Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
Everyone thinks of it as a harmless lightning storm. When Dave Drayton notices a strange mist on the lake, he thinks nothing of it. When he, his son, Billy Drayton, and his neighbor Brent Norton travel to the supermarket, the unthinkable happens. On their way to the market, they see the army, firefighters, and the police heading toward the mist. When he sees this Brent mentions something about "Project Arrowhead", a secret military project that no one knows about. As they are shopping, they see three soldiers walk in, pick up a few things, then head toward the mist. All eighty of the store's shoppers have no clue what is going on until an old man runs in the market with a bloody nose and declares "Something in the mist!" He tells them to close the door. About five seconds after they close the door, the entire store shakes, as though it has been lifted several feet above the ground. When David is asked to check on the generator, he finds the loading dock door being pushed on by ... Written by
Frank Darabont had originally been offered $30 million by a producer to make this film, but with one crippling caveat: Darabont would have to change his planned ending, a conclusion he'd personally envisioned and nursed for twenty years. In the end, he turned to producer Bob Weinstein and made the movie for half the amount, but only after forfeiting his directorial salary. See more »
Maine has counties not parishes. Parishes are the term for counties mostly found in Louisiana. See more »
The end credits begin as the song at the end of the film fades out. As the end credits roll up the screen, the sounds of military vehicles (helicopters, tanks, APCs, etc.) can be heard over the credits. See more »
Pop quiz. Tell me, what do you consider to be the most successful Stephen King adaptation, made for film or television? "Carrie"? "The Dead Zone"? "Salem's Lot"? "Stand By Me"? No! Not "Maximum Overdrive"!! (And if that is your choice, may God forgive you, because I won't.)
All of the above, except "Maximium Overdrive" of course, are great pieces of work. But my choice as the benchmark Stephen King adaptation would probably be "The Shawshank Redemption", directed by Frank Darabont.
Stephen King has been very good for Frank Darabont. "The Shawshank Redemption" has become a modern classic and "The Green Mile" was nearly as good. I am glad to say that "The Mist" is nearly as good again.
"The Mist" is a great film, perfectly structured, but a film that requires patience. It is a film of the slow build and of a gradual getting to know the characters, their obsessions, their fears and prejudices. It was nice to see a King horror film where his great talent of touching on the reality of a small town, has been exploited. It makes it all the more horrific when all hell does break loose, because the people who are getting hurt are ones that you know.
Thomas Jane is faintly wooden. Personally I would not have cast him, but all of the other performances are top notch. Marcia Gay Harden's possibly psychotic, fundamental Christian, Toby Jones' short, pudgy, perfectly ordinary hero, Andre Braugher's uptight, big city lawyer and William Sadler's scared, malleable blue collar worker. All excellent.
"The Mist" is not "The Shawshank Redemption" in one crucial way. Whereas "The Shawshank Redemption" was about hope and life, "The Mist" is about hopelessness and death. One thing that they have in common is an astonishing ending. The ending of "The Mist" is wonderful, horrific, twisted and shocking. Not anything that I saw coming.
"The Mist" is marvellous. Must see.
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