| Aaron Poole | ... | Johnny | |
| Kristin Booth | ... | Pretty | |
| Caroline Cave | ... | Carol | |
| Noam Jenkins | ... | Harry | |
| Stuart Hughes | ... | Peter | |
| Kat Germain | ... | Zoe | |
| Tony Nappo | ... | Crack | |
| Jefferson Mappin | ... | Phil | |
| rest of cast listed alphabetically: | |||
| Philip Akin | ... | Police Chief | |
| Christopher Cordell | ... | Green Jacket Jock | |
| Brian Frank | ... | Steve | |
| Dawn Greenhalgh | ... | Mrs. Thompson | |
| Kevin Hanchard | ... | Father | |
| Stephen R. Hart | ... | Charity mover | |
| Jalen Henry | ... | Young Boy | |
| Marvin Ishmael | ... | Bill | |
| Niki Landau | ... | Chester's Wife | |
| Leyana Martinez | ... | Prostitute | |
| Maxwell McCabe-Lokos | ... | Attendant | |
| Kayla McCalla | ... | Young Girl | |
| Jack Murray | ... | Waiter | |
| Rahnuma Panthaky | ... | Female Doctor | |
| Peter Schoelier | ... | Gordon | |
| Julie Sype | ... | Secretary | |
| Cherilee Taylor | ... | Physiotherapist (as Cherilee Garofano) | |
Directed by | |||
| Ed Gass-Donnelly | |||
Writing credits(in alphabetical order) | ||
| Ed Gass-Donnelly | ||
Produced by | |||
| Ed Gass-Donnelly | .... | producer | |
| Lee Kim | .... | executive producer | |
| Lee Kim | .... | producer | |
| David Krae | .... | consulting producer | |
| Aaron Poole | .... | producer | |
| Julie Sype | .... | associate producer | |
Original Music by | |||
| FemBots | |||
Cinematography by | |||
| Micha Dahan | |||
Film Editing by | |||
| Ed Gass-Donnelly | |||
Casting by | |||
| Sara Kay | |||
| Jenny Lewis | |||
Production Design by | |||
| Rachel Ford | |||
Costume Design by | |||
| Rachel Ford | |||
Makeup Department | |||
| Trason Fernandes | .... | special makeup effects artist | |
| Natasha Nikolic | .... | makeup department head | |
Production Management | |||
| Paul Fler | .... | assistant production manager | |
| Justin Kelly | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Justin Kelly | .... | first assistant director | |
| Anja Sobkowska | .... | second assistant director | |
Art Department | |||
| Rachel Ford | .... | set designer | |
| Michael H. Ward | .... | art department/props assistant (as Mike Ward) | |
Sound Department | |||
| Steve Copley | .... | foley mixer | |
| Nelson Ferreira | .... | sound | |
| Steve Foster | .... | sound re-recording mixer | |
| Stefan Fraticelli | .... | foley artist | |
| David Ottier | .... | sound | |
| Daniel Prado | .... | sound recordist | |
| Nathan Robitaille | .... | sound effects editor | |
| Paul Shubat | .... | sound re-recording mixer | |
| Tyler Whitham | .... | assistant sound editor | |
| Randy Wilson | .... | foley recordist | |
Stunts | |||
| Christopher Cordell | .... | stunt coordinator | |
| Alicia Turner | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Devon Burns | .... | gaffer | |
| Dominika Dittwald | .... | assistant camera | |
| Joseph Muscat | .... | still photographer | |
| Everth Palomeque | .... | clapper loader | |
Editorial Department | |||
| Louis Casado | .... | color timer | |
| Jim Fleming | .... | digital film colorist | |
| Trevor White | .... | colorist: dailies | |
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| My Own Private Idaho | Freeway | The Basketball Diaries | London Kills Me | El diputado |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
This movie feels cheaply made, but considering its subject matter, it makes sense. The gritty cinema-verite style jumps back and forth between the lives of street workers and condo dwellers, gradually drawing these two worlds ever closer. Jump cuts and hand-held cameras work in this context.
The best thing about the movie, and the thing that ultimately overcomes the poor filming, is the acting. Great performances by Aaron Poole (who is also the producer), Kristin Booth (from MVP), and Caroline Cave (from the L Word) create a genuine tension on screen. The story itself is clever, and the dialogue understated, but the acting borders on magnificent. Not only do they manage to create something riveting, but smart as well. The setting, the city, looks fabulous.