Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Construction company owner John Matthews learns that his estranged son, Jason, has been arrested for drug trafficking. Facing an unjust prison sentence for a first time offender courtesy of mandatory minimum sentence laws, Jason has nothing to offer for leniency in good conscience. Desperately, John convinces the DEA and the opportunistic DA Joanne Keeghan to let him go undercover to help make arrests big enough to free his son in return. With the unwitting help of an ex-con employee, John enters the narcotics underworld where every move could be his last in an operation that will demand all his resources, wits and courage to survive. Written by
Kenneth Chisholm (firstname.lastname@example.org)
The film was inspired by a documentary on PBS' Frontline about how changes in US drug laws has given deals of a minimum sentence to those guilty if they snitched on their accomplices. See more »
In the first scene with John Matthews, he uses a practice putting green in his office while on the phone. After walking over to a window that overlooks the warehouse, and then turning back to his desk, the practice putting green is missing. See more »
That party we just threw, there were over a thousand people there, bro.
No way. Oh, my God. I can't wait to get up there.
See more »
This movie marks the departure of Dwayne Johnson from action actor to dramatic actor and the transformation works. Johnson demonstrates a surprising aptitude for dramatic acting as his character struggles with a number of distressing issues. The problem with the movie is the story. It's premise is implausible. The main character's son is busted on drug charges and he is in fact guilty, which makes him a far less sympathetic character. Nevertheless, that doesn't stop his father, played by Johnson, from coming to his son's assistance, albeit as unbelievable as it, and the entire movie hinges on the audience having to believe that the son is a victim, which he is not. If a movie needs a victim, then the victim should in fact be a victim. Another interesting character is the drug dealer played by Benjamin Bratt who plays the role effectively. Susan Sarandon and Barry Pepper also provide excellent performances as an ambitious DA and an undercover vice police officer respectively. Despite the flaws in the story, this is still a good movie and one that is worth watching.
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