A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A couple lose their young son when he falls out of a window while they are having sex in another room. The mother's grief consigns her to hospital, but her therapist husband brings her home intent on treating her depression himself. To confront her fears they go to stay at their remote cabin in the woods, "Eden", where something untold happened the previous summer. Told in four chapters with a prologue and epilogue, the film details acts of lustful cruelty as the man and woman unfold the darker side of nature outside and within. Written by
Peter Brandt Nielsen
When the filming started, Lars von Trier had just left a mental hospital where he stayed for two months, receiving treatment for depression. He had not completely recovered at the time and was even unable to operate the camera as he usually does, which made him very frustrated. He repeatedly excused himself to the actors for being in the mental condition he was, but, according to him, the actors supported him and throughout production, he did not experience any grave problems, except for his own condition. See more »
In the end titles, George Frideric Handel's piece "Lascia ch'io pianga" is wrongly listed as "Laschia ch'io pianga". See more »
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DON'T call this pretentious. It's just legitimate ART!
First, let me just say that although I consider Antichrist a 5 star film - I understand that it's not for everyone. It's pretty clear why most people would not enjoy it.
First of all, it is entirely a piece of art. Most people don't pick up movies hoping for what could be considered a painting which just happens to be moving, for an hour and 40 minutes. But, that's how I see this movie and I personally appreciate art films more than mindless "entertainment" (ala explosions, fast cars - and worst of all - characters who are seemingly unable to have conversations with any depth or personality in general). You have an open mind and a certain amount of depth to appreciate this movie.
Second, the amount of explicit sex and violence brings modern film to a new height... And based off of what you read about this movie, it's clear that MOST people cannot handle it (Hundreds walked out of the early film festival showings earlier this year). Understandably. I haven't had my hand over my mouth, fighting so hard to keep looking at the theater screen...probably in all my life.
I have NEVER seen such grotesque violence involving genitalia in a serious movie... only Troma movies and the like. We're talking straight up trash art. But this movie is anything but trash art - There are big brains behind it, insane theories and thoughts, and one of the most well acclaimed directors of our time in control of it all.
It pisses me off when so many people try to call the movie pretentious
since when is flat out getting creative and doing what you want to
do, and expressing things the way you feel them as a director... since when is that pretentious??? We need to appreciate the small amount of legit directors who are still making art films and getting them into theaters... Soon, actual personality in film will be extinct if the industry keeps heading in the direction it is...
Willem Dafoe and Charlotte Gainsbourg easily carry the entire film almost completely on their own. They don't have too much of a personality but it's because they're not supposed to - they are just vessels or bodies, representing the terrible emotions they are feeling as they try to recover from the grief felt by the death of their only child. Not only emotions... but even more so, they represent human nature and how it causes us to react to terrible things - and the fact that there is nothing we can do about it...
OK... I'm getting carried away already. I could go on and on.
Antichrist may genuinely be the darkest, most morbid film I have ever seen. It's definitely the most brutal. It's easily the most horrifying experience of the year. If you're smart, Antichrist will scar you.
The feeling of dread was unbearable. I haven't felt so effected in a long time.
Antichrist is completely worthy of it's name. It's pure evil. And I love it.
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