A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
A couple lose their young son when he falls out of a window while they are having sex in another room. The mother's grief consigns her to hospital, but her therapist husband brings her home intent on treating her depression himself. To confront her fears they go to stay at their remote cabin in the woods, "Eden", where something untold happened the previous summer. Told in four chapters with a prologue and epilogue, the film details acts of lustful cruelty as the man and woman unfold the darker side of nature outside and within. Written by
Peter Brandt Nielsen
When the filming started, Lars von Trier had just left a mental hospital where he stayed for two months, receiving treatment for depression. He had not completely recovered at the time and was even unable to operate the camera as he usually does, which made him very frustrated. He repeatedly excused himself to the actors for being in the mental condition he was, but, according to him, the actors supported him and throughout production, he did not experience any grave problems, except for his own condition. See more »
When the baby falls from the window at the start of the film, we see him standing on the windowsill looking out onto the street before it cuts to him falling, looking into the house, as if he were to have turned 180 degrees in virtually no time at all. See more »
Oak trees grow to be hundreds of years old. They only have to produce one single tree every hundred years in order to propagate. May sound banal to you but it was a big thing for me to realize that when I was up here with Nic. The acorns fell on the roof vent. They kept falling and falling. And die and die. And I understood that everything that used to be beautiful about Eden was perhaps hideous. Now I could hear what I couldn't hear before. The cry of all the things that are to die.
See more »
First I have to make a comment to cynibun from United States who wrote "And if you look at the previous reviewers they are from Denmark, where the director is from. Perhaps you have to be Danish to appreciate the horrific torture pornography, who knows??... Americans have more sense thankfully, and do not call everything art simply because the director is foreign." I have no idea why it should matter where the other reviewers are from. That has nothing to do with "Antichrist" as a film. Some like it and some don't, no matter what country they are from. If I don't like an American film I don't go out and bash on reviewers from America and then state that Danes have more sense - what's that all about? Sense of what? Personally I don't think it makes much sense making movies like "American Pie" or "Hannah Montana", but hey, they produce the films anyway - maybe because they have more sense. Hannah Montana makes a LOT of sense... And you don't have to come from Denmark to like "Antichrist" (though it is a very constructive statement), I'm guessing there is one or two people from Russia or Poland who likes the film also...
Back to Lars Von Trier and "Antichrist". First of all - I don't know why everybody keeps saying this film is a gore fest. "Uhhh it's so brutal, violent and extremely gory". What? Okay, there's more blood than in "Hannah Montana" but if "Antichrist" is a sick and gory film, I don't know what you would call films like "Ichi The Killer", Naked Blood", "Inside" and "Audition"? There is more blood/gore in "Se7en" than in "Antichrist" (or maybe the same amount), so I don't know what all the fuzz is about... Anyway... I loved the film!!! When I left the theater I didn't know quite what to think, but it grows and becomes better and better. It's a fantastic work of art, the cinematography by Anthony Dod Mantle is amazing and the whole feel of the film is both beautiful and scary at the same time. Willem Dafoe is at his best in this one.
I guess you have to have an open mind when watching this. The film does not give any answers and is rich on symbolism - guess one could call it "experimental horror-drama". Lars Von Trier is back in his hypnotic visual style and mindfuc*ing storytelling, and this is where he is best! Not a film for the mainstream audiences, but I recommend it if you have an open mind and want something new and different, and have (almost) as much sense as Americans.
464 of 747 people found this review helpful.
Was this review helpful to you?