A woman on the run from the mob is reluctantly accepted in a small Colorado town. In exchange, she agrees to work for them. As a search visits town, she finds out that their support has a price. Yet her dangerous secret is never far away...
A film director and a script writer (performed by Lars von Trier and Niels Vørsel themselves) write a screenplay, in which an epidemic spreads about the whole world. Like the protagonist ... See full summary »
A couple lose their young son when he falls out of a window while they are having sex in another room. The mother's grief consigns her to hospital, but her therapist husband brings her home intent on treating her depression himself. To confront her fears they go to stay at their remote cabin in the woods, "Eden", where something untold happened the previous summer. Told in four chapters with a prologue and epilogue, the film details acts of lustful cruelty as the man and woman unfold the darker side of nature outside and within. Written by
Peter Brandt Nielsen
Lars von Trier regarded his post-depression version of the script as some kind of an exercise for himself, to see if he had recovered enough to be able to work again. Trier has also made references to August Strindberg and his Inferno Crisis in the 1890s, comparing it to his own writing under difficult mental circumstances: "was Antichrist my Inferno Crisis?" See more »
In the end titles, George Frideric Handel's piece "Lascia ch'io pianga" is wrongly listed as "Laschia ch'io pianga". See more »
This movie is violent and very sexually graphic, bordering at times on artistic but hardcore pornography; but it isn't lurid for the sole purpose of scandal. "Gory" appropriately describes some sections of this film but the word by no means encapsulates it.
If one is willing to stomach the periodic revulsion of watching this movie from beginning to end with a thoughtful and mature perspective they will find that it is full of symbolism, foreshadowing, and the kind of characterization that brings great success to novels. Few movies, in fact, possess the level of depth that Antichrist does. The movie isn't packed with moral insight but that doesn't preclude it from being intellectually engaging and, as a consequence, genuinely entertaining. One will also realize that the violent and sexual content is never pure excess. The gory scenes, though sickening, are always important in some way to the main themes of the movie.
At several points during the course of this film I couldn't help but rewind it to watch a scene again, discuss it in greater depth with my friends, attempt to extricate the finer details that are present in abundance both at the surface and underneath.
To anybody that tries to berate this movie as the deranged product of excessively liberal foreigners I must point you to movies like Saw, which drew American crowds young and old for numerous sequels that were basically just series' of elaborate and gruesome torture scenes, sometimes clever but never much more than that.
There is more to Antichrist than meets the eye, and I highly recommend it to anybody looking for a horror/suspense film that engages more than just the reptilian parts of the brain.
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