| Photos (See all 16 | slideshow) | Videos (see all 12) |
| Rebecca Hall | ... | Rebecca | |
| Elizabeth Keener | ... | Cathy | |
| Elise Ivy | ... | Marissa | |
| Catherine Keener | ... | Kate | |
| Josh Pais | ... | Adam | |
| Sarah Steele | ... | Abby | |
| Ann Morgan Guilbert | ... | Andra (as Ann Guilbert) | |
| Amanda Peet | ... | Mary | |
| Oliver Platt | ... | Alex | |
| Griffin Frazen | ... | Shopper | |
| Reggie Austin | ... | Shopper | |
| Scott Cohen | ... | Dr. Lerner | |
| Paul Sparks | ... | Blind Date | |
| Lois Smith | ... | Mrs. Portman | |
| Thomas Ian Nicholas | ... | Eugene | |
| Harmonica Sunbeam | ... | Transvestite Homeless Person | |
| Amy Wright | ... | Erin | |
| Arthur French | ... | Man Waiting for a Table | |
| Neal Lerner | ... | Leaf Man | |
| Mandy Olsen | ... | Salesgirl | |
| Maddie Corman | ... | Shopper | |
| Alice Spivak | ... | Shopper | |
| John Srednicki | ... | Tommy | |
| Timothy Doyle | ... | Kevin | |
| Emma Myles | ... | Salesgirl | |
| Rebecca Budig | ... | Big Back | |
| Romy Rosemont | ... | Carrie-Ann | |
| Kathleen Doyle | ... | Anita | |
| Sarah Vowell | ... | Shopper | |
| Jason Mantzoukas | ... | Shopper | |
| Kevin Corrigan | ... | Don | |
| Elizabeth Berridge | ... | Elyse | |
| Erica Fae | ... | Shopper (as Erica Berg) | |
| Michael Panes | ... | Shopper | |
| Charles Techman | ... | Homeless Man | |
| Portia | ... | Mrs. Melnick | |
| Jason Kingsley | ... | Jason | |
| Regina Marie Healy | ... | Abby #2 | |
| Creighton James | ... | Ambulance Guy | |
| Maria Barrientos | ... | Elena | |
| Jaime Tirelli | ... | Dario (as Jamie Tirelli) | |
| David Weininger | ... | Funeral Director | |
| rest of cast listed alphabetically: | |||
| Steve Antonucci | ... | Shopper (uncredited) | |
| Carmen M. Herlihy | ... | (uncredited) | |
Directed by | |||
| Nicole Holofcener | |||
Writing credits | ||
| Nicole Holofcener | (written by) | |
Produced by | |||
| Stefanie Azpiazu | .... | associate producer | |
| Anthony Bregman | .... | producer | |
| Caroline Jaczko | .... | executive producer | |
Original Music by | |||
| Tim LeFebvre | |||
| Marcelo Zarvos | |||
Cinematography by | |||
| Yaron Orbach | (director of photography) | ||
Film Editing by | |||
| Robert Frazen | |||
Casting by | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Mark White | |||
Art Direction by | |||
| Lauren Fitzsimmons | |||
Set Decoration by | |||
| Kim Chapman | (as Kim L. Chapman) | ||
| Kris Moran | |||
Costume Design by | |||
| Ane Crabtree | |||
Makeup Department | |||
| Qodi Armstrong | .... | hair department head | |
| Julie Anna Kehoe | .... | key hair stylist (as Julie Anna Lippman) | |
| Mindi Levinson | .... | key makeup artist | |
| Rebecca Perkins | .... | makeup department head | |
Production Management | |||
| Luca Borghese | .... | post-production supervisor | |
| Jonathan Ferrantelli | .... | post-production supervisor | |
| Caroline Jaczko | .... | unit production manager | |
| Frank Murray | .... | production supervisor (as Frank J. Murray) | |
Second Unit Director or Assistant Director | |||
| Kara Doherty | .... | second assistant director | |
| Marta Forns-Escudé | .... | second second assistant director (as Marta Forns-Escude) | |
| Karen Kane | .... | first assistant director | |
Sound Department | |||
| Marco Alicea | .... | digital transfer | |
| John Countryman | .... | digital transfer | |
| Stuart Deutsch | .... | sound mixer (as Stuart C. Deutsch) | |
| Edwin Dunkley | .... | video services (as Ed Dunkley) | |
| Sean England | .... | foley recordist | |
| Kim Foscato | .... | dialogue editor | |
| Ivan Fritz | .... | digital editorial services | |
| Pascal Garneau | .... | sound effects editor | |
| Jonathan Greber | .... | digital transfer | |
| J.R. Grubbs | .... | sound effects editor | |
| Howie Hammerman | .... | sound engineering services (as Howie Hammermann) | |
| Matthew Hartman | .... | assistant sound editor (as Matt Hartman) | |
| Matt Hartmann | .... | assistant sound editor | |
| Lora Hirschberg | .... | sound re-recording mixer | |
| Lora Hirschberg | .... | supervising sound editor | |
| David Hunter | .... | digital editorial services | |
| Amanda Jacques | .... | sound utility | |
