A political satire set in Turaqistan, a country occupied by an American private corporation run by a former US Vice-President. In an effort to monopolize the opportunities the war-torn ... See full summary »
E.F. Bloodworth has returned to his home - a forgotten corner of Tennessee - after forty years of roaming. The wife he walked out on has withered and faded, his three sons are grown and ... See full summary »
Shane Dax Taylor
An author who returns to his hometown to deliver a commencement address to a class of graduating high school students has to deal with his feelings for an old flame as well as the advances of a student who has the hots for him.
Ray Keene (John Cusack), a father who wants to redeem himself in the eyes of his son (Jamie Anderson), is trying to bring Carden (Morgan Freeman), a world-class assassin to justice. All the... See full summary »
Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
A political satire set in Turaqistan, a country occupied by an American private corporation run by a former US Vice-President. In an effort to monopolize the opportunities the war-torn nation offers, the corporation's CEO hires a troubled hit man, to kill a Middle East oil minister. Now, struggling with his own growing demons, the assassin must pose as the corporation's Trade Show Producer in order to pull off this latest hit, while maintaining his cover by organizing the high-profile wedding of Yonica Babyyeah an outrageous Middle Eastern pop star, and keeping a sexy left wing reporter in check. Written by
Srdjan Dragojevic was initially attached to direct this film. He did an extensive rewrite with his Serbian writing partner Dimitrije Vojnov. When Dragojevic left the project this draft of the screenplay was scrapped. The only piece that remained is the imaginary Democracy cigarettes brand that had already appeared in The Wounds (1998). See more »
As Natalie leaves Hauser's office the door is open, presumably to allow the camera to get the shot of her leaving. However, Houser shut it only moments earlier after he asked Marsha to call him. See more »
BeTolerant.com is listed twice in the thanks section of the credits, despite this resulting in an odd number of entries and causing the last entry to have to go against the rest of the layout (centered, vs two-column) to keep things even. See more »
In War, Inc we find the logical extension of the current outsourcing of all war-related activities we are currently doing in Afghanistan and Iraq. If you are familiar with the antics of Halliburton, Kellogg, Brown & Root and Blackwater overseas you are already halfway home to fully appreciating the satire of Cusack's latest piece. Cusack plays a corporate hit-man named Brand Hauser who finds himself in Turiquistan organizing a trade show in the newly liberated country as his cover while waiting to get access to his latest target. While there he finds himself intrigued by the anti-establishment reporter played by Marisa Tomei and pursued by the over-sexualized pop star played by Hilary Duff. We are introduced to Hauser's past, which includes a tragedy that has haunted him ever since and the corporate assistant named Marsha Dillon who actually is running the entire operation for him (and played hilariously by Joan Cusack). While some moments are played suitably over the top, they aren't always the moments you expect and the little touches often catch you by surprise. All the principals turn in solid performances. Duff's accent comes and goes but otherwise she does a very nice job and goes a long way to dispel her Disney image. Tomei is funny but understated while the Cusack's own nearly every scene they are in. To be fair, they are given good material. The writers turn in a good script with enough twists and turns and visual gags to keep you giggling throughout all the way to the predictable conclusion. In fact, the predictability of the end is the only thing that keeps me from rating it higher as the story twists and turns it's way to the expected conclusion.
If you like your comedy broad and physical, there is probably not enough here to keep you interested the entire movie. On the other hand, if you like sly comedy and broad satire, this is for you.
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