Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Everyone thinks of it as a harmless lightning storm. When Dave Drayton notices a strange mist on the lake, he thinks nothing of it. When he, his son, Billy Drayton, and his neighbor Brent Norton travel to the supermarket, the unthinkable happens. On their way to the market, they see the army, firefighters, and the police heading toward the mist. When he sees this Brent mentions something about "Project Arrowhead", a secret military project that no one knows about. As they are shopping, they see three soldiers walk in, pick up a few things, then head toward the mist. All eighty of the store's shoppers have no clue what is going on until an old man runs in the market with a bloody nose and declares "Something in the mist!" He tells them to close the door. About five seconds after they close the door, the entire store shakes, as though it has been lifted several feet above the ground. When David is asked to check on the generator, he finds the loading dock door being pushed on by ... Written by
In the opening shot of the film, David is painting in his room. The picture he's drawing is a design from Stephen King's Dark Tower series of the gunslinger Roland, a Clint Eastwood-like character living in a Middle-Earth-like world. Another design in the room is that of the poster of John Carpenter's The Thing (1982). Carpenter also wrote and directed The Fog (1980), which shares obvious themes with The Mist, as well as Christine (1983), an adaptation of a Stephen King novel. See more »
The blood splatter on the windshield goes from being in the middle of the broken glass to being spread out across the windshield and then back again. See more »
The end credits begin as the song at the end of the film fades out. As the end credits roll up the screen, the sounds of military vehicles (helicopters, tanks, APCs, etc.) can be heard over the credits. See more »
I was very impressed by this adaptation of Stephen King's 'The Mist'. I have been a fan of the story since it came out and have played the text game and have heard the 3-D audio version of it. This is a masterful suspense/monster movie that puts an ensemble cast into the untenable situation of being in a deteriorating situation they cannot escape from. We watch as alliances are formed, religious paranoia takes hold and, nicely, the movie takes the time to establish characters whom we come to care for before the true action begins. I dock it a couple of points because some of the monsters seemed a little too cgi, and the middle lags a bit, but the much talked about ending is indeed awesome and I was most impressed by the director's decision to keep the music soundtrack down and even eliminate it completely during many of the action sequences. So many movies nowadays crank the music up to 11 to make up for the fact that their suspense scenes do not work. This movie does. I was breathlessly on the edge of my seat for most of it, even though I was already familiar with the story. Highly recommended.
242 of 387 people found this review helpful.
Was this review helpful to you?