A corporation hires a professional assassin to pose as its trade show representative who must organize the wedding of a Middle Eastern pop star, which will allow him the opportunity to kill a Middle Eastern politician.
Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
A disgraced black ops agent is dispatched to a remote CIA broadcast station to protect a code operator. Soon, they find themselves in a life-or-death struggle to stop a deadly plot before it's too late.
A political satire set in Turaqistan, a country occupied by an American private corporation run by a former US Vice President. In an effort to monopolize the opportunities the war-torn nation offers, the corporation's CEO hires a troubled hit man, to kill a Middle East oil minister. Now, struggling with his own growing demons, the assassin must pose as the corporation's Trade Show Producer in order to pull off this latest hit, while maintaining his cover by organizing the high-profile wedding of Yonica Babyyeah, an outrageous Middle Eastern pop star, and keeping a sexy left wing reporter in check. Written by
This is the second time Marisa Tomei plays a character whose first name is Natalie. The first time was in In the Bedroom (2001). This is also the second time she plays a reporter in a film. The first time was in The Paper (1994). See more »
When Brand Hauser exits the building-ruins after rescuing Natalie Hegalhuzen you can clearly see him putting away one of the two pistols, namingly his right one, and waving with his left arm. The very next shot shows him putting away both pistols, his right, then his left. See more »
[upon hearing an explosion outside]
When did they start attacking inside the Emerald City?
I wouldn't call that an attack.
[explosion goes off right outside office]
Technically, that was a bombing. At least it sounded like it was. Not an attack, which would imply something else.
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BeTolerant.com is listed twice in the thanks section of the credits, despite this resulting in an odd number of entries and causing the last entry to have to go against the rest of the layout (centered, vs two-column) to keep things even. See more »
Written by Richard Graham, Thomas Norris, Pablo Cook, Joe Strummer (as John Mellor)
Performed by Joe Strummer & The Mescaleros (as Joe Strummer and The Mescaleros)
Published by BMG Songs Inc (ASCAP) / Universal Music Publishing Limited Administered by Universal - Polygram International Publishing,
Courtesy of Mercury
By Arrangement with Universal Music Group See more »
In War, Inc we find the logical extension of the current outsourcing of all war-related activities we are currently doing in Afghanistan and Iraq. If you are familiar with the antics of Halliburton, Kellogg, Brown & Root and Blackwater overseas you are already halfway home to fully appreciating the satire of Cusack's latest piece. Cusack plays a corporate hit-man named Brand Hauser who finds himself in Turiquistan organizing a trade show in the newly liberated country as his cover while waiting to get access to his latest target. While there he finds himself intrigued by the anti-establishment reporter played by Marisa Tomei and pursued by the over-sexualized pop star played by Hilary Duff. We are introduced to Hauser's past, which includes a tragedy that has haunted him ever since and the corporate assistant named Marsha Dillon who actually is running the entire operation for him (and played hilariously by Joan Cusack). While some moments are played suitably over the top, they aren't always the moments you expect and the little touches often catch you by surprise. All the principals turn in solid performances. Duff's accent comes and goes but otherwise she does a very nice job and goes a long way to dispel her Disney image. Tomei is funny but understated while the Cusack's own nearly every scene they are in. To be fair, they are given good material. The writers turn in a good script with enough twists and turns and visual gags to keep you giggling throughout all the way to the predictable conclusion. In fact, the predictability of the end is the only thing that keeps me from rating it higher as the story twists and turns it's way to the expected conclusion.
If you like your comedy broad and physical, there is probably not enough here to keep you interested the entire movie. On the other hand, if you like sly comedy and broad satire, this is for you.
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