| Photos (See all 11 | slideshow) | Videos (see all 5) |
| Linus Roache | ... | Henry Moores | |
| Rahul Bose | ... | T. K. Neelan | |
| Nandita Das | ... | Sajani | |
| Jennifer Ehle | ... | Laura Moores | |
| Leopold Benedict | ... | Peter Moores | |
| rest of cast listed alphabetically: | |||
| Dr. Ambikathmajan | ... | T.K.'s Headmaster | |
| Indrajith | ... | Manas | |
| Lakshmi Krishnamurthy | ... | T.K.'s mom | |
| Lal | ... | Rajat (as Lal Paul) | |
| John Standing | ... | Charles Humphries | |
| Thilakan | ... | T.K.'s Father | |
| Ejji K. Umamahesh | ... | Inspector Sampath | |
Directed by | |||
| Santosh Sivan | |||
Writing credits(WGA) | ||
| Cathy Rabin | (screenplay) | |
| Dan Verete | (2001 film "Asphalt Zahov") (as Dany Vert) | |
Produced by | |||
| Mark Burton | .... | producer | |
| Steven Cohen | .... | associate producer | |
| Howard Frumes | .... | executive producer | |
| Paul Hardart | .... | producer | |
| Tom Hardart | .... | producer | |
| Doug Mankoff | .... | producer | |
| Pauline Piechota | .... | co-producer | |
| Ashok Rao | .... | executive producer | |
| Mubina Rattonsey | .... | co-producer | |
| Andrew Spaulding | .... | producer | |
| Jessica Stamen | .... | co-producer | |
| Milind Vereker | .... | line producer | |
| Jane Villiers | .... | executive producer | |
| Amotz Zakai | .... | co-producer | |
Original Music by | |||
| Mark Kilian | |||
Cinematography by | |||
| Santosh Sivan | (director of photography) | ||
Film Editing by | |||
| Steven Cohen | |||
| A. Sreekar Prasad | |||
Casting by | |||
| Daniel Hubbard | (as Dan Hubbard) | ||
Production Design by | |||
| Sunil Babu | |||
Costume Design by | |||
| Satheesh S.B. | (as S.B. Satheesan) | ||
Production Management | |||
| Ian Kennedy | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Kamal K.M. | .... | first assistant director (as Kamal Mohammed) | |
| Ritesh Menon | .... | second second assistant director | |
Sound Department | |||
| Caoimhe Doyle | .... | foley artist | |
| Brian Dunlop | .... | assistant sound editor | |
| David Esparza | .... | supervising sound effects editor | |
| Robert Jackson | .... | supervising dialogue editor | |
| John Ross | .... | sound re-recording mixer | |
| Paul Schwartz | .... | sound mixer | |
| Leslie Shatz | .... | supervising sound editor | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer | |
| Don White | .... | foley recording mixer | |
Visual Effects by | |||
| Rachel Clement | .... | digital cleanup artist | |
Camera and Electrical Department | |||
| Alphonse Roy | .... | second unit photographer | |
| Anjuli Shukla | .... | first assistant camera | |
Casting Department | |||
| Kelly Valentine Hendry | .... | casting associate | |
Editorial Department | |||
| Dennis Little | .... | digital intermediate production coordinator | |
| Jon Pehlke | .... | on-line editor | |
| Sarah Priestnall | .... | production supervisor: digital intermediate | |
| Steven Ramirez | .... | assistant editor | |
| Kurt Tuffendsam | .... | digital intermediate project manager | |
Music Department | |||
| Marcus Barone | .... | producer: soundtrack album | |
| Christine Bergren | .... | music clearances | |
| Roman Kovalik | .... | assistant to composer | |
| Jonathan Schultz | .... | score consultant | |
| Matt Shelton | .... | music editor | |
| Casey Stone | .... | music scoring mixer | |
Other crew | |||
| Prince Bagdasarian | .... | film and high definition coordinator | |
| Maryann C. Fondulas | .... | u.s. accountant | |
| J.P. Pettinato | .... | production consultant | |
| Arturo Lopez Uscanga | .... | scanning manager | |
Thanks | |||
| Ivan Padmachandran | .... | thanks | |
| Alpita Patel | .... | special thanks | |
| Vijay Venkataramanan | .... | thanks | |
|
|
|
|
|
| Australia | The English Patient | The Painted Veil | Bitter Moon | Atonement |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I had to hunt down where this film was playing - it was 70 miles away and I took a road trip to go catch it. The reviews have been so good, it is made by Sivan, has Nandita Das AND Rahul Bose so it seemed well worth the effort. Unfortunately I feel really let down by the film. It seems specifically made to cater to a Western audience and is less Indian than Darjeeling Limited! Sivan tells an engaging enough tale that the 90+ minutes do not hang heavy on your hands but the characters are not well etched at all. I went in expecting an Indian Ink (Stoppard) or a Passage to India (EM Forster), at the very least I was hoping for a Heat and Dust, but this is lower than that Ruth Praver Jhabvala fare.
Nandita Das plays Sajani, a woman who works as maidservant to the Moores family headed by Linus Roache as Henry Moores. While the wife (Jennifer Ehle) and son are away, Henry gets into an adulterous love affair with Sajani. With the help of TK, a local village man who is English educated, Henry is trying to build a road to improve the spice trade. Sajani is married to a brutish fellow, he does find out and all hell breaks loose. There is the obligatory tragic ending but you watch it from the outside with clinical detachment. The white man is a spineless fellow, the white woman a large hearted up-standing woman (like the white women in Lagaan, RDB).
Nandita Das has a meaningless role that she cannot sink her teeth into, Rahul Bose is equally wasted in the role of a man who is neither fish nor fowl, but caught between two cultures. So much could have been made of this character. Linus Roach plays the gutless white man exceedingly well, you hate him and yet you also know where he is coming from. Jennifer Ehle is wonderful in a small role as the woman full of empathy.
What Sivan does best is showcase the canvas, the photography is absolutely stunning. The locales are full of magic and every shimmering dew drop, the frog jumping into the pond, the mist rising from the tree tops, is all magically captured by his lens. Where he loses out is in etching the characters better, and having more to the story itself. This is a thin tale. He also fails at extracting the best from his stellar cast. Western audiences will love this tale of "forbidden love" - parts of it more graphically shown than we are used to seeing, the spineless British man, the Indian man learning the gentleman's game from the gentleman Henry, and in fact out-gentlemaning Henry in the end. I am sure they will also find most interesting some of the bizarre and arcane rituals that the "tribals' were practicing! I am disappointed because this one could have been so much more.