| Sylvie Testud | ... | Camille | |
| Pascal Greggory | ... | Le Lieutenant | |
| Guillaume Verdier | ... | Le cadet | |
| rest of cast listed alphabetically: | |||
| Pascale Bodet | ... | La fille de la colline | |
| Bob Boisadan | ... | Le guitariste | |
| Jean-Christophe Bouvet | ... | Elias | |
| Didier Brice | ... | Jean | |
| Philippe Chemin | ... | L'agent de liaison | |
| Guillaume Depardieu | ... | François | |
| Benjamin Esdraffo | ... | Pierre | |
| Michel Fossiez | ... | Le hautboïste | |
| Vincent Fraiscinet | ... | Le gendarme | |
| Laurent Lacotte | ... | Frédéric | |
| Pierre Léon | ... | Alfred | |
| Emmanuel Levaufre | ... | Elias's son | |
| François Négret | ... | Jacques | |
| Cécile Reigher | ... | Camille's sister | |
| Laurent Talon | ... | Antoine | |
| Lionel Turchi | ... | Le violoniste | |
| Laurent Valéro | ... | Le bandonéoniste | |
| Mehdi Zannad | ... | La sentinelle | |
Directed by | |||
| Serge Bozon | |||
Writing credits(in alphabetical order) | ||
| Serge Bozon | writer | |
| Axelle Ropert | writer | |
Produced by | |||
| Lola Gans | .... | associate producer | |
| Philippe Martin | .... | producer | |
| Géraldine Michelot | .... | associate producer | |
| David Thion | .... | producer | |
Original Music by | |||
| Benjamin Esdraffo | |||
| Laurent Talon | |||
| Mehdi Zannad | |||
Cinematography by | |||
| Céline Bozon | |||
Film Editing by | |||
| François Quiqueré | |||
Casting by | |||
| Stéphane Batut | |||
Costume Design by | |||
| Renaud Legrand | |||
| Elisabeth Mehu | |||
Makeup Department | |||
| Stéphane Malheu | .... | hair stylist: Sylvie Testud | |
| Francoise Sanner | .... | special makeup effects artist | |
| Michel Vautier | .... | makeup artist | |
Production Management | |||
| Hélène Bastide | .... | production manager | |
| Marianne Gielara | .... | assistant unit manager | |
| David Hedrich | .... | production secretary | |
| Jérôme Petament | .... | unit manager | |
| Simon Vautier | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Nadège Catenacci | .... | trainee assistant director | |
| Julie Gouet | .... | second assistant director | |
| Thomas Longuet | .... | first assistant director | |
Art Department | |||
| Mathieu Barnet | .... | assistant decorator | |
| Brigitte Brassart | .... | set designer | |
| Grégoire Chombard | .... | constructor | |
| Roland Ciprut | .... | constructor | |
| Lionel Claude | .... | construction manager | |
| Ludovic Garçon | .... | constructor | |
| Gurgon Kyap | .... | constructor | |
Sound Department | |||
| André Cappello | .... | sound recordist (as André Capello) | |
| Mathieu Chatagnon | .... | additional boom operator | |
| Florian Fabre | .... | assistant foley artist | |
| Laurent Gabiot | .... | sound mixer | |
| Pauline Gaillard | .... | sound editor | |
| Eric Grattepain | .... | foley artist | |
| Adrien Guillemot | .... | sound recordist | |
| Gildas Mercier | .... | post-synchronisation | |
| Pierre-Yves Nussbaum | .... | sound recordist | |
| Loïc Pommiès | .... | boom operator | |
| Olivier Roche | .... | sound recordist | |
| Carole Verner | .... | dialogue editor | |
Visual Effects by | |||
| Béatrice Bauwens | .... | visual effects coordinator | |
| Sophie Denize | .... | visual effects coordinator | |
| Cédric Fayolle | .... | visual effects supervisor | |
| Mathieu Leclercq | .... | color timer | |
| Jean Baptiste Le Guen | .... | scan and shoot | |
Stunts | |||
| Alain Barbier | .... | stunt coordinator | |
| Gilles Conseil | .... | stunt coordinator | |
| Frédéric Dessains | .... | stunt double | |
| Sylvain Gabet | .... | stunt double | |
| Emilie Jumeaux | .... | stunt double | |
Camera and Electrical Department | |||
| Marion Befve | .... | first assistant camera | |
| Carole Bethuel | .... | still photographer | |
| Pierre Bonnet | .... | gaffer | |
| Justine Bourgade | .... | assistant camera | |
| Odile Euriat | .... | second assistant camera | |
| Gaston Grandin | .... | grip | |
| Morvan Omnes | .... | key grip | |
| Hervé Renoud-Lyay | .... | grip (as Hervé Renoud-Lyat) | |
| Didier Rollot | .... | electrician (as Didier Rolot) | |
Casting Department | |||
| Stéphane Foenkinos | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Véronique Gely | .... | costumer | |
| Clémence Abigaïl Grivelet | .... | additional costumer (as Clémence Grivelet) | |
Editorial Department | |||
| David Hedrich | .... | post-production assistant | |
| Magalie Léonard | .... | color timer | |
| Sophie Lustière | .... | color timer | |
| Juliette Mallon | .... | post-production coordinator | |
| Vladimir Rodionov | .... | assistant editor (as Vladimir Rodionoff) | |
Other crew | |||
| Chrystèle Bru | .... | production assistant | |
| David Faivre | .... | animal coordinator | |
| Florence Lemoine | .... | production administrator | |
| Chloé Lorenzi | .... | press attache | |
| Rémi Orain | .... | assistant | |
| Benjamin Pasquier | .... | production administrator | |
| Johanna Zerbib | .... | production secretary | |
| Recent Posts (updated daily) | User |
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| This movie is pretentious drivel | bbopdude |
| Song question | Criterion82 |
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| Joyeux Noël | Popiól i diament | Capitaine Conan | The Life and Death of Colonel Blimp | Malèna |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
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I aim the title at any who have seen this movie and had friends remind them that their mouth was hanging open as they viewed. To potential new viewers, let these remarks serve as a warning.
I will say that the musical element of the film was actually quite charming and wonderful in an absurd sort of way. It had absolutely nothing to do with the story line and initially contributed to our confusion. We soon abandoned all hope of understanding why anything occurred, but the musical interludes were always welcome.
Heaven forbid you are amongst a group or encounter others who feel the movie is worthy of analysis or discussion beyond: "What the hell was THAT all about?" It had some interesting moments, but since they never really contributed to understanding, I had to limit my rating to 3 stars.
I saw this with a large audience at the Seattle Int. Film Festival, a fairly sophisticated and accepting group of aficionados. Many still had mouths agape even as we filed out of the theater, as their disbelief and confusion was not easily overcome.