Critic Reviews



Based on 29 critic reviews provided by
Grounded in the direct, disarming truth of their experience, the movie has a straightforward lack of cheap sentiment that saves it from being either too maudlin or saccharine-sweet.
In a head-to-head comparison, one would be hard-pressed not to declare that "Precious" is the better film - it makes fewer compromises and doesn't shy from showing the true ugliness only hinted at in this movie, but The Blind Side is more accessible. It's easier to digest. In the end, both films tell stories of triumph over adversity - a category of drama that uplifts while offering a dollop of social commentary.
Bullock is an irrepressible hoot in writer-director John Lee Hancock's otherwise thoroughly conventional take on Michael Lewis' fact-based book "The Blind Side: Evolution of a Game."
Uplifting and entertaining feel-good, fact-based sports drama.
The story is inspiring and involves sports, but to call it an inspirational sports story would be wrong; its real center is Leigh Anne Tuohy (Sandra Bullock in a fine performance), the strong-willed woman whose love and generosity helped turn a mute, hopeless boy with no social or academic skills into a functioning young man with a promising future.
Austin Chronicle
It’s not an altogether convincing portrait, but it is an entertaining, even moving one, and the forcefulness of Bullock's presence goes a long way in pulling the film back from the brink of cuddliness.
St. Louis Post-Dispatch
Michael as a character is defined almost solely by his helplessness and gratitude. He's as lovable as a lost puppy, but a more perceptive movie than The Blind Side would have let us see him from another angle.
A feel-good movie that never stops feeling good. The film is based on a true story (it was adapted from a nonfiction best-seller by Michael Lewis), but you never feel that Hancock has honestly captured what's true about it.
It’s just blinkered middle-class pandering at its most shameless.
Blind Side the movie peddles the most insidious kind of racism, one in which whiteys are virtuous saviors, coming to the rescue of African-Americans who become superfluous in narratives that are supposed to be about them.

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