A political satire set in Turaqistan, a country occupied by an American private corporation run by a former US Vice-President. In an effort to monopolize the opportunities the war-torn ... See full summary »
An author who returns to his hometown to deliver a commencement address to a class of graduating high school students has to deal with his feelings for an old flame as well as the advances of a student who has the hots for him.
Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
Ray Keene (John Cusack), a father who wants to redeem himself in the eyes of his son (Jamie Anderson), is trying to bring Carden (Morgan Freeman), a world-class assassin to justice. All the... See full summary »
A political satire set in Turaqistan, a country occupied by an American private corporation run by a former US Vice-President. In an effort to monopolize the opportunities the war-torn nation offers, the corporation's CEO hires a troubled hit man, to kill a Middle East oil minister. Now, struggling with his own growing demons, the assassin must pose as the corporation's Trade Show Producer in order to pull off this latest hit, while maintaining his cover by organizing the high-profile wedding of Yonica Babyyeah an outrageous Middle Eastern pop star, and keeping a sexy left wing reporter in check. Written by
This is the second time Marisa Tomei plays a character whose first name is Natalie. The first time was in In the Bedroom (2001). This is also the second time she plays a reporter in a film. The first time was in The Paper (1994). See more »
When Hauser is ambushed in the castle, we hear the sound of a gun being cocked. The camera pans to a thug holding an uncocked revolver. See more »
[lyrics in credits]
Boom boom boom, Bang bang bang, There's a war going on in this heart of mine, They're sneaking up from behind, To try to get into my heart and mind.
You say you want to invade me baby, You say you want to enslave me baby, I want to blow you, blow you... up, You say you want to free me baby, You cannot even see me baby, I want to blow you up. You want to occupy my heart and soul, A black widow in a spider hole.
See more »
BeTolerant.com is listed twice in the thanks section of the credits, despite this resulting in an odd number of entries and causing the last entry to have to go against the rest of the layout (centered, vs two-column) to keep things even. See more »
Joshua Seftel's first film - a satire of memorable proportions - is about just as the title suggests: The corporations effect on War.
The film is about a mercenary (John Cusack) traveling to Turaqistan (not a real country, fyi) to help the American government 'get their message across' to Turaqistan's leaders. He meets a reporter (Marisa Tomei) and we all know what will ensue with a lonely man + a hot reporter. Somewhere in the mix, a pop star named Yonica Babyyeah gets thrown in. As Yonica is marrying one of Turaquistan's most important people (a son of the president), a subplot is created where the mercenary must watch over this star, well, somewhat. The film starts off with a lonely Cusack in a bar; no more than fifteen seconds later, the film hooks you. With it's amusing and intriguing insight on terrorism and politics, the film's running time blows by you. The film has a lot more action than I expected, with the occasional scene of war, well choreographed fights and just sporadic scenes of murder. Though the story isn't much deep, the simplicity of it all makes the film perfect for both the common man and movie critics alike.
In the final act of the film, the simplicity of it all turns very hostile and jumbled. I thought it was executed very well, but other may disagree, and I could understand why. Twist after twist is what the ending is all about, and like most films, it is a true hit/miss situation. Regardless, the three writers on the film (Mark Leyner, Jeremy Pikser & John Cusack) did a fantastic job creating a realistic and entertaining satire on today's situation overseas.
Joshua Seftel does an excellent job insuring the film's integrity; not reducing the material to the most redundant of films (which I was afraid would happen). Seftel crafted the film as perfectly as one could: he created a vibrant atmosphere, one that is both examines harsh reality and cartoonish falsities; - contrasting them perfectly - as well as making the film feel as if you were watching it all. Seftel really gets you involved in all of the action and it pays off completely. No missteps here. Hopefully, he takes on more directorial jobs, for he is one director to look out for.
57 of 85 people found this review helpful.
Was this review helpful to you?