A tender fable about childhood innocence amid the realities of war is set against the rugged landscape of Kashmir, so long a flash point for the territorial claims of neighboring India and ... See full summary »
Ashok runs a family business that sells takeout food that also has a video rental store at the side. Ashok's extended family includes his wife Radha, his brother Jatin, their ailing mother ... See full summary »
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
The circularity of violence seen in a story that circles on itself. In Republic of Macedonia, during war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of ... See full summary »
The movie tells the story of the bandit queen Phoolan Devi who was sent to prison in 1983 and got free in 1994. During five years she was prosecuted by the Indian police and turned into a ... See full summary »
Malayalam-speaking T.K. Neelan, Rajat, Manas and his sister, Sajani, live in Kalpetta Township in Kerala, India, during the British Raj. As children they used to play in the woods where Manas and T.K. used to play Bhagwan Shri Ram and Shri Lakshman respectively, and rescue Sita (Sajani) from Lord Ravan's (Rajat) clutches. Now the year is 1937, all are grown up, while Manas is a laborer, Sajani is married to Rajat, and T.K. works for his British employer, Henry Moore, who lives there with his wife, Laura, and their son, Peter. Sajani is also employed as a maidservant in the Moore household. T.K.'s headmaster asks him to join the freedom movement and ask the British to quit India, but T.K. feels that India has made a lot of progress under the British rule and they should continue with this partnership. His headmaster cautions him that partnership is only between equals, but T.K. disregards this, and it is this attitude that will compel him to re-examine his way of thinking when he finds... Written by
The story takes place in 1937, but the pickup truck seen throughout the film is a 1950's Jeepster truck. See more »
T. K. Neelan:
Sahib, we will have to change course again.
This has got to be the damnedest crookedest road in the Crown!
T. K. Neelan:
Oh, definitely. But it will be here after monsoon. A straight road would slide away.
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Cinematographically stunning, acting superb, story line could have been more
Being a native of Kerala and not knowing much of this movie, I went because my favorite Indian actors Nandita Das and Rahul Bose were in it. My hubby and I were in for a stunningly visual treat of our home state in India and were jumping for joy. Every frame was pure, with shadows and light and filters that just transported you and wanting to see more. I would liked the movie more if it had been stretched a little longer and see more deeper delving into the characters and the village life. Instead a limited dimension was presented. I was a little disappointed and left feeling like something wasn't complete in the application of the story. While the film focuses around the central characters,not enough time was spent on how the setup started but the movie picks-up almost mid-stream it felt like and therefore a little incomplete. There were seeming contradictions in the movie. exploration of each of the characters could have been done more deeply. I was sorry to see that Nandita Das was relegated to such a minimal role. Rahul Bose whose phenomenal acting could have been explored profoundly was also limited to more of a silent portrayal while his eyes spoke volumes. I wasn't sure where his loyalties were or whether he was really trying to live in two worlds and ultimately what is it that he stood to gain in the way of empowerment. The storyline is simple and did a good job around Roach's role and his moral conflicts. The actress who portrayed his wife as brief as it was very good and believable. The supporting actors all acted well (kudos to Indrajit and Lal and Mr.Thilakan as well-it was awesome to see these phenomenal actors on the big screen through such an artistic lens. It was a little discomforting to see the far from the truth portrayal of the tribal ritual. My huge kudos to Mr. Sivan- the quality of the cinematography is pristine and flawless and timeless. I hope you'll blaze forward with more courage at exploring in-depth portrayals of Kerala even more.
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