Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
Traveling dentist O'Connell traverses South America on his motorcycle for the 'Eversmile' foundation of New Jersey, in a fight not only against caries, but also against fear, ignorance, ... See full summary »
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother. As his chaotic profession steadily destroys his personal life, Guido must find a balance between creating art and succumbing to its obsessive demands. Written by
The Massie Twins
"Take It All", "Cinema Italiano" and "Guarda La Luna" were specifically written for the movie by composer Maury Yeston. The first one was nominated for an Oscar and the second one for a Golden Globe. They both lost to "The Weary Kind", by T Bone Burnett & Ryan Bingham from Crazy Heart (2009). See more »
Liliane La Fleur:
Directing a movie is a very overrated job, we all know it. You just have to say yes or no. What else do you do? Nothing. "Maestro, should this be red?" Yes. "Green?" No. "More extras?" Yes. "More lipstick?" No. Yes. No. Yes. No. That's directing.
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When I first found out that Rob Marshall was going to be making a movie version of Nine I was very excited because I knew he would be the best person to direct it because he could easily relate to the protagonist with his experience as a well known director and a women enthusiast. Also as a director he uses very creative imagery and elaborate sets to tell the story of a very specific situation, instead of just a broad scenario that happens everyday. I particularly love this style because I hate stories that I've already seen and heard a million times.
Because i felt this way about it i was shocked to hear that such a large majority of critic's thought it was so mediocre and I became hesitant to see it in fear of disappointment.
Well, I did see it and let me tell you, there was nothing mediocre about it. It was a phenomenal movie. The dances and songs were beautiful, creative and very well performed. The storyline was very fresh and it kept the viewer interested in what Guido would do next because he was such a dynamic character. The women in his life were perfectly cast and fantastically played, especially Marion Cotillard, whom I had never heard of before this movie; it's fair to say she totally rocked her role instilling in me emotions that I never even knew I had. Penelope was ridiculously sexy yet still made the viewer empathize with her character. Nicole Kidman was great as the self-confident and inspiring muse. Daniel Day-Lewis was very believable in his role as the immature child trapped inside the older man's body named Guido, as his life spins out of control as reality finally begins to catch up with him.
The main problem that critics had with this movie was that it wasn't like Fredrico Fellini's 8 1/2 on which nine was based but they shouldn't be comparing the two. This is a whole new movie and should be viewed for what it is and to me Nine is the most entertaining movie of the year and I am looking forward to seeing it again.
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