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Baby Mama (2008)

PG-13  |   |  Comedy, Romance  |  25 April 2008 (USA)
6.1
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Ratings: 6.1/10 from 30,619 users   Metascore: 55/100
Reviews: 94 user | 145 critic | 34 from Metacritic.com

A successful, single businesswoman who dreams of having a baby discovers she is infertile and hires a working class woman to be her unlikely surrogate.

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Title: Baby Mama (2008)

Baby Mama (2008) on IMDb 6.1/10

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1 win & 4 nominations. See more awards »

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This is the story of a marketing man and his shrink. A suicide attempt and a softball game; A PHD-toting stripper and a deranged Desert Storm vet; A giant sparerib costume and the world's ... See full summary »

Director: Lawrence Blume
Stars: Ian Roberts, Matt Walsh, H. Jon Benjamin
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Cast

Cast overview, first billed only:
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Rob
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Dan
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Stroller Salesman
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Storyline

Successful and single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she's finally determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate. Simple enough ... After learning from the steely head of their surrogacy center that Angie is pregnant, Kate goes into precision nesting mode: reading childcare books, baby-proofing the apartment and researching top pre-schools. But the executive's well-organized strategy is turned upside down when her Baby Mama shows up at her doorstep with no place to live. An unstoppable force meets an immovable object as structured Kate tries to turn vibrant Angie into the perfect expectant mom. In a battle of wills, they will struggle their way through preparation for the baby's arrival. And in the middle of this ... Written by Universal Pictures

Plot Summary | Plot Synopsis

Taglines:

Would you put your eggs...in this basket? See more »

Genres:

Comedy | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for crude and sexual humor, language and a drug reference | See all certifications »

Parents Guide:

 »
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Details

Country:

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Release Date:

25 April 2008 (USA)  »

Also Known As:

Bébi mama  »

Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend:

£111,945 (UK) (25 July 2008)

Gross:

£111,945 (UK) (25 July 2008)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Amy Poehler had her residence in Los Angeles professionally childproofed by the real Boo Boo Busters. See more »

Goofs

Kate clearly has a Motorola Razr phone, but every time it rings or receives a text, sounds from a Palm Treo can be heard. See more »

Quotes

Kate Holbrook: I'm sorry, I'm a little overly thorough. Some people would say that I am bossy and controlling.
Rob: No, that's just prejudice. They call you bossy and controlling because you're a woman. But if you were a man doing the same stuff... you'd just be a dick.
See more »

Connections

Spoofs Lost in Translation (2003) See more »

Soundtracks

Hey Ladies
Written by Barbarella Bishop, Mike D (as Michael L. Diamond), Matt Dike (as Matt W. Dike), Ronald Ford, Adam Horovitz, John Robert King, Garry Shider (as Garry Marshall Shider), Linda Shider, Michael Simpson (as Michael S. Simpson), Larry Troutman, Roger Troutman, and Adam Yauch (as Adam Nathaniel Yauch)
Performed by Beastie Boys
Courtesy of Capitol Records
Under license from EMI Film & Television Music
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
My avatar is dressed like a whore…Baby Mama
22 April 2008 | by (buffalo, ny, usa) – See all my reviews

Say what you will about the marketing machine, but I truly think the people behind promoting Baby Mama did a bang up job…even if I believe they did so without trying. They make expectations so low in the trailer that you almost have to enjoy the film. Was it a great comedy? No. However, it was much better than I ever could have hoped as Michael McCullers takes us places you never would expect going in. I thought that it would be a water-downed, overlong SNL skit with one woman asking another to carry her baby, leading to a generic odd couple pairing with hijinks and gags piling on top of each other, collapsing under its own weight. Instead we are treated to a pretty sentimental and touching portrait of two women learning to grow and evolve with help from the other, a person, in both regards, that they never would have thought could teach them anything. Even the pregnancy aspect takes a ton of twists and turns never becoming the straight shot gimmick just bringing everyone together. The surrogate mother here must make some tough decisions as she continues along on her journey, lending a side to the tale that actually brings it to a level of intrigue that no Lorne Michaels film has done in recent memory.

I don't want to ruin the plot points of Angie Ostrowiski's pregnancy, but let's just say it isn't cut and dry. Her motives aren't genuine, something that is obvious from the start, just not quite in the way you anticipate. There are surprises for her and secrets hidden from the other characters as she wrestles within herself. A "white-trash" loser, attached to a man that believes waiting on the phone to be the 132.7 caller is a job, Angie learns a lot while with mom-to-be Kate Holbrook. Kate, being the professional VP of an organic food market, is a very detail orientated woman who is by the books and unafraid to tell others what they should do. It is an oil and water connection, but—like all good relationships of this kind—breeds some real funny and touching moments. Who thought watching Karaoke on the Playstation could be so much fun? Sure many instances feel like skits written separately and plugged in later, (the clubbing while pregnant, the press conference ambush, and the surrogate therapy session—probably the funniest scene without question), but they are surprisingly strung together to make a pretty coherent whole.

The other thing that the trailer hides is the inclusion of two great male roles. Did anyone know that Greg Kinnear and Steve Martin were in this thing? I for one was completely surprised by both, almost chuckling that they would have a small cameo until I realized that both were key roles to the whole. In the best turn of the film, Steve Martin is crazy, hippie genius. His earthy style of living, complete with long ponytail and soft speech, even when angered, is classic, as is everything uttered from his mouth. He is so good that I would be thrilled to have him offer me 5 uninterrupted minutes of staring into his eyes as a reward for a job well done. For Kinnear's part, he plays the usual love interest that is commonplace in films of this ilk. It's not flashy and it's not very original, but Greg is a stalwart and pulls off the good guy persona, even including a little bit of physical humor at the end.

Overall, though, this film is pretty standard fare. It goes into very broad comedy at times and very sappy/overly-sentimental drivel at others. There are some good jokes sprinkled throughout and for the most part keep it fun for the duration. Definitely feeling longer than it is, I never quite felt bored and I did begin to get invested in the story to see how it all would turn out. A lot of that can be credited to the chemistry between Tina Fey and Amy Pohler as Kate and Angie respectively. Both these women do a great job with their roles, fleshing out the psychotic relationship to perfection. One of the successful dynamics is how Fey becomes a mother figure to her surrogate. Even going so far as having temper tantrums and rubber-faced reactions, Pohler is a child.

It's also nice to see some fun moments from the supporting cast, but again nothing really sticks out to vault anything into must see territory. Sigourney Weaver is actually kinda scary in a very weird role; Romany Malco has plenty of great one-liners and facial expressions; and John Hodgeman is a bit odd in a small bit, with laughs coming more from the recognition of his Mac commercials than anything he does in the film. In the end, while nothing over-achieves, it all adds up to a pretty solid comedy worth a view. Is it necessary to see on the big screen? Probably not, but if you were worried that it might be a train-wreck, just know that it never takes any chances to risk derailing, and that's not a bad thing.


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