Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
With a dead body lying between them, two men wake up in the secure lair of a serial killer who's been nicknamed "Jigsaw". The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.
Everyone thinks of it as a harmless lightning storm. When Dave Drayton notices a strange mist on the lake, he thinks nothing of it. When he, his son, Billy Drayton, and his neighbor Brent Norton travel to the supermarket, the unthinkable happens. On their way to the market, they see the army, firefighters, and the police heading toward the mist. When he sees this Brent mentions something about "Project Arrowhead", a secret military project that no one knows about. As they are shopping, they see three soldiers walk in, pick up a few things, then head toward the mist. All eighty of the store's shoppers have no clue what is going on until an old man runs in the market with a bloody nose and declares "Something in the mist!" He tells them to close the door. About five seconds after they close the door, the entire store shakes, as though it has been lifted several feet above the ground. When David is asked to check on the generator, he finds the loading dock door being pushed on by ... Written by
In the opening shot of the film, David is painting in his room. The picture he's drawing is a design from Stephen King's Dark Tower series of the gunslinger Roland, a Clint Eastwood-like character living in a Middle-Earth-like world. Another design in the room is that of the poster of John Carpenter's The Thing (1982). Carpenter also wrote and directed The Fog (1980), which shares obvious themes with The Mist, as well as Christine (1983), an adaptation of a Stephen King novel. See more »
Towards the end of the film you see a white state police car upside down, when marked Maine State police cars are blue with a round state police logo on the front doors, and the word STATE TROOPER on the front of the hood and above the front wheel well. See more »
The end credits begin as the song at the end of the film fades out. As the end credits roll up the screen, the sounds of military vehicles (helicopters, tanks, APCs, etc.) can be heard over the credits. See more »
Another big success for Stephen King and Frank Darabont!
Films based on the writing of Stephen King have a habit of not translating to the screen very well; although director Frank Darabont made what is often considered the best of the Stephen King films in The Shawshank Redemption - and now with The Mist he's directed what is surely one of the major contenders for the title of best horror film to be based on a Stephen King story! When I first heard the plot description, I was expecting the film to be a cross between John Carpenter's The Fog and modern horror disappointment Feast; and while it does have elements of both those movies, it is thankfully much better than both. The film starts with a violent storm that leaves the Drayton family home in tatters. David Drayton sets off to the local store along with his son and a neighbour; but the town is soon plummeted into trouble when it is surrounded by a malicious mist. It soon transpires that there are otherworldly creatures within the mist and the townsfolk in the local store find themselves battling against the creatures as well as themselves...
The film takes on a real classic style horror feel and never tries to be exceedingly clever or overly gory and that is one of its main strengths. Frank Darabont puts his focus mainly on the tension between the characters and the atmosphere and this benefits the film as there's always enough to keep things interesting - and that is particularly impressive when you consider the thin plot and the fact that it's over two hours long. Thomas Jane takes the lead role and gives a great performance which is nicely pitched between family man and action hero. The rest of the ensemble perform well alongside the lead actor, with Marcia Gay Harden as a fanatical Christian and Toby Jones as the quiet shopkeeper stand out most. The special effects are used sparingly but are very well done and show some great imagination. The creatures that come out of the mist are varied and interesting. There is a lot of talk about the ending of this film and I have to say I'm not really surprised; you'll either love it or hate but personally I found it to be a refreshing end to a commercial modern horror film. Overall, The Mist is an excellent horror film and can be considered a must see for anyone who is a fan of the genre!
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