| Videos (see all 3) |
| Tom Sizemore | ... | Vince Stoker | |
| Wendy Anderson | ... | Krendal | |
| Richard Fitzpatrick | ... | Charles Deaver | |
| Amber Cull | ... | Sam | |
| Martin Roach | ... | Otis | |
| James Binkley | ... | Nathaniel Leech | |
| Simon Northwood | ... | Wilkes | |
| Philip Akin | ... | Sarge | |
| Tig Fong | ... | Tae Seng | |
| Joe Dinicol | ... | Callum | |
| Greg Campbell | ... | Doctor | |
| Chasing Mercury | ... | Themselves |
Directed by | |||
| Randy Daudlin | |||
Writing credits(in alphabetical order) | ||
| Randy Daudlin | ||
Produced by | |||
| Erin Berry | .... | producer | |
| Patrick Cameron | .... | producer | |
| Harvey Glazer | .... | producer | |
| Kate Harrison | .... | executive producer | |
| Gary Howsam | .... | executive producer | |
| Jeff Wilson | .... | line producer | |
| Robert Wilson | .... | producer | |
Original Music by | |||
| Ryan Latham | |||
Cinematography by | |||
| David Mitchell | |||
Film Editing by | |||
| Eduardo Martinez | |||
Casting by | |||
| Dean E. Fronk | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Andrew Berry | |||
Art Direction by | |||
| Lyle Jobe | |||
Costume Design by | |||
| Christine Terris | (as Christine A. Terris) | ||
Makeup Department | |||
| Graham Chivers | .... | special makeup effects artist | |
| Graham Chivers | .... | special makeup effects shop foreman | |
| Jason Detheridge | .... | prosthetics technician | |
| Carlos Henriques | .... | prosthetics | |
| Kevin Hutchinson | .... | special makeup effects artist | |
| Daniel Lee | .... | key makeup artist | |
| Daniel Lee | .... | key prosthetics | |
| Jason Lee | .... | special makeup effects technician | |
| Ryan Louagie | .... | special effects makeup builder | |
| Josh Mifflin | .... | prosthetics trainee | |
| Whitney Sellors | .... | assistant hair stylist | |
| Whitney Sellors | .... | assistant makeup artist | |
Production Management | |||
| Francis Mitchell | .... | assistant production manager | |
| Deanna Strong | .... | post-production supervisor | |
| Scott Walling | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Kevin Hennelly | .... | third assistant director | |
| Szonja Jakovits | .... | second assistant director | |
| Brandon Tataryn | .... | second assistant director | |
| Jason M. Washington | .... | first assistant director | |
| Brad Wetherly | .... | trainee assistant director | |
Art Department | |||
| Scott Elwood | .... | set dresser | |
| Chris Irvine | .... | set designer | |
| Greg Kleynhans | .... | key scenic artist | |
| Anthony Morassutti | .... | head carpenter | |
| Bruno Tempera | .... | property master | |
Sound Department | |||
| David Caporale | .... | assistant sound | |
| Stefan Fraticelli | .... | foley artist | |
| Ofer Geva | .... | boom operator | |
| Barry Gilmore | .... | supervising sound editor | |
| Francisco Koch | .... | adr mixer | |
| Colin McLellan | .... | adr recordist | |
| Jason Perreira | .... | re-recording assistant | |
| Scott Shepherd | .... | sound re-recording mixer | |
| Mike Woroniuk | .... | sound re-recording mixer | |
Special Effects by | |||
| Graham Chivers | .... | sculptor | |
| Mike Emiglio | .... | animatronic technician | |
| Jonathan Graham | .... | special effects | |
| Carlos Henriques | .... | special makeup effects | |
Stunts | |||
| John Stead | .... | stunt coordinator | |
| Steve Wilsher | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Craig Cooper | .... | first assistant camera | |
| James Teevan | .... | assistant camera | |
| Sean Thompson | .... | electrician | |
Costume and Wardrobe Department | |||
| Sabrina Horlyck | .... | wardrobe supervisor | |
| Wing Lee | .... | wardrobe assistant | |
Editorial Department | |||
| Mila Patriki | .... | final colorist | |
Music Department | |||
| Ursula Campbell | .... | music supervisor | |
Transportation Department | |||
| Scott Walling | .... | transportation coordinator | |
Other crew | |||
| Tanya Beach | .... | assistant production coordinator | |
| Ursula Campbell | .... | unit publicist | |
| Marilyn Jang | .... | assistant production accountant | |
| Melanie Orr | .... | script supervisor | |
| Christopher Warre Smets | .... | story editor | |
| Ron White | .... | production assistant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Canada section |
A maintenance crew headed by Tom Sizemore goes into an abandoned hospital to look for old equipment to sell to collectors. But a multi-millionaire has a scientist in the catacombs under the hospital, who has developed a serum to cause rapid regeneration and cellular growth. The scientist, who has taken the serum, is finding the results to be a bit more extreme than expected.
For my beef with 235 films (who produced this), see my review for "The Mad". This film's selling point was easy to identify as soon as I picked it up: it has Tom Sizemore in it. And, hey, I like Tom Sizemore (rent "Lock Up" with Sylvester Stallone) so this seems like something worth checking out.
That selling point is about as far as you can get with this one. You have a very one-dimensional millionaire who survives a fire. A creature in a tunnel who becomes part rat and part dog. A bum who is apparently a Rastafarian. These things mix well, surprisingly, but only in the most absurd sense of the word "well". It's just a lot of strange things going on.
The crew's background is in makeup, and it shows. There is a scene where they chop off a guy's fingers that was alright, and the creature is especially slimy. But the creature is just poorly conceived: in horror, there needs to be a balance of how much you do and do not show a monster. Here, they couldn't decide to show him too little (much of the film is almost pitch black) or too much (making him seem somewhat dumb).
I'd be lying if I said I didn't enjoy this film. I did. But the actors were nothing special, I didn't care about the characters, and Sizemore is either doped up or washed up in this film. Maybe he's not doped up. But whatever the case, he just looked old and tired. I can't have my hero looking like he wants to drink a six-pack of Coors Original (the Banquet Beer), smear Dorito orangeness on his chest and pass out watching NASCAR. This Sizemore didn't even have enough energy in him to pass gas.
I guess this isn't really telling you what you need to know, but there's really nothing to know: bad hero, weak monster, fake secondary characters. Unless your goal is to just get drunk or high and need something on the screen to move every so often, this isn't going to thrill you. If you want a good underground monster, rent "Tremors" or "CHUD".