Osbourne Cox, a Balkan expert, is fired at the CIA, so he begins a memoir. His wife wants a divorce and expects her lover, Harry, a philandering State Department marshal, to leave his wife. A diskette falls out of a gym bag at a Georgetown fitness center. Two employees there try to turn it into cash: Linda, who wants money for elective surgery, and Chad, an amiable goof. Information on the disc leads them to Osbourne who rejects their sales pitch; then they visit the Russian embassy. To sweeten the pot, they decide they need more of Osbourne's secrets. Meanwhile, Linda's boss likes her, and Harry's wife leaves for a book tour. All roads lead to Osbourne's house. Written by
Excluding the end credits' song, the F-word and its derivatives is used 62 times, mostly by Osborne Cox (John Malkovich) and Harry Pfarrer (George Clooney), including 6 times in the first 2 minutes. See more »
Katie reports that it's 5.2 miles on the odometer from the Cox residence on Olive St. NW to West Potomac Park just off the Lincoln Memorial. It's actually no more than about two miles. This may be deliberate however. Harry often lies to try to impress his dates. Perhaps he had Katie go the long away around to the park so he could take the shortcut back that his about two miles, but implying that it is 5 miles to Katie. See more »
I'm not the only one to notice the pattern in the Coens' filmography: "Blood Simple." was followed by "Raising Arizona", "Fargo" by "The Big Lebowski", and "No Country for Old Men" by "Burn After Reading". The main concern one had about this film is whether it would be an "Intolerable Cruelty" or a "Big Lebowski" for the Coens. Let's put it this way: the reviews have been mixed, especially from major mainstream media critics. Guess what other Coen comedy received mixed reviews and was accused of being a somewhat tired mess? Yep, "The Big Lebowski".
The Coens' sense of humor is very distinctive, and I'm not talking about stuff like "Intolerable Cruelty" (this one the mainstream media liked, go figure) and "The Ladykillers", which featured numerous commercial concessions. I'm talking about the vicious, cruel, misanthropic farce that gets self-important critics' knickers in a twist. Describing "Burn After Reading" as a screwball spy farce makes it sound much more "Austin Powers" than it is. There is a lot of silliness, but the sort of silliness one finds in a Howard Hawks comedy, not in most comedies that have been made recently. It's a screwball comedy but a pretty dark one.
This is most certainly an acquired taste. It is not going to go down well with people who can't laugh at murder, things going terribly wrong for innocent people, or the Cones' trademark dialogue that pops up even in 'serious' movies like "Fargo" and "No Country for Old Men". However, "Burn After Reading" was seemingly tailor-made for my cruel sense of humor, as I found it to be easily the most inspired comedy script in a long time. It's a conspiracy espionage thriller with no stakes, nothing to fight over, a bunch of complete fools and idiots caught in the middle of it ("a league of morons" if you listen to John Malkovich's character), and disastrous consequences for just about everyone. Take out the jokes and you could have a tragedy but as it stands this is the funniest movie the Coens have made since "The Big Lebowski", if not the best, and that includes "O Brother, Where Art Thou?".
One really shouldn't know anything about the plot or how it unfolds prior to seeing it, as this is a film which is far more intricately-plotted than most critics are giving it credit for. The basic concept is that Frances McDormand and Brad Pitt's characters come across a disc they think contains top secret intelligence. What follows is, as described above, a thriller with no stakes and a bunch of idiots. It's one of those movies where you really shouldn't be laughing (for ethical reasons) but are, and it will have you laughing through your disapproval for basically the entirety of the film after the opening fifteen minutes or so, which are rough in comparison to the rest of the film, and to be honest the only thing that keeps this film from being absolutely brilliant and the Coens' best movie since "Lebowski". Just don't go in expecting a movie that looks as beautiful as many of their movies do- Lubezki is no Deakins, at least not based on his work here, and the Coens are very clearly attempting to emulate in many ways the look of the sort of thriller they're basing this on. It's functional, well-shot, and well-directed, but the writing and acting are the main attractions here.
Of course, "Burn After Reading" will be dismissed as having little worth and for being a disposable farce by many. Well, if only they knew how hard it is to do comedy well. I'd reckon this was harder to write than the (admittedly tremendous) "No Country for Old Men", which was adapted from a novel that might as well have been a screenplay if formatted correctly. The movie may not start brilliantly (not that it isn't good even early on), but once the Coens start firing on all cylinders they never stop, and the dream cast certainly doesn't either (Brad Pitt has a smaller role than most cast members here, but he is absolutely brilliant in the role), showing tremendous comic skill that few would have guessed most of them had. The final scene may very well be one of the best I have seen in a long, long time.
"What a clusterf-ck!", indeed.
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