The story, though simple and not new, is not clear-cut enough to leave a distinct impression. A kind-hearted painter has adopted a child of a dead model. His sweetheart comes and, finding the child who says that the painter is her "papa," misunderstands. This is old, old stuff and it seldom gets over. It surely doesn't here. The picture is weak as an offering although the playing and photography and stage work are good. - The Moving Picture World, June 13, 1914
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