A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
Liz Gilbert (Roberts) had everything a modern woman is supposed to dream of having - a husband, a house, a successful career - yet like so many others, she found herself lost, confused, and searching for what she really wanted in life. Newly divorced and at a crossroads, Gilbert steps out of her comfort zone, risking everything to change her life, embarking on a journey around the world that becomes a quest for self-discovery. In her travels, she discovers the true pleasure of nourishment by eating in Italy; the power of prayer in India, and, finally and unexpectedly, the inner peace and balance of true love in Bali. Written by
A casting associate saw Joe Lipari do a set about teaching yoga at Gotham Comedy Club and asked if he'd be interested in being involved in the movie's yoga scenes. The scenes were cut from the final film. See more »
You feel guilty because you're American. You don't know how to enjoy yourself!.
[looking a bit taken aback]
I beg your pardon?
It's true. Americans know entertainment, but don't know pleasure.
This is Luca Spaghetti, by the way, you know.
Your name is Luca Spaghetti?
Yes, that's what our family is called. We invented it. I'm serious. Listen to me. You want to know your problem? Americans! You work too hard. You get burned out. Then you come home and spend the whole weekend... in your pajamas in ...
[...] See more »
Wow. I've always admired Julia Roberts, and was wondering how she would transition to a more mature actress. Not well. Why in the world would she have read this abomination of a script, and said, "Yes, I want to do that movie!"? And the other fine actors must have agreed because Roberts signed on. All the talent in this film can't correct the atrocious script. The film has four chapters, each of which introduces a new male character in a different part of the world, and charts her dysfunctional response to each. It's impossible, I suspect, to have developed each character and story all in a two hour movie. It was so hollow, not only did I feel nothing for the characters (except Bardem), but I felt ambivalence toward them. Lots of narcissistic angst over nothing. The movie had nothing to say.
I want my money back. More important, I want my two hours back.
159 of 249 people found this review helpful.
Was this review helpful to you?