British couple Fiona and Nigel Dobson are sailing to Istanbul en route to India. They encounter a beautiful French woman, and that night Nigel meets her while dancing alone in the ship's ... See full summary »
Kristin Scott Thomas,
In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tamsin. Over the summer season, the two young women discover they have much to teach one another, and much to explore together.
Malayalam-speaking T.K. Neelan, Rajat, Manas and his sister, Sajani, live in Kalpetta Township in Kerala, India, during the British Raj. As children they used to play in the woods where Manas and T.K. used to play Bhagwan Shri Ram and Shri Lakshman respectively, and rescue Sita (Sajani) from Lord Ravan's (Rajat) clutches. Now the year is 1937, all are grown up, while Manas is a laborer, Sajani is married to Rajat, and T.K. works for his British employer, Henry Moore, who lives there with his wife, Laura, and their son, Peter. Sajani is also employed as a maidservant in the Moore household. T.K.'s headmaster asks him to join the freedom movement and ask the British to quit India, but T.K. feels that India has made a lot of progress under the British rule and they should continue with this partnership. His headmaster cautions him that partnership is only between equals, but T.K. disregards this, and it is this attitude that will compel him to re-examine his way of thinking when he finds... Written by
When DOP holds the directorial reigns one can expect a visual feast nothing short of excellence. And precisely that what you are in for "Before the Rains". Every scene seems to hand-picked and aesthetically delivered. Brillaince perhaps would be an understatement for the visual poetry.
The plot weaves a story of love, passion, friendship, loyalty and greed amidst the struggle for freedom from the British Raj neatly showcasing the customs and traditions of Gods own country, Kerala.
Santosh Sivan gets down to business straight away and while the visuals keeps the audience glued, the same cannot be said about the plot/ narrative which seems to give away. Perhaps screenplay needed further cementing.
Ψ Rahul Bose:: Needs no intro, he is might in his own right. Manages to pull off the various layers of the role effectively. His character seems to be inspired from Karna in Mahabharata.
Ψ Nandita Das:: Her role was smaller than expected and needed more screen time to establish the character.
Ψ Linus:: He was good, though has immense scope to make a dent.
Ψ Jennifer:: Now literally stealing the thunder would be the apt idiom to compliment her performance and her character backs it up nicely.
Ψ The other stalwarts from Malayalam cinema were confined to character roles and perhaps minuscule.
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