Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
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Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.
Director:
Woody Allen
Stars:
Rebecca Hall,
Scarlett Johansson,
Christopher Evan Welch
This is the film version of the Pulitzer and Tony Award winning musical about Bohemians in the East Village of New York City struggling with life, love and AIDS, and the impacts they have on America.
Director:
Chris Columbus
Stars:
Anthony Rapp,
Rosario Dawson,
Wilson Jermaine Heredia
A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves.
A young couple living in a Connecticut suburb during the mid-1950s struggle to come to terms with their personal problems while trying to raise their two children. Based on a novel by Richard Yates.
Director:
Sam Mendes
Stars:
Kate Winslet,
Leonardo DiCaprio,
Christopher Fitzgerald
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
A naive young woman comes to New York and scores a job as the assistant to one of the city's biggest magazine editors, the ruthless and cynical Miranda Priestly.
With a job that has him traveling around the country firing people, Ryan Bingham leads an empty life out of a suitcase, until his company does the unexpected: ground him.
Director:
Jason Reitman
Stars:
George Clooney,
Vera Farmiga,
Anna Kendrick
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother. As his chaotic profession steadily destroys his personal life, Guido must find a balance between creating art and succumbing to its obsessive demands. Written by
The Massie Twins
The title song "Nine" was cut from the movie. See more »
Quotes
Liliane La Fleur:
[From trailer]
Directing a movie is a very overrated job, we all know it. You just have to say yes or no. What else do you do? Nothing. "Maestro, should this be red?" Yes. "Green?" No. "More extras?" Yes. "More lipstick?" No. Yes. No. Yes. No. That's directing.
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I'd like to express my gratitude to Rob Marshall for finding a way to cinematize at least two classic Broadway musicals. I find myself hoping that the seemingly arbitrary dismissals by some critics and users of both Chicago and Nine (not to mention poor box office returns and perhaps low DVD sales and rentals) will not discourage Marshall from reaching for yet another musical. How about Sondheim's Follies? Please.
What is to dislike about the film Nine? I suppose it depends upon the viewer's expectations--a peculiarity of the dramatic arts, perhaps especially cinema. My expectations were at least 95% fulfilled. I had only a casting problem. As talented and as beautiful as Nicole Kidman may be, she does not evoke the haunting, angelic perfection of the original Claudia: Claudia Cardinale. Her beauty is, if one may say so, tough Australian, rather than ethereal Italian. But Nicole did well, as did everyone else in the film. (Is there any character Daniel Day-Lewis can't play to perfection?)
Nine says essentially the same thing 8 1/2 did: making movies based on personal, biographical visions and mistakes can absorb one artistically at the cost of "real life" relationships. It's something great directors such as Fellini, Bergman, and Scorsese just have to deal with. Thanks to Arthur Kopit, Mario Fratti, and composer-lyricist Maury Yeston, the story, the point, the dialogue expressed the theme absorbingly and intelligently.
But most of all, it was a joy to hear and see the musical numbers so faithfully presented, worked into the story, executed. As with every film adaptation of a Broadway musical, I missed some numbers that were in the show, most notably "Only With You" and "Simple". However, it was nice to hear a few new Maury Yeston songs, especially "Cinema Italiano". So, if you're expecting a musically and dramatically satisfying film version of a hit show, see Nine.
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I'd like to express my gratitude to Rob Marshall for finding a way to cinematize at least two classic Broadway musicals. I find myself hoping that the seemingly arbitrary dismissals by some critics and users of both Chicago and Nine (not to mention poor box office returns and perhaps low DVD sales and rentals) will not discourage Marshall from reaching for yet another musical. How about Sondheim's Follies? Please.
What is to dislike about the film Nine? I suppose it depends upon the viewer's expectations--a peculiarity of the dramatic arts, perhaps especially cinema. My expectations were at least 95% fulfilled. I had only a casting problem. As talented and as beautiful as Nicole Kidman may be, she does not evoke the haunting, angelic perfection of the original Claudia: Claudia Cardinale. Her beauty is, if one may say so, tough Australian, rather than ethereal Italian. But Nicole did well, as did everyone else in the film. (Is there any character Daniel Day-Lewis can't play to perfection?)
Nine says essentially the same thing 8 1/2 did: making movies based on personal, biographical visions and mistakes can absorb one artistically at the cost of "real life" relationships. It's something great directors such as Fellini, Bergman, and Scorsese just have to deal with. Thanks to Arthur Kopit, Mario Fratti, and composer-lyricist Maury Yeston, the story, the point, the dialogue expressed the theme absorbingly and intelligently.
But most of all, it was a joy to hear and see the musical numbers so faithfully presented, worked into the story, executed. As with every film adaptation of a Broadway musical, I missed some numbers that were in the show, most notably "Only With You" and "Simple". However, it was nice to hear a few new Maury Yeston songs, especially "Cinema Italiano". So, if you're expecting a musically and dramatically satisfying film version of a hit show, see Nine.