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Little tribal boy runs off on a long journey to the big city to watch the Ramayana that his friends saw but he missed, unaware that his little village is being forced to give up its land for bauxite mining.
The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in ... See full summary »
Konkona Sen Sharma
Malayalam-speaking T.K. Neelan, Rajat, Manas and his sister, Sajani, live in Kalpetta Township in Kerala, India, during the British Raj. As children they used to play in the woods where Manas and T.K. used to play Bhagwan Shri Ram and Shri Lakshman respectively, and rescue Sita (Sajani) from Lord Ravan's (Rajat) clutches. Now the year is 1937, all are grown up, while Manas is a laborer, Sajani is married to Rajat, and T.K. works for his British employer, Henry Moore, who lives there with his wife, Laura, and their son, Peter. Sajani is also employed as a maidservant in the Moore household. T.K.'s headmaster asks him to join the freedom movement and ask the British to quit India, but T.K. feels that India has made a lot of progress under the British rule and they should continue with this partnership. His headmaster cautions him that partnership is only between equals, but T.K. disregards this, and it is this attitude that will compel him to re-examine his way of thinking when he finds... Written by
This gentle yet dramatic story of an ill-fated love affair between a colonial Brit (Linus Roach) and his beautiful Indian servant (Nandita Dass) reminds me of films of another era, perhaps Michael Powell's masterful Black Narcissus, where the mystical allure of India is powerfully dramatized. This simple yet effective story of longing, love, and sensuality, corrupted by jealously and betrayal, equally offers the viewer a canvas of raw color, dripping textures, and curious mysteries concealed within light and shadow. Films don't look like this any more, it is vivid and alive, and often reminds me of David Lean or John Ford. If the modern film world is harsh and uncompromising, this film's world is subtle and timeless... like India. The cast is superb, and I love the quiet torment and emotions of Rahul Bose, the man-servant with big trouble on his hands, and difficult choices to be made. Go see it for a movie experience long absent at the multiplex. Don't wait for the DVD - you won't be disappointed!
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