on the disc leads them to Osbourne who rejects their sales pitch; then they visit the Russian embassy. To sweeten the pot, they decide they need more of Osbourne's secrets. Meanwhile, Linda's boss likes her, and Harry's wife leaves for a book tour. All roads lead to Osbourne's house. Written by
The building that was turned into the Hardbodies gym in the film was found in Paramus, New Jersey. The crew did such a good job with it that locals came in to inquire about membership. See more »
At the end of the film, when the CIA supervisor opens & closes a file marked "Top Secret", the file's cover-sheet is outlined in red. This is an error because the cover-sheet of all "Top Secret" classified files are outlined in orange. Red is saved for the cover-sheets of all classified files marked "Secret" and blue is used for the cover-sheets of all classified files marked "Confidential". See more »
If you ever carried out your proposed threat you would experience such a shitstorm of consequences my friend your empty little head would be spinning faster than the wheels of your Schwinn bicycle back there.
Y-you think that's a Schwinn?
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Cort Hessler's name appears twice. He was a Stunt Driver on the film. See more »
Update: "On The Floor" Written by Taryn Murphy and Chris Landon. Performed by Taryn Murphy. Taryn Murphy was signed with South Beach Music Group as indicated at this link: http://www.mi2n.com/press.php3?press_nb=22692 . The song "On The Floor" was commissioned by South Beach Music Group's Executive Producer Ron Kersey ( http://www.southbeachmusicgroup.com ) in 2001. Kersey commissioned the song for promotional use which was distributed to the trendy South Beach area of Miami Beach night clubs to gain exposure for his then recording artist Taryn http://www.tarynmurphy.com . As of yet the song has never been made available for distribution! See more »
More "Big Lebowski" Than "Intolerable Cruelty" -- thankfully
BURN AFTER READING is laugh-out-loud funny. It's more "Big Lebowski" than "Intolerable Cruelty," though there are wisps of both, but "Burn" is not quite up to Lebowski's genius. Still, it is very, very funny and loads of fun.
From the opening moments, the Coens' latest movie -- a spy-thriller spoof -- hurls the viewer on a hilarious romp through Absurd-land. What better place to set such a story than Washington, DC?
The story involves a demoted government worker (John Malkovich) who finds himself the target of an extortion scheme by two gym workers, riotously played by Frances McDormand (a would-be gym bunny if only she could afford some plastic surgery) and Brad Pitt (a high-energy, arm-thrusting, hip-shaking fitness trainer-cum-"good Samaritan" who lands himself way in over his head). The romp soon turns dark.
As usual, the Coens' dialog is a real treat. When a co-worker points to Malkovich's alcohol problems as a reason for his demotion, Malkovich retorts, "You're a Mormon. Next to you we all have a drinking problem." And as usual in Coen-land, there's a clash between high and low brow. Malkovich's pronunciations of "mem-wahhh" for "memoir" is a hoot, and his correction of Pitt's mistaken "report" for "rapport" propels a conflict between classes and types -- symbols of a society in trouble, whose priorities are askew.
As in the Coen brothers' 1987 box-office hit RAISING ARIZONA, obsessions fuel the plot, though this time it's body (not baby) obsession. McDormand is hellbent on getting expensive elective surgery to "reinvent" herself. Pitt is a workout addict, who can barely stop moving long enough to think straight. And George Clooney, who can only stop talking when it's time to go running or jump into bed with someone, plays a G-man fixated on sex. Notions of "intelligence" and all that the word connotes (along with its antonyms) mix into the film's dark comedic brew of unintended consequences.
Where does it go? I don't want to give away any of the twists to answer that question in depth. But I would disagree with the critics who claim it doesn't go anywhere. The movie and its over-the-top, needless violence show how secretive missions even by bumbling know-nothings (whose only knowledge of undercover ops seems to come from spy flicks) can have disastrous outcomes. Secrets in Washington? Sure sounds like a topic we should all be better versed in.
Erica Rowell Author: The Brothers Grim: The Films of Ethan and Joel