A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A couple lose their young son when he falls out of a window while they are having sex in another room. The mother's grief consigns her to hospital, but her therapist husband brings her home intent on treating her depression himself. To confront her fears they go to stay at their remote cabin in the woods, "Eden", where something untold happened the previous summer. Told in four chapters with a prologue and epilogue, the film details acts of lustful cruelty as the man and woman unfold the darker side of nature outside and within. Written by
Peter Brandt Nielsen
Lars von Trier: [Hypnosis] On the train prior to entering Eden, 'She' is hypnotized by 'He' as part of her therapy. See more »
I'm going call it a continuity 'goof' even though it doesn't 'break the spell' of this movie (as if anything could!). When we first see the articulate, autophagic fox face to face it is wearing a collar with a bell hanging from it. See more »
Exposure. That's the only thing that works. Everything else is just talk. You have to have to courage to stay in the situation that frightens. And then you'll learn that fear isn't dangerous.
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Within a complex tapestry of theology and symbolism Lars Von Trier's Antichrist plums the depths of the human condition taking cinema to places it has never gone nor ever wanted to go before. Following the establishing tragic accident (their son falls out of a window while they make love) He and She journey out to Eden, a remote lodge in the woods, for therapy where their lives and souls are changed forever. Far from a traditional horror film LVT gives us the darkest of psychological works that starts with shock before travelling down the spiral through grief, despair and panic ending in travesty. Gainsbourg and Defoe take us there, they carry the film on their monumental performances - Gainsbourg gives everything physically and emotionally to her role, while Defoe's character's grip on intellectualism is unrelenting. With death and depression permeating every frame of the film it has to be said that much of what is seen is stunningly beautiful - i really cant overstate the quality of the cinematography; at the same time the hauntingly evocative sound design adds that much needed 3rd dimension of pure evil that finishes off the work perfectly. It says and shows many disgusting things about humanity, but does so with such purity of vision, such artistic conviction that i found it totally irresistible. Not a film i'd want to see again in a hurry but certainly one i'm thankful i've experienced - it pushes the envelope in hitherto unforeseen ways that will probably affect film as a medium for years to come. If nothing else, i hope it helped LVT's recovery.
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