| Thomas W. Jordan | .... | additional boom operator | |
| Mike Lane | .... | client services | |
| Charlotte Moore | .... | post production sound accountant | |
| Steve Morris | .... | engineering services | |
| Cheryl Nardi | .... | dialogue editor | |
| Larry Oatfield | .... | sound effects editor (as E. Larry Payfield) | |
| Eva Porter | .... | client services | |
| Richard Quinn | .... | dialogue editor | |
| Frank Rinella | .... | foley mixer | |
| Gabriel Sanders | .... | boom operator | |
| Clint Smith | .... | sound mix technician | |
| Kent Sparling | .... | sound effects editor | |
| Daniel Sperry | .... | dolby consultant | |
| John Torrijos | .... | video services (as John 'JT' Torrijos) | |
| Jana Vance | .... | foley artist | |
| Zach Martin | .... | sound mix technician (uncredited) | |
Visual Effects by | |||
| Chris Gelles | .... | visual effects executive producer: & Company | |
| David Isyomin | .... | visual effects supervisor: & Company | |
| Chris MacKenzie | .... | smoke artist: Deluxe New York | |
| Tom Mayclim | .... | scanner: Deluxe New York | |
| Nick Paulozza | .... | scanner: Deluxe New York | |
| Mark Russell | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Abraham Altbuch | .... | additional grip (as Abraham Altbush) | |
| Mark Beattie | .... | additional electrician | |
| Jessica Bennett | .... | key grip (as Jessica Kreimer-Bennett) | |
| Adriana Brunetto-Lipman | .... | additional camera loader (as Adriana Brunetto) | |
| Bobby Carnavale | .... | additional electrician | |
| Randolph Carty | .... | additional electrician | |
| Scott Cramer | .... | additional electrician | |
| Robert DiGiacomo | .... | additional second assistant camera | |
| Spencer Gillis | .... | second assistant camera | |
| Afton Grant | .... | additional Steadicam operator | |
| Shawn Greene | .... | gaffer | |
| Bart Grieb | .... | additional grip | |
| Jim Hair | .... | additional first assistant camera | |
| Bernard Hunt | .... | additional electrician | |
| Mike Intile | .... | additional electrician (as Michael Intile) | |
| Mark T. Karinja | .... | additional electrician | |
| Ludovic Littee | .... | additional first assistant camera | |
| Christopher Moeller | .... | additional second assistant camera | |
| Tom Mone | .... | company grip (as Harpoon) | |
| Jeff Muhlstock | .... | Steadicam operator | |
| Jeff Niggemeyer | .... | gaffer | |
| Tom None | .... | company grip | |
| Colin Oberschmidt | .... | best boy electrician | |
| Piotr Redlinski | .... | still photographer | |
| Alison Rosa | .... | still photographer: original photograghs | |
| Benjamin Salley | .... | company electrician (as Ben Salley) | |
| Jennifer Scarlata | .... | additional electrician | |
| Chris Seehase | .... | camera loader | |
| Lara Sfire | .... | additional electrician | |
| John Shim | .... | company electrician (as John H. Shim) | |
| Niko Tavernise | .... | additional still photographer | |
| Brent Taylor | .... | company electrician | |
| Sean Taylor | .... | best boy electrician | |
| Vance Tucker | .... | grip | |
| Christopher Vidaic | .... | best boy grip (as Chris Vidaic) | |
| Brett Walters | .... | first assistant camera | |
| Joy Weber | .... | additional electrician | |
| Daniel Zimmer | .... | dolly grip | |
| Rome Petersson | .... | electrician (uncredited) | |
| Daniel Wallenstein | .... | grip (uncredited) | |
Casting Department | |||
| Nicole Abellera | .... | casting associate | |
| Rori Bergman | .... | casting associate | |
| Joanne Bloom | .... | casting assistant | |
| Karen E. Etcoff | .... | extras casting coordinator (as Karen Etcoff) | |
| Bill Tripician | .... | extras casting associate | |
| Leslie Woo | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Patricia Carucci | .... | tailor | |
| Lynne Maureen Curtis | .... | assistant costume designer | |
| Marta Font | .... | wardrobe supervisor | |
| Karen McGovern | .... | set costumer | |
| Rodney Parrish | .... | wardrobe production assistant | |
| Rahimah Yoba | .... | assistant costume designer | |
Editorial Department | |||
| Jake Cohen | .... | assistant editor (as Jacob Cohen) | |
| Duck Grossberg | .... | digital intermediate data wrangler | |
| Jack Lewars | .... | digital intermediate colorist | |
