An investigation of the massacre of 24 men, women and children in Haditha, Iraq allegedly shot by 4 U.S. Marines in retaliation for the death of a U.S. Marine killed by a roadside bomb. The movie follows the story of the Marines of Kilo Company, an Iraqi family, and the insurgents who plant the roadside bomb.
Nick Broomfield's second documentary on Aileen Carol Wuornos, a highway prostitute who was executed in 2002 for killing six men in the state of Florida. This second installment includes the filmmaker's testimony at Wournous's trial.
From the award-winning Director, The Leader, His Driver, and the Driver's Wife portrays the sinister and comic sides of Eugene Terre'Blanche, leader of the neo-Nazi AWB Afrikaner Party in South Africa.
Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. ... See full summary »
Both uproaringly funny and unerringly cautionary, Broomfield's behind-the-scenes document of the making of a musical becomes a ceremonious unmaking-of as egos, budgets and general calamity ... See full summary »
Set in Liverpool in 1979, this documentary follows the tenants of a housing estate as they go about their everyday lives, leading up to going on rent. We get a glimpse of the human struggle behind a national scandal.
Six Greenpeace volunteers in 2008 were tried and acquitted for shutting down Kingsnorth power station in the UK. This was in protest at the government's plans to build a new generation of ... See full summary »
In November 2005, US Marines fell into an ambush by Iraqi insurgents and one officer got killed. The reprisals by the the Americans were frightening, resulting in the massacre of 24 people, many of whom women and children. "Battle for Haditha" is the faithful account of this tragic event which scandalized the world. Written by
The film was shot in an unconventional way whereas instead of a detailed script, there was only an outline of each scene and where the story was going. Actors would then improvise much of the dialogue based on director Nick Broomfield's instructions. See more »
All of the U.S. Marines are wearing PASGT helmets, although in the time period that the movie takes place in (late 2005), the PASGT helmet had largely been replaced by the LWH helmet for front-line USMC personnel. See more »
Nick Broomfield Is The Perfect Antidote To Michael Moore
It wasn't until very recently that I'd heard of Nick Broomfield and realised he made a couple of documentaries in the early 1980s that I still vividly remember namely SOLDIER GIRLS and THE CHICKEN RANCH . Knowing this I then made a point of catching his recent docudrama GHOSTS about the drowning of 23 illegal Chinese immigrants at Morcombe Bay . I was expecting it to be one of those " blame whitey " polemics , but this is not how it turned out at all with the Chinese gang master being one the most despicable and immoral villains I've seen on the screen in a long time . With this I mind I made a point of buying a ticket for Broomfield's next dramatic venture THE BATTLE OF HADITHA which was being shown at the Edinburgh filmhouse with a Q & A session being held after the showing . Despite the filmhouse brochure proclaiming that this was an even handed film with the marine characters exclusively played by former marines , there was a slight doubt at the back of my mind that we'd be watching guardinista / Michael Moore inspired anti military , anti American rubbish where the Americans are goose stepping Nazis while the Iraqis are entirely peace loving pacifists
I needn't have worried because Broomfield has made a film that will be remembered as being the moral and artistic yardstick as to how other films dealing with the conflict will be judged . Whatever your opinion of the invasion of Iraq ( I like the vast majority of Brits was against it ) there is no way you can heap criticism on TBOH for being pro or anti propaganda for either side . Sure it's anti war but does point out the dangers and frustration faced by both serving soldiers and innocent civilians in a war zone . If there is any type of villain it's probably Al Qaeda itself . Certainly Broomfield deserves congratulations for making a very subtle point that there's a difference between indigenous secular Sunni insurgents who are fighting for their country and those outsiders who want to turn Iraq in to an Islamic theocracy . This probably works best in the scene where the Iraqi insurgent breaks down in tears saying he wished he'd never planted the bomb that leads to the massacre while the sheik rejoices with barely concealed glee that this is a wonderful propaganda coup for Iraq , the more civilians killed by the occupation forces means more recruits for Al Qaeda
If I do have any artistic problems with the mis-en-scene it's that some of the acting is different from what an avid cinema goer is used to . This is in no way a criticism because much of the acting is powerful especially Elliot Ruiz as Cpl Rameirez , even more amazing when you consider there's very few professional actors cast . It's just that when you're very used to life long lighter than life or larger than life performances by ( Insert well regarded big name actor here ) you are slighter aware how different the acting is from what you usually see . Let me repeat though that it's not a real criticism
Respect too to Mr Broomfield for giving a very informative Q & A session after the showing where he was once again very even handed . He did talk a lot of sense where he said that in his humble opinion it should be Bush and Blair who should be on trial instead of the marines which led me to start a round of applause and that peace is coming to Iraq down to the fact that foreign Jihidists are murdering many Iraqis just for the sake of it . He did trip himself up later during the session when he claimed that " Britain and America spent several years arming both sides during the Iran - Iraq war " which led to me shouting " RUBBISH " but there were no hard feelings on either side and I genuinely look forward to Nick's next contribution to narrative cinema . Come to think of it if a Brit can make something so even handed why do we have to endure offensive Anglophobic garbage coming out of Hollywood studios like THE PATRIOT and THE DEVIL'S OWN ?
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