American Music: Off the Record (2007)

User Rating:

6.5/10   

Director:

Benjamin Meade

Writer:

Benjamin Meade (writer)

Release Date:

10 January 2008 (USA)

Genre:

Documentary

Plot:

American Music: OFF THE RECORD features theorists Noam Chomsky and Douglas Rushkoff in an interrogation of the American music industry...

Cast

Noam Chomsky	...	Himself
Douglas Rushkoff	...	Himself
Jackson Browne	...	Himself
Les Paul	...	Himself
Iris DeMent	...	Herself
David Lindley	...	Himself
Ray Price	...	Himself
Richard Thompson	...	Himself
Little Feat	...	Themselves
Chris Hillman	...	Himself
War	...	Themselves
Johnny Winter	...	Himself
Edgar Winter	...	Himself
Country Joe McDonald	...	Himself
James McMurtry	...	Himself
Lee Ranaldo	...	Himself
Carlene Carter	...	Herself
Sonic Youth	...	Themselves
Savoy Brown	...	Themselves
David Allan Coe	...	Himself
Paul Barrere	...	Himself
Rodney Crowell	...	Himself
Kim Simmonds	...	Himself
Canned Heat	...	Themselves
Paul Thorn	...	Himself
Chubby Carrier	...	Himself
Chris Duarte	...	Himself
Lizzie West	...	Herself
Billy C. Wirtz	...	Himself (as Rev. Billy C. Wertz)
Roger Miller	...	Himself
Lee Roy Parnell	...	Himself
Buckethead	...	Himself
Rick Derringer	...	Himself
It's a Beautiful Day	...	Themselves
Eric Lindell	...	Himself
Billy Joe Shaver	...	Himself
Robert Reynolds	...	Himself
Watermelon Slim	...	Himself
Commander Cody	...	Himself
Carolyn Wonderland	...	Herself
Nace Brothers	...	Themselves
Lee Oskar	...	Himself
Frank Hicks	...	Himself
Benjamin Meade	...	Himself
The Belairs	...	Themselves
Roomfull of Blues	...	Themselves
Bernard Allison	...	Himself
Danny Cox	...	Himself
Bob Walkenhorst	...	Himself
The Rainmakers	...	Themselves
John Jorgenson	...	Himself
The Elders	...	Themselves
Wanda Jackson	...	Herself
rest of cast listed alphabetically:
Bastard Sons of Johnny Cash	...	Themselves
Roomful of Blues	...	Themselves
Bottle Rockets	...	Themselves
The Cates Brothers	...	Themselves
Herb Pederson	...	Himself
Kasey Rausch	...	Herself
Jah Roots	...	Themselves

Directed by
Benjamin Meade

Writing credits (in alphabetical order)
Benjamin Meade		writer

Produced by
Frank Hicks	....	executive producer
Benjamin Meade	....	producer
Dianna Meade	....	producer
Bill Pryor	....	consulting producer

Original Music by
Emily Kurn

Cinematography by
J. Michael Adams
David Matheny
Benjamin Meade
Bill Pryor
Cody Wasson

Film Editing by
Benjamin Meade

Special Effects by
Derek Kilgore	....	special effects

Camera and Electrical Department
Chris Adcock	....	camera operator
Tiara Burns	....	camera operator
Michael Cano	....	camera operator
Jason Cantu	....	cinejib operator
Robert Cecil	....	camera operator
Tom Franklin	....	camera operator
Mike Gunter	....	camera operator
Grant James	....	camera operator
Aron Marcus	....	camera operator
Simon Meade	....	camera operator
J.T. Steelman	....	camera operator
Cody Wasson	....	camera operator
Chris Williamson	....	camera operator
Michael Wunsch	....	camera operator

Production Companies

• Corticrawl Productions

Distributors

• Corticrawl Productions (2007) (worldwide) (theatrical)

Other Companies

• Chapman/Leonard Studio Equipment  dollies

Runtime:

89 min

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Filming Locations:

Hot Springs National Park - 101 Reserve Street, Hot Springs, Arkansas, USA

Company:

Corticrawl Productions

And I wasn't even expecting that much

The whole marketing of this documentary is misleading. Noam Chomsky is indeed in it, but he speaks very generally about corporations and capitalism, not the music business specifically. Even the DVD menu has Buckethead on it (the only artist on the DVD menu), when Buckethead is in the film only for 30 seconds, and even then he's just performing on stage. Again, he offers no opinions about the music business.

It didn't say anything that anyone with the slightest bit of interest in music beyond the radio doesn't already know. Noam Chomsky and Douglass Rushkoff were the only two intellectuals, the rest of the talking heads were band members. It reminded me of many conversations I've had with my friends, only a few of which play music, but all, like most people I know, love it. There's nothing new here. I was hoping for the state of the modern music business (the internet was only mentioned once I believe), not how much the old model sucks. It didn't touch on medium-size independent labels like Victory Records or Fueled by Ramen.. in fact, it didn't touch on independent record labels at all.

About half the doc (literally, nearly 45 minutes of the hour and a half) was of people performing music, which would be OK, if it were a "sounds of country, blue grass and blues" documentary. I think the director really likes his blue grass. The constant cutting back-and-forth between the talking heads and musicians was a little distracting, pretty redundant, and got very old very quick. I ended up fast-forwarding all the music parts (I have to be in a certain mood to enjoy blue grass/blues/rockabilly stuff). Again it seemed misleading, like the director thought "this is my film, and I'm gonna cram it full of my favorite local bands to give them some exposure." In a documentary about how big record companies Are Not Good, the constant live footage of blues/country/folk/whatever musicians added very little.

I wanted to like this documentary - I love underground music, love film, and, like the director, am from Kansas City (it made me smile to recognize radio stations and music stores), but it's my opinion that it failed in its intentions.