| Matthew J. McCue | .... | post-production coordinator | |
| Cam McLauchlin | .... | digital intermediate editor | |
| Paloma Mele | .... | assistant editor | |
| Jacob Robinson | .... | digital intermediate editor | |
| Darrell R. Smith | .... | digital intermediate coordinator | |
| Suzanne Spangler | .... | assistant editor | |
| Christopher E. Garcia | .... | editorial intern (uncredited) | |
| John Potter | .... | video mastering (uncredited) | |
Music Department | |||
| Daniel Coe | .... | score preparation | |
| Lawrence Manchester | .... | score mixer | |
| Lawrence Manchester | .... | score recordist | |
| Dana Millman | .... | music supervisor (as Dana Dufine) | |
| Anne Pope | .... | music editor | |
| Jim Schultz | .... | music consultant | |
| Mark Jan Wlodarkiewicz | .... | music consultant (as Mark Wlodarkiewicz) | |
| Marcelo Zarvos | .... | score producer | |
| Daniel Coe | .... | orchestrator (uncredited) | |
| Shane Hayes | .... | assistant music editor (uncredited) | |
Transportation Department | |||
| Joe Castiglione | .... | driver | |
| Raggie Crute | .... | driver | |
| Timothy Paustian | .... | transportation captain (as Tim Paustian) | |
| Thomas Reilly | .... | driver (as Tommy Reilly) | |
Other crew | |||
| Matt Anderson | .... | set production assistant | |
| Ali Aroyan | .... | production office intern | |
| James Bang | .... | intern: Likely Story | |
| Bruce Bell | .... | set medic | |
| Julia Berg | .... | assistant: Andrew Bergman | |
| Ed Blythe | .... | intern: Likely Story | |
| Juan Caban | .... | unit production assistant | |
| Gabriel Cardier | .... | set intern | |
| Andrew Cesana | .... | script supervisor (as Andrew G. Cesana) | |
| Alison S. Cohen | .... | legal services: Frankfurt Kurnit Klein & Selz (as Alison Cogen) | |
| Derek Crolla | .... | production office assistant | |
| Diana DeJesus | .... | additional production assistant | |
| Sierra Gallardo | .... | set intern | |
| Hilary Geier | .... | legal services: Frankfurt Kurnit Klein & Selz | |
| Laurie Gershon | .... | product placement and clearances | |
| Mary Gillen | .... | intern: Likely Story | |
| Abigail Hansen | .... | set intern | |
| Ronnie Joseph Higgins | .... | set production assistant (as Ronnie Higgins) | |
| Rolando Hudson | .... | location scout | |
| Joshua Huffman | .... | production coordinator | |
| Grégoire Jeudy | .... | set intern (as Gregoire Jeudy) | |
| Melissa Kalbfus | .... | script supervisor (as Melissa Kalbfus Paliocha) | |
| Andrew Katz | .... | production office intern | |
| Lisa Kiesel | .... | set production assistant | |
| Sarah Koblenz | .... | production office intern | |
| Jordan Langsam | .... | set intern | |
| Sarna Lapine | .... | assistant: Nicole Holofcener | |
| Matt Levin | .... | intern: Likely Story (as Matthew Levin) | |
| Michael B. Lewis | .... | production secretary (as M. Baldwin Lewis) | |
| Mia Lidofsky | .... | set intern | |
| Anthony Lote | .... | key production assistant | |
| Jenny Lovin | .... | first assistant accountant | |
| Gabriella Ludlow | .... | legal services: Frankfurt Kurnit Klein & Selz | |
| Albert J. McEvoy | .... | set production assistant | |
| Michaela McKee | .... | production office intern | |
| Ross Miller | .... | insurance services: D.R. Reiff & Associates | |
| Claire Newlands | .... | accounting clerk | |
| Michael O'Mara | .... | production office intern | |
| Rob Pellecchia | .... | legal services: Frankfurt Kurnit Klein & Selz | |
| Diego Pina | .... | first chef | |
| Daniel Pizarro | .... | parking coordinator | |
| Bennett Pozil | .... | bank loan: Natixis | |
| Janice Roland | .... | unit publicist: Falco Ink | |
| Chris Saddler | .... | set intern | |
| Noeman Samdani | .... | production office intern | |
| Bill Saxelby | .... | set intern | |
| Richard Scali | .... | production office intern | |
| Kevin R. Shields | .... | set production assistant (as Kevin Shields) | |
| Lisa Simon | .... | set production assistant | |
| John Skidmore | .... | assistant production coordinator | |
| Collin Smith | .... | location manager | |
| Julie Solomon | .... | location scout | |
| Brian Stearns | .... | bank loan: Natixis | |
| Julio Torres Jr. | .... | second chef | |
| Julio Torres | .... | craft service | |
| Shannon Treusch | .... | unit publicist: Falco Ink | |
| David Velasco | .... | assistant location manager | |
| John L. Vennema | .... | additional production office assistant | |
| Dennis Voskov | .... | location assistant | |
| Brandon Weiss | .... | set intern | |
| Michael Wiggins | .... | key production accountant | |
| James Windeler | .... | intern: Likely Story | |
| Justin Benson | .... | location assistant (uncredited) | |
| Pete Hayes | .... | post production accountant (uncredited) | |
| Sara Seligman | .... | production assistant (uncredited) | |
Thanks | |||
| Gabe Allanoff | .... | special thanks | |
| Joe Allanoff | .... | special thanks | |
| Terra Bliss-Alvarez | .... | special thanks | |
| Ted Hope | .... | special thanks | |
| Mike Jackman | .... | special thanks | |
| Emily Perl Kingsley | .... | special thanks | |
| Tory Metzger | .... | special thanks | |
| Joel Pearlman | .... | special thanks | |
| Rose Rothe | .... | special thanks | |
| Jerry Stoeffhaas | .... | special thanks | |
| Diana Victor | .... | special thanks | |
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| Prime | In Her Shoes | Adam | Saving Face | Personal Velocity: Three Portraits |
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| Full cast and crew | Company credits | External reviews |
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Please Give (2010) was written and directed by Nicole Holofcener. It's a very New York City kind of movie. The plot revolves around the purchase of an apartment by two urban professionals. (They're not that young, so they're not yuppies, although they probably were yuppies in their day.) At present, they make an apparently excellent living buying up old "classic" furniture, and reselling it in their storeroom. Catherine Keener plays Kate, the wife, and Oliver Platt is her husband Alex.
The problem with the purchase of the apartment is that it's still occupied by an older woman, and the agreement is that she will live there until she dies. Into the mix come the woman's two granddaughters--Rebecca Hall as Rebecca, the "plain" sister, and Amanda Peet as Mary, the gorgeous sister. (Rebecca Hall is only plain by Hollywood standards, and Amanda Peet is gorgeous by those same standards.)
The film has several plot threads moving forward simultaneously, but the one that interested me the most was Kate's ambivalence about her source of income. Obviously, if you're selling any used furniture--classic or otherwise--you have to buy low and sell high. However, Kate is clearly guilt-ridden about making money because she knows furniture value and the sellers--usually children of a recently deceased parent--don't know these values.
She also feels guilty about street people, and tends to give them ten- or twenty-dollar bills as she walks along the street. She really wants to help disadvantaged people, and checks out a residence for the frail elderly and a day program for developmentally disabled people to see if she can volunteer.
Catherine Keener is an appealing actor, and her character is basically likable. However, as I thought about it, Kate's guilt doesn't lead to any really effective action. Yes, she agonizes about the furniture, but she buys and sells it anyway. And, although her motivation to help the less fortunate is clear, she doesn't actually accept the volunteer positions. She thinks about them, and she cries, but she doesn't really do anything. Still, you can't deny the honesty of her emotions.
This is a movie in which, objectively, nothing truly major happens. However, the characters are changed by the events in the film. They are imperfect and they don't become perfect, but they're interesting and you care about them.
As I wrote at the beginning of the review, this is a very New York City kind of movie. It crackles with realistic NYC atmosphere, and you get a real sense of the city. I could almost feel myself walking along the sidewalk with Kate or Alex.
All in all, I think this is definitely a film worth seeing, and it will work well on DVD. My guess is that opinions about this movie will vary tremendously. I liked it, but others may have equally compelling reasons to dislike it. See it yourself and make your own decision.