| Cast overview, first billed only: | |||
| Farhan Akhtar | ... | ||
| Konkona Sen Sharma | ... |
Sona Mishra
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| Rishi Kapoor | ... |
Romy Rolly
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| Dimple Kapadia | ... |
Neena Walia
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Isha Sharvani | ... |
Nikki Walia
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Sanjay Kapoor | ... |
Ranjit Rolly
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| Juhi Chawla | ... |
Minty Romy Rolly
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| Hrithik Roshan | ... | ||
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Alyy Khan | ... |
Satish Chaudhary
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Sheeba Chaddha |
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| Arjun Mathur | ... |
Abhimanyu Gupta
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Sid Makkar |
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Pankaj Kalra | ... |
Raju - Sona's agent
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Megha Narkar | ... |
Laxmi - Dance Instructor
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Ashish Sawhney | ... |
Tanvir
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Refusing the accept the same fate as her sisters, Tara and Meghna, and get married to a boy from the same Caste, Kanpur-based Sona Mishra alienates herself from her accountant father, and re-locates to Mumbai in order to act in movies. She meets with Satish Chaudhary who offers to assist her in getting a lead role. Years later, all he could manage was bit parts, leaving her frustrated but hopeful. She meets with another struggling actor, Vikram Jaisingh, and both become fairly intimate. When a lead role with Satish does not materialize, and his wife, Pinky, becomes suspicious, she decides to depart. Disappointment and shock also await Vikram when he is candidly told by his friend, Abhimanyu Gupta, that he has no talent and must consider returning back in Delhi to assist his businessman father. It does look like the end of the road for both Sona and Vikram - leaving the question open whether they will continue with their relationship &/or return to their respective homes. Written by rAjOo (gunwanti@hotmail.com)
A satire about Bollywood, and the struggle that young talent has in a nepotistic world, certainly sounds intriguing. But when the talent is mainly defined by beauty and ambition, it's hard to feel too sympathetic, particularly over the full course of what is a decidedly long film. In fact, satire is too strong a word here: although the inanity of Bollywood plots are gently ridiculed, the movie includes some song and dance sequences of its own (disguised as belonging to films within the film); and the eventual ending celebrates a character who fails to become a star, but nonetheless enjoys success as a leading television actress. Fundamentally, this not a story about real failure at any level, not one character is poor and not one young character is ugly, or indeed, even ordinary looking. A harsher, funnier tale might have been told.