| Coyote | ... | Himself | |
| Jenny Edwards | ... | Herself | |
| John Edwards | ... | Himself | |
| John Paulsen | ... | Mr. Hands | |
| Ron Carrier | ... | The Happy Horseman | |
| Russell Hodgkinson | ... | H | |
| Tom Gormally | ... | The Polishman | |
| Forest Fousel | ... | Capitol Hill man (as Forest L. Fousel) | |
| Brad Harrington | ... | Bremerton man | |
| Andrew Scott McIntyre | ... | Military man (as Andrew McIntyre) | |
| Richard Carmen | ... | Mr. Hands' brother | |
| Ken Kreps | ... | Mr. Hand's father | |
| Malayka Gormally | ... | Mr. Hands' wife | |
| Conor Gormally | ... | Mr. Hands' son | |
| Robert Padilla | ... | The rancher | |
| Janine Rose Schweickert | ... | The rancher's wife | |
| Paul Eenhoorn | ... | Lead detective | |
| Michael J. Minard | ... | Cop #1 (as Michael Minard) | |
| Robert Power | ... | Detective #2 | |
| Melissa Albin | ... | Additional Voice Talent (voice) | |
| Jessica Aceti | ... | The Stewardess | |
| Susan M. Carr | ... | Coyote's Mother (as Susan Carr) | |
| Bob Fink | ... | Emergency room doctor | |
| Karl Holzheimer | ... | The Photographer | |
| Marjorie Maler | ... | The Unknown Girl | |
| Bill McQuaid | ... | The Hunter | |
| Don Reid | ... | The Pilot | |
| Patrick Shoe | ... | Male Nurse | |
| Patricia Watson | ... | Female Nurse | |
| Somebody's Baby | ... | Animal | |
| Jonah | ... | Animal | |
| Pete | ... | Animal | |
| Terry | ... | Animal | |
| Carson | ... | Animal | |
| Grady | ... | Animal | |
| Diesel | ... | Animal | |
| rest of cast listed alphabetically: | |||
| Rush Limbaugh | ... | Himself (archive sound) (uncredited) | |
Directed by | |||
| Robinson Devor | |||
Writing credits(in alphabetical order) | ||
| Robinson Devor | ||
| Charles Mudede | ||
Produced by | |||
| Peggy Case | .... | producer | |
| Ben Exworthy | .... | executive producer | |
| Alexis Ferris | .... | producer | |
| Garr Godfrey | .... | executive producer | |
| Megan Griffiths | .... | co-producer | |
| Daniel Katz | .... | executive producer | |
| Randy Manis | .... | executive producer | |
| Jeff Sackman | .... | executive producer | |
| Mark Urman | .... | executive producer | |
Original Music by | |||
| Paul Matthew Moore | |||
Cinematography by | |||
| Sean Kirby | |||
Film Editing by | |||
| Joe Shapiro | |||
Production Design by | |||
| Jeanne Cavenaugh | |||
Art Direction by | |||
| Alison Kelly | |||
Set Decoration by | |||
| Kimberly Diehl | |||
Costume Design by | |||
| Doris Black | |||
Makeup Department | |||
| Jennifer Popochock | .... | special makeup effects artist | |
Production Management | |||
| Joe Shapiro | .... | post-production supervisor | |
Art Department | |||
| Angelica Hesse | .... | art department intern | |
Sound Department | |||
| Ollie Glatzer | .... | sound effects designer | |
| Sam Gray | .... | adr recordist | |
| Dave Howe | .... | sound re-recording mixer | |
| Paul Matthew Moore | .... | foley artist | |
| Matt Sheldon | .... | sound mixer | |
| Vinnie Smith | .... | sound mixer | |
Camera and Electrical Department | |||
| Bob Fink | .... | still photographer | |
| Adam Forslund | .... | assistant camera | |
| Bruce Henderson | .... | key grip | |
| Teresa Hill | .... | swing | |
| Ryan Middleton | .... | key grip | |
| Sean Porter | .... | gaffer | |
| T.J. Williams Jr. | .... | Steadicam operator | |
| T.J. Williams Jr. | .... | first assistant camera | |
Editorial Department | |||
| Elisa Haradon | .... | assistant editor | |
| Tim Maffia | .... | digital color grading | |
Transportation Department | |||
| Robert Power | .... | driver: cast | |
Other crew | |||
| Carey Christie | .... | key set production assistant | |
| David Emery | .... | animal handler | |
| David Emery | .... | animal trainer | |
| Rachel Evans | .... | production coordinator | |
| Bob Fink | .... | psychiatric consultant (as Bob Fink MD) | |
| Malayka Gormally | .... | office support | |
| Elisa Haradon | .... | research coordinator | |
| Elizabeth Heile | .... | production supporter | |
| Elizabeth Heile | .... | researcher | |
| James Hopkins | .... | animal handler | |
| Robert Risdall | .... | consultant: pathology (as Robert Risdall MD) | |
| Taryn Rux | .... | location manager: pick-ups | |
| Sarena Schumacher | .... | key set production assistant | |
| Rachel Temerlies | .... | production coordinator | |
| Stacey Walters | .... | production attorney | |
| Chris Weeg | .... | key set production assistant | |
| Paul Yaeger | .... | mountain guide / production assistant | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
Please don't let the graphic title of this user-comment mislead you (I just couldn't resist writing this), as "Zoo" is in fact - everything but an exploitative and perverted excuse to finally revolve a movie on the controversial topic of bestiality. As strange as it may sound, this documentary/drama is actually very sober, tasteful and not the least bit disrespectful towards people with peculiar (to put it mildly) sexual likings. Robinson Devor, the young and clearly promising young writer/director of "Zoo", based himself on real events as they occurred in Seattle in 2005. A middle aged and divorced man died there as a result of internal bleedings after and here comes the kicker experiencing sexual intercourse with a horse. The media promptly jumped onto this story and in practically no time the authorities unraveled a small but nevertheless fanatic network of people who regularly gathered for a weekend of beer, pizza and animal sex. The "shocking" news spawned a giant debate and even some riots because apparently there weren't any laws against bestiality in the state of Washington at the time and all sorts of animal rights organizations launched hate-campaigns. Rather than to bluntly categorize the Zoos (short term for Zoophiles) as sick & twisted individuals as well, Devor's film digs a lot deeper into their pasts and personalities. The documentary primarily depicts these Zoos as confused and introverted people with a devoted affection for animals. Of course this doesn't justify their sexual preferences, but at least you don't simply label them as a bunch of perverted freaks. In the hands of any other random exploitation-filmmaker, "Zoo" probably would have existed of nothing more than images of slavering rednecks cheering and queuing to bend over in front of a horse. There isn't a single explicit shot to be found in "Zoo" and the story hardly even hints at sleaze or schlock. If anything, you almost feel like Robinson Devor is to blame for patronizing & protecting these Zoophiles too much, but then still you don't as they already suffered more than enough scandal in various other media. The narrative and filming style of "Zoo" is also quite original and refreshing. The on screen characters are, with the exception of some supportive ones, hired actors but the guiding voice-overs come from actual interviews with the real Zoos. The bitterness and noticeable martyr-tone in their voices gives a whole unique dimension of realism to the film. The photography is truly enchanting and the sober music, oh my God the music, literally sent cold shivers down my spine. Regardless of the questionable subject matter, "Zoo" is a dreamy & highly elegant film that comes with my highest possible recommendation.