Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Everyone thinks of it as a harmless lightning storm. When Dave Drayton notices a strange mist on the lake, he thinks nothing of it. When he, his son, Billy Drayton, and his neighbor Brent Norton travel to the supermarket, the unthinkable happens. On their way to the market, they see the army, firefighters, and the police heading toward the mist. When he sees this Brent mentions something about "Project Arrowhead", a secret military project that no one knows about. As they are shopping, they see three soldiers walk in, pick up a few things, then head toward the mist. All eighty of the store's shoppers have no clue what is going on until an old man runs in the market with a bloody nose and declares "Something in the mist!" He tells them to close the door. About five seconds after they close the door, the entire store shakes, as though it has been lifted several feet above the ground. When David is asked to check on the generator, he finds the loading dock door being pushed on by ... Written by
In the pharmacy scene, when David Drayton is collecting a comic book for his son, Frank Darabont proposed to Thomas Jane that he should grab a copy "The Punisher: War Journal" since Jane played the Punisher three years earlier. Jane declined because he had a falling out with the producers of the The Punisher (2004) franchise and decided not to return for the sequel. He instead grabs an issue of "HellBoy" as a shout out to friend Ron Perlman. See more »
"The Castle Rock Times", the newspaper a shopper is looking at in "The Food House" town general store has no datum, issue number or price on it. See more »
The end credits begin as the song at the end of the film fades out. As the end credits roll up the screen, the sounds of military vehicles (helicopters, tanks, APCs, etc.) can be heard over the credits. See more »
If, two years ago, you told me that within a couple of years two excellent Stephen King film adaptations would be released, I would probably have laughed it off. Films like The Shining, Shawshank Redemption, Stand by Me, The Stand and 1408 are usually pretty far between (Note that I consider The Green Mile and Carrie to be the most over-rated King adaptations, so they do not appear here). I like most of the films that have been made from Stephen King novels, novellas, and short stories mainly because I like Stephen King, but I do not recommend many of them as truly good films.
Frank Darabont's (writing and directing) The Mist adapts a horror novella of the same name. King's horror work has been the most difficult material to adapt, but this film is comparable to other genre stand-outs such as The Shining and 1408.
A brief, dramatic thunderstorm is followed by a freak mist that descends on a small New England town. As the mist permeates the town, people congregate in the local supermarket and hardware store to stock up and gather supplies. David Drayton (Thomas Jane), his son (Nathan Gamble), and his neighbor (Andre Braugher) are among them. Tension builds as a steady stream of military vehicles pass through the mist headed south from a nearby base. But serious concern doesn't start until one of the locals runs to the supermarket with blood spatters on his clothing and talking of monsters in the mist.
Indeed, there are horrors outside in the fog, but there are also horrors inside the market - as paranoia, irrationality and religion come into conflict with practical issues of survival.
Unlike many horror films, The Mist examines fear and its effects realistically, looks at the horror created by forces beyond human control and the even more terrifying horror that fear creates through forces that are completely within our grasp - our own fears, our beliefs and our treatment of each other. It does so using a classic formula which is comparable to films like Night of the Living Dead and, more recently, Feast.
The cinematography, editing and directing are all excellent. The acting is quite good - Marcia Gay Harden and William Sadler stood out for me - and the script is exactly where it needed to be for this adaptation.
Highly recommended for King fans and horror fans. Recommended for Sci-Fi fans. Weakly recommended for average cinema-goers who are not generally interested in horror.
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