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Kerala Varma Pazhassi Raja (2009)

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Title: Kerala Varma Pazhassi Raja (2009)

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Cast

Cast overview, first billed only:
Mammootty ...
Kerala Varma Pazhassi Raja
Sarath Kumar ...
Edachena Kunkan Nair
...
(voice)
Manoj K. Jayan ...
Thalakkal Chanthu
Padmapriya ...
Neeli
Suresh Krishna ...
Kaitheri Ambu
Harry Key ...
Asst. Collector Thomas Baber
Captain Raju ...
Unnimootha
Kanika ...
Kaitheri Makkom
Thilakan ...
Kurumbanattu Rajavu
Saiju Kurup
Suman ...
Pazhayamveedan Chanthu
Lalu Alex ...
Emman Nair
Jagathi Sreekumar ...
Kandan Menon
Devan ...
Kannavath Nambiar
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Storyline

Add Full Plot | Add Synopsis


Parents Guide:

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Details

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Release Date:

16 October 2009 (India)  »

Also Known As:

Pazhassi Raja  »

Filming Locations:

 »

Box Office

Budget:

INR 27,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Color:

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Did You Know?

Trivia

Sees the return of Director Hariharan, Actor Mammootty and Script Writer M.T. Vasudevan Nair after two decades. Their last movie Oru Vadakkan Veeragatha (1989) was a huge hit and also bagged several awards in the national level. See more »

Soundtracks

Kunnathe Konnakkum Ponmothiram
written by O.N.V. Kurup
Composed by Ilayaraja
Performed by K.S. Chitra
See more »

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User Reviews

 
A Timeless & Priceless commercial classic
30 October 2009 | by (Bangalore) – See all my reviews

Even if there was hype, this movie was also an underdog movie because: Everyone including me thought how can history movies be successful in this modern day? How can Hariharan and mt make film for audiences of today? How will the audience sit for 3+ hours? How can it ever be bigger than OVVG?

Except for the fans, a lot of others were very negative about the film.

BUT

I was breathless. How did they make this? I don't think there is a need for telling the story. There is nothing to prove for Hariharan mt. they are legends. They have made zero budget movies without stars (like Nakaksatangal) to prove it. But the beauty gets bigger when the canvas gets bigger. Great Script.Supreme direction by the ace director. Great cinematography Great art direction. Great music. Great everything.

Like what I said before Hariharan is the grandest part of the movie because- -the locations are super. He deserves an award just for finding such spots. -the takings are really majestic and thrilling.Truly a masters touch. -the determination and will to make one movie for three years in forests. -his casting is spot on. Not one character is out of place. He got the best performances out of his actors. -he managed to co-ordinate stars, hundreds of junior artists and technicians very well. There is not a doubt that his job was the toughest in the film to set the right atmosphere and also to make them act, successfully transporting us into the period.

Next points about MT: -This is a special script from the master. It is amazing how he managed to accommodate all the actors and give them equal importance in the script. A lot of people are complaining that there is no layered subtext or dimension or characterization like ovvg. I think they are fools. Ovvg is a story with which mt and Hariharan could bend it any way they wanted. The characters in Pazhassi are people with one sole aim- freedom, how much more can you add depth to that? Mt has lot of limitation. Even then mt has put a great family angle to Pazhassi.

-in my opinion this is one of Hariharan's and mt's best works considering how they have so far managed to satisfy the mass and the class (even to satisfy one of the two categories is something the current young generation is struggling to do)

Mammootty: He can be proud of the fact that there is NOT ANOTHER HUMAN BEING IN THIS WORLD WHO CAN PLAY PAZHASSI RAJA! -A lot of people are criticizing him now but trust me this is one of his career best. The Pazhassi raja you see is not the talkative Chanthu. He is the man who speaks more with his silence and his eyes. Hariharan and mt have done the opposite of OVVG and it will take time for people to acknowledge Mammuka's performance.

SARATH KUMAR: Hariharan has extracted the best performance of Sarat Kumar's life. He has an author backed role which is commercially more likable as the loyal army chief.

Manoj,Padmapriya and Suresh Krishna are really rocking too. Supporting cast was all good. Devan, Thilakan, Nedumudi Venu, Jagathy, and the foreigners were all great.The most impressive in the foreigners is Baabar and his exchange of looks with Pazhassi in climax was out of the world. The Major is also notable.

Sound and BGM: Rasul has done a great job overall. But I don't think that he is at his best in the movie. Sometimes there's too much noise and on second viewing I noticed that, some sounds( like the sarath stabbing Suman sound) is almost laughable. It's cartoon like.

Cinematography and art direction: Both have worked well on enhancing the director's vision although the camera work sometimes is inconsistent and blurred(maybe projector problem).

Next Gokulam Gopalan: It is no mean task to spend 25 Cr for a Malayalam movie. And there is no safer bet than the Hariharan mt combo but still you have to appreciate the raw guts of this man to stand by his team when so many obstacles came their way.

This is a film which is the product of great research from mt. And hard work, creativity and will power of Hariharan.

Hariharan is really the backbone as it is a very visual film. Flop Films like BLUE (100 Cr +), Kanthasamy (50 Cr+), etc. have proved that with great power… comes greater responsibility…we can be proud that we have our own classic big budget director. In these times when film makers fail to keep our attention even for 10 minutes, these two have made us gape at the screens for 3 hours and 15 minutes.

Pazhassi is actually a low budget war film. Hariharan deserves a lot of credit to make 25 Cr seem like a lot more. This is like 1/100th of the cost of a Hollywood film to put it lightly. Gladiator was approx 103,000,000.00 USD

This film is special because it has broken all the rules, trends and instilled a sense of patriotism in every audience member.

A Timeless & Priceless commercial classic


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