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After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
After a break up, Jenny moves in with writer Kelly, her filmmaker husband, and their child. Despite a rocky start, Jenny's influence helps Kelly realize that an evolution in her life, career and relationship is necessary for her happiness.
Luke and Kate are coworkers at a brewery who spend their nights drinking and flirting heavily. One weekend away together with their significant others proves who really belongs together and who doesn't.
Follows the lives of five interconnected couples as they experience the thrills and surprises of having a baby, and realize that no matter what you plan for, life does not always deliver what is expected.
J. Todd Smith
Sarah and Jillian have been best friends for so long they can't remember when their friendship started. Growing up in the small town of Goshen, Indiana the two girls couldn't be more different. Sarah is a star pupil and athlete, a 100-watt-bulb in a five-watt-town, while Jillian is star mischief-maker, a 100lbs-of-trouble in a five-pound-bag. Although both girls long to be break free of the small-town life, Jillian is the first to act, revealing to Sarah that she has been meeting men on-line with the sole purpose of finding someone who will "take her away from this place". Soon thereafter, she disappears leaving Sarah with only a journal and a cryptic video message sent from her cell-phone. Sarah soon discovers that the town would rather forget that Jillian had ever existed. Distraught, she delves into the secrets surrounding her disappearance. Aided by, Jasper, the resident computer geek who secretly adores her, the two plunge head-long into Goshen's dark secrets -- uncovering ... Written by
Chuck Carter used a real, loaded, paint ball gun to shoot Paul Wesley in the leg, but the pressure was dialed down, and Paul Wesley had a fiberglass protective plate covering his leg. After shooting the scene, Chuck Carter said he had been very tempted to "accidentally" aim high and hit the unprotected part of his leg! See more »
When Sarah (Anna Kendrick) is in the bus, she finds Jillian's phone, and it is on. Jillian had been gone for a couple of weeks at that point, and her phone shouldn't have needed to be recharged.
A minute later she finds the phone of Janet, who had been missing for years. And still, her phone works perfectly fine, and it even has enough power to make a call. See more »
Jeez, I don't think I've gotten 500 messages my entire life!
That's because you don't have boobs Jasper.
See more »
For a few thousand $$$, they could have bought a decent script.
It seems like I spend half my time watching poorly-produced and horribly-acted movies with good stories and ideas, and the other half watching well-produced movies with zero imagination and stock story lines. "Elsewhere" falls into the latter category. The actresses (and actors) are cute and do a decent job. (Keep your eye on the "weird' girl.) The production values are quite good, with interesting, but not impressive, cinematography. The whole movie is definitely not low-budget in appearance or finish.
But the story and script are just awful...retreads of thrillers done hundreds of times before. Trust me, you'll pick out the bad guy within the first few minutes of the movie. No hints are required. There is very little tension in the movie, except for the few action sequences. Contrary to what you might expect from the tag lines, there isn't any "string" of mysterious disappearances. One girl disappears and, five years later, so does another one. The cell phone texting angle has been done many times before and much better, so no tension there. The typical (and stereotyped) red herrings abound.
Finally, towards the end of the movie, you get a scene which ought to be subtitled "Scriptwriters Got Tired Here" or "Director Couldn't Figure Out How to Film This the Right Way." Two teens try to sneak up on a farmhouse where a (potential) bad guy is sleeping by creeping through a cornfield. Since they want to be stealthy, they (of course) bring along fluorescent tube lanterns. No, nobody would notice THOSE being carried through a completely dark cornfield at night, would they? And who would ever notice the bright light coming form the completely unlit barn when the kids finally get there? Unfortunately, this is typical of the writing in this film.
Well-made, but still pretty worthless and unexciting.